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Track List
01) Gave It All Away
02) Love Is a Hurricane
03) Ruby
04) Too Late for Hallelujah
05) Separate Cars
06) One More Song
07) Right Here Waiting
08) Nothing Without You
09) 'Til the Sun Goes Down
10) Time
11) Let Your Wall Fall Down
12) Stronger
01) Gave It All Away
02) Love Is a Hurricane
03) Ruby
04) Too Late for Hallelujah
05) Separate Cars
06) One More Song
07) Right Here Waiting
08) Nothing Without You
09) 'Til the Sun Goes Down
10) Time
11) Let Your Wall Fall Down
12) Stronger
4:27
3:30
4:27
3:38
3:11
3:33
3:38
3:20
3:45
4:10
5:11
3:50
Data Complete
80%
Total Rating
80%Total Rating
(1 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2010
Pop
Good Natured
Rock/Pop
---
Medium
Album
0 copies
Album Description
Available in:
It became their first studio album released in 12 years. This album is named in memory of member Stephen Gately, who died five months before its release. However, Gately's vocals did appear on the band's songs "Gave It All Away" and "Stronger", making it the final album to feature Gately's vocals and is released posthumously. The album was recorded in 2009, and was released on 5 March 2010 in Ireland and was released on 8 March 2010 in the United Kingdom. The album contains the single "Gave It All Away", released as a tribute to Gately and also features his vocals on the song "Stronger". The record entered the UK Album Chart at number 1 on 14 March 2010, meaning that all four of Boyzone's studio albums have reached number 1 in the UK. The album also reached the number 1 slot in Ireland, resulting in the same achievement for all four albums, cementing the band's reputation as being one of the most successful boyband/male groups of all time in the UK and Ireland. On 28 March 2010, the album reclaimed the top spot in the UK album charts after a week at number 3. On the same day, the single "Gave It All Away" climbed 19 places to number 10 on the UK singles chart. 'Love Is a Hurricane' was the second and final single from 'Brother', and was released on 17 May.
User Album Review
The comeback trail for Boyzone was a bumpy one long before the death of Stephen Gately in October 2009, an event that delayed completion of this fourth studio album.
Back Again… No Matter What, released in 2008 to coincide with reunion activity – the group had been effectively disbanded since 2000 – was a poorly received rehashing of 1999’s best-of set, By Request; its three new songs offered little beyond the established, ballad-heavy formula. Tour tickets sold well, but unlike 1990s rivals-cum-peers Take That, Boyzone didn’t noticeably embrace a fresh audience upon their return.
While Take That have now courted the affections of three generations, the stolid, workmanlike approach to arrangement on Boyzone albums has always been too clinical to enjoy comparable appeal. And it was only after Take That’s split in 1996 that Boyzone hit their creative stride, with third album Where We Belong (1998) featuring a number of tracks written by the singers themselves.
Sadly, in the same year they took Westlife on tour with them, leading to a period of pop dominance that most will want to forget. Seven numbers ones in a row: who’d admit to buying them now? Anyway, pardon the digression: back to Brother matters, and album four from Boyzone plays out largely to expectations. It’s soft about its edges, its lyrical content exclusively syrupy – but that’s fine, as at this stage in their career, pronounced progression was never a likely option. The four play to recognised strengths, and their writing/producing team – with credits like Leona Lewis, Celine Dion and Delta Goodrem – is an accomplished, if not particularly showy one.
It’s sad, though, that Gately eulogy-of-sorts Gave It All Away – written by Mika, and featuring the late singer’s easily identifiable vocals – is so very poor. Beginning with backwards strings, the song shuffles to an awkward, cod-reggae beat – imagine Ali Campbell on auto pilot, writing for the money. Such is the opener’s weakness that Love Is a Hurricane can’t fail to impress. Invigoratingly breezy, and featuring a strong Ronan Keating lead vocal, it’s evidence that Boyzone can raise the pace when it suits them, rare though such instances are. Let Your Wall Fall Down is another welcome diversion into such territories.
But with ballads dominating, Brother is a Boyzone album for Boyzone fans – younger ears accustomed to the faster RnB tempos of contemporary boybands like JLS may wonder what the fuss was ever about.
External Album Reviews
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User Comments
Available in:
It became their first studio album released in 12 years. This album is named in memory of member Stephen Gately, who died five months before its release. However, Gately's vocals did appear on the band's songs "Gave It All Away" and "Stronger", making it the final album to feature Gately's vocals and is released posthumously. The album was recorded in 2009, and was released on 5 March 2010 in Ireland and was released on 8 March 2010 in the United Kingdom. The album contains the single "Gave It All Away", released as a tribute to Gately and also features his vocals on the song "Stronger". The record entered the UK Album Chart at number 1 on 14 March 2010, meaning that all four of Boyzone's studio albums have reached number 1 in the UK. The album also reached the number 1 slot in Ireland, resulting in the same achievement for all four albums, cementing the band's reputation as being one of the most successful boyband/male groups of all time in the UK and Ireland. On 28 March 2010, the album reclaimed the top spot in the UK album charts after a week at number 3. On the same day, the single "Gave It All Away" climbed 19 places to number 10 on the UK singles chart. 'Love Is a Hurricane' was the second and final single from 'Brother', and was released on 17 May.
User Album Review
The comeback trail for Boyzone was a bumpy one long before the death of Stephen Gately in October 2009, an event that delayed completion of this fourth studio album.
Back Again… No Matter What, released in 2008 to coincide with reunion activity – the group had been effectively disbanded since 2000 – was a poorly received rehashing of 1999’s best-of set, By Request; its three new songs offered little beyond the established, ballad-heavy formula. Tour tickets sold well, but unlike 1990s rivals-cum-peers Take That, Boyzone didn’t noticeably embrace a fresh audience upon their return.
While Take That have now courted the affections of three generations, the stolid, workmanlike approach to arrangement on Boyzone albums has always been too clinical to enjoy comparable appeal. And it was only after Take That’s split in 1996 that Boyzone hit their creative stride, with third album Where We Belong (1998) featuring a number of tracks written by the singers themselves.
Sadly, in the same year they took Westlife on tour with them, leading to a period of pop dominance that most will want to forget. Seven numbers ones in a row: who’d admit to buying them now? Anyway, pardon the digression: back to Brother matters, and album four from Boyzone plays out largely to expectations. It’s soft about its edges, its lyrical content exclusively syrupy – but that’s fine, as at this stage in their career, pronounced progression was never a likely option. The four play to recognised strengths, and their writing/producing team – with credits like Leona Lewis, Celine Dion and Delta Goodrem – is an accomplished, if not particularly showy one.
It’s sad, though, that Gately eulogy-of-sorts Gave It All Away – written by Mika, and featuring the late singer’s easily identifiable vocals – is so very poor. Beginning with backwards strings, the song shuffles to an awkward, cod-reggae beat – imagine Ali Campbell on auto pilot, writing for the money. Such is the opener’s weakness that Love Is a Hurricane can’t fail to impress. Invigoratingly breezy, and featuring a strong Ronan Keating lead vocal, it’s evidence that Boyzone can raise the pace when it suits them, rare though such instances are. Let Your Wall Fall Down is another welcome diversion into such territories.
But with ballads dominating, Brother is a Boyzone album for Boyzone fans – younger ears accustomed to the faster RnB tempos of contemporary boybands like JLS may wonder what the fuss was ever about.
External Album Reviews
None...
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