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Track List
01) Touch and Go
02) Naming the Rose
03) How Far I Fell
04) Somebody Bad Enough
05) Tango for One
06) Like Veronica
07) In a Bottle
08) Astart
01) Touch and Go
02) Naming the Rose
03) How Far I Fell
04) Somebody Bad Enough
05) Tango for One
06) Like Veronica
07) In a Bottle
08) Astart
4:06
5:16
5:56
4:02
6:42
5:56
8:02
4:16
Data Complete
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Total Rating
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Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2000
Progressive Rock
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Rock/Pop
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Album
0 copies
Album Description
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None of the Above is an album by Peter Hammill, released on his Fie! label in 2000. The genre of None of the Above is not located in progressive rock music like Peter Hammill's band Van der Graaf Generator and some of his earlier solo albums, but can be described best as singer/songwriter. Along with This (1998) and What, Now? (2001), None of the Above belongs to a set of three albums Peter Hammill recorded around the turn of the millennium and of which it is the most accessible albeit the most conventional in terms of composition and instrumentation.
Peter Hammill recorded None of the Above in his home studio ("Sofa Sound") between January 1999 and February 2000, playing, producing and arranging nearly all instruments and singing nearly all voices. Some minor contributions were made by Stuart Gordon (violin, viola) on three tracks and Manny Elias (drums, percussion) on one track. Peter Hammill's daughters Holly and Beatrice Hammill sing backing soprano voices on two tracks. The carefully arranged instrumentation is dominated by guitars (more as a "colour-wash", as Peter Hammill wrote in his newsletter), keyboards and some strings.
The long recording time is due to Peter Hammill's parallel work on a remastered 4-CD compilation of Van der Graaf Generator called The Box.
The title of the album refers, as a typical Peter Hammill play on words, to the English phrase "None of the above" meaning none of the choices on a form are appropriate. The expression can be seen here as a metaphor for "people in earthy and/or earthly circumstances", i.e. as the opposite to heavenly conditions. It is, of course, appropriate too as the latest title in a list of Peter Hammill albums.
The mood of the album is calm and melancholic. A typical song is "Naming the Rose", a chamber music-like arrangement for lead vocals, keyboards (in Hammond organ sound), violas and background choirs. It is about a gardener who names his last creation - a damask rose - after his wife who died on the very day the best blossom opened. The rose breeder fertilizes the seeds of the variety with the ashes of his wife. Thus the couple that had no children both live on in the new rose.
The first seven tracks all have the same topic as "Naming the Rose": people coming to an end of a phase in their life - in very different circumstances. But the eighth song ("Astart") says: every end can be a new start. In his newsletter from April 2000, Peter Hammill comments:
“This song doesn't hold out the possibility of changing one's past or even one's present; but it does propose that one should embrace both and go forward in expectation.... ”
The cover shows a serious-looking Peter Hammill photographed by Dinu and the back cover - again alluding to the title of the album - a section of the star-spangled sky.
Paul Ridout again designed the booklet. Each double page shows a washed-out photo presenting a staircase or a ladder ending nowhere or against a bricked entrance or upon an empty floor with black garbage bags lying around. Only the last double page for the song "Astart" shows busy people on an elevator rolling into some kind of shop scene. -
The music press did not take much notice of None of the Above. In allmusic.com Simon Cantlon gave 3 out of 5 stars for "poignant musical snapshots" and "atmosphere" but found "points on this release when things become a bit too monotonous". With 3 out of 5 stars the same rating is given on the fan site Progarchives.
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Available in:
None of the Above is an album by Peter Hammill, released on his Fie! label in 2000. The genre of None of the Above is not located in progressive rock music like Peter Hammill's band Van der Graaf Generator and some of his earlier solo albums, but can be described best as singer/songwriter. Along with This (1998) and What, Now? (2001), None of the Above belongs to a set of three albums Peter Hammill recorded around the turn of the millennium and of which it is the most accessible albeit the most conventional in terms of composition and instrumentation.
Peter Hammill recorded None of the Above in his home studio ("Sofa Sound") between January 1999 and February 2000, playing, producing and arranging nearly all instruments and singing nearly all voices. Some minor contributions were made by Stuart Gordon (violin, viola) on three tracks and Manny Elias (drums, percussion) on one track. Peter Hammill's daughters Holly and Beatrice Hammill sing backing soprano voices on two tracks. The carefully arranged instrumentation is dominated by guitars (more as a "colour-wash", as Peter Hammill wrote in his newsletter), keyboards and some strings.
The long recording time is due to Peter Hammill's parallel work on a remastered 4-CD compilation of Van der Graaf Generator called The Box.
The title of the album refers, as a typical Peter Hammill play on words, to the English phrase "None of the above" meaning none of the choices on a form are appropriate. The expression can be seen here as a metaphor for "people in earthy and/or earthly circumstances", i.e. as the opposite to heavenly conditions. It is, of course, appropriate too as the latest title in a list of Peter Hammill albums.
The mood of the album is calm and melancholic. A typical song is "Naming the Rose", a chamber music-like arrangement for lead vocals, keyboards (in Hammond organ sound), violas and background choirs. It is about a gardener who names his last creation - a damask rose - after his wife who died on the very day the best blossom opened. The rose breeder fertilizes the seeds of the variety with the ashes of his wife. Thus the couple that had no children both live on in the new rose.
The first seven tracks all have the same topic as "Naming the Rose": people coming to an end of a phase in their life - in very different circumstances. But the eighth song ("Astart") says: every end can be a new start. In his newsletter from April 2000, Peter Hammill comments:
“This song doesn't hold out the possibility of changing one's past or even one's present; but it does propose that one should embrace both and go forward in expectation.... ”
The cover shows a serious-looking Peter Hammill photographed by Dinu and the back cover - again alluding to the title of the album - a section of the star-spangled sky.
Paul Ridout again designed the booklet. Each double page shows a washed-out photo presenting a staircase or a ladder ending nowhere or against a bricked entrance or upon an empty floor with black garbage bags lying around. Only the last double page for the song "Astart" shows busy people on an elevator rolling into some kind of shop scene. -
The music press did not take much notice of None of the Above. In allmusic.com Simon Cantlon gave 3 out of 5 stars for "poignant musical snapshots" and "atmosphere" but found "points on this release when things become a bit too monotonous". With 3 out of 5 stars the same rating is given on the fan site Progarchives.
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