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Track List
01) Dire
02) Consequence
03) Relentless
04) Rape Song
05) Aftermath
06) Devour
07) Last Minute
08) Force Fed
09) Dirt Pride
10) Bring on the Young
11) Detox (live)
01) Dire
02) Consequence
03) Relentless
04) Rape Song
05) Aftermath
06) Devour
07) Last Minute
08) Force Fed
09) Dirt Pride
10) Bring on the Young
11) Detox (live)
1:10
4:02
3:03
3:09
6:46
2:53
3:58
5:23
2:40
5:56
6:40
Data Complete
60%
Total Rating
60%Total Rating
(1 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2003
Industrial Metal
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Metal
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Fast
Album
0 copies
Album Description
Available in:
Strapping Young Lad (occasionally referred to as SYL) is the eponymous third album by Canadian heavy metal band Strapping Young Lad. It was released on February 11, 2003.
In December 2001 Townsend announced that, contrary to his earlier public statements, a new Strapping Young Lad album would be released in 2002. He emphasized that he was not "forcing" his product upon fans to generate record sales, arguing that his band—and its contract with Century—was never a lucrative endeavour. Instead, Townsend's motivation was the "creative anger" sparked by the September 11, 2001 attacks and further cultivated during their 2001 tour. For the first time, the album would be a product of collaborative writing; the band wrote "about half" of the material on the 2001 Foot in Mouth Tour, and the rest at home, starting January 2002. After playing a small number of festivals in 2002, Strapping Young Lad entered the studio in September of that year, to record their third album.
Initial writing for the album reached as far back as 2000, when the track "Idom" was released on the soundtrack for Tekkōki Mikazuki; this is a demo containing pieces later used for "Dire," "Consequence," and "Aftermath." The album's sound was somewhat of a departure from Strapping Young Lad's previous albums, Heavy as a Really Heavy Thing and City. Devin Townsend's vocals contain much more singing than before but also a lot of death growls and screaming, and rather than the blinding extreme metal/industrial metal styled songs of Heavy as a Really Heavy Thing and City, many of the songs were structured and produced in a manner more akin to traditional death metal. The overall tone is darker and more serious in nature and contains less overt tongue-in-cheek humour than other SYL releases. The raw production style in particular is different from other records Devin has produced; he would later on call the album "murky" and "dreadful sounding" and claimed that he "phoned in". The slightly different sound on this album can in part be attributed to the fact that second guitarist Jed Simon plays the vast majority of rhythm guitars. This was due to Townsend's concurrent production and recording of Accelerated Evolution by The Devin Townsend Band, which was released only a few weeks later. In an interview with Enslain Magazine, drummer Gene Hoglan had this to say about the more raw sound on the album " the next album came out in 2003 and that was the self-titled "SYL", that was a little more raw bare-bones record, we didn't want to repeat "City", because "City" was like sample-heavy, and totally, we were being called an industrial band and all that sort of bullshit, and by the time we did "SYL", we liked being a metal band, so it was just a pretty raw metal record, not over-the-top samples or keyboards, or even the vocals weren't layered, and so that brought us to 2004 when we started writing "Alien".
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Available in:
Strapping Young Lad (occasionally referred to as SYL) is the eponymous third album by Canadian heavy metal band Strapping Young Lad. It was released on February 11, 2003.
In December 2001 Townsend announced that, contrary to his earlier public statements, a new Strapping Young Lad album would be released in 2002. He emphasized that he was not "forcing" his product upon fans to generate record sales, arguing that his band—and its contract with Century—was never a lucrative endeavour. Instead, Townsend's motivation was the "creative anger" sparked by the September 11, 2001 attacks and further cultivated during their 2001 tour. For the first time, the album would be a product of collaborative writing; the band wrote "about half" of the material on the 2001 Foot in Mouth Tour, and the rest at home, starting January 2002. After playing a small number of festivals in 2002, Strapping Young Lad entered the studio in September of that year, to record their third album.
Initial writing for the album reached as far back as 2000, when the track "Idom" was released on the soundtrack for Tekkōki Mikazuki; this is a demo containing pieces later used for "Dire," "Consequence," and "Aftermath." The album's sound was somewhat of a departure from Strapping Young Lad's previous albums, Heavy as a Really Heavy Thing and City. Devin Townsend's vocals contain much more singing than before but also a lot of death growls and screaming, and rather than the blinding extreme metal/industrial metal styled songs of Heavy as a Really Heavy Thing and City, many of the songs were structured and produced in a manner more akin to traditional death metal. The overall tone is darker and more serious in nature and contains less overt tongue-in-cheek humour than other SYL releases. The raw production style in particular is different from other records Devin has produced; he would later on call the album "murky" and "dreadful sounding" and claimed that he "phoned in". The slightly different sound on this album can in part be attributed to the fact that second guitarist Jed Simon plays the vast majority of rhythm guitars. This was due to Townsend's concurrent production and recording of Accelerated Evolution by The Devin Townsend Band, which was released only a few weeks later. In an interview with Enslain Magazine, drummer Gene Hoglan had this to say about the more raw sound on the album " the next album came out in 2003 and that was the self-titled "SYL", that was a little more raw bare-bones record, we didn't want to repeat "City", because "City" was like sample-heavy, and totally, we were being called an industrial band and all that sort of bullshit, and by the time we did "SYL", we liked being a metal band, so it was just a pretty raw metal record, not over-the-top samples or keyboards, or even the vocals weren't layered, and so that brought us to 2004 when we started writing "Alien".
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