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Track List
01) Lost
02) Control
03) Nothing
04) ACF
05) Lies
06) Ungod
07) Throw
08) Violent Mood Swings
09) Red on White
10) Can't Happen Here
01) Lost
02) Control
03) Nothing
04) ACF
05) Lies
06) Ungod
07) Throw
08) Violent Mood Swings
09) Red on White
10) Can't Happen Here
3:21
3:40
4:51
4:44
4:44
7:44
5:24
5:12
5:20
8:27
Data Complete
50%
Total Rating
50%Total Rating
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Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1994
Industrial Metal
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Rock/Pop
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Medium
Album
0 copies
Album Description
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One of the more mainstream and melodic of Trent Reznor-inspired, industrial/alternative rock bands, Stabbing Westward released their major-label debut with Ungod. Christopher Hall rages hard, singing over the grinding guitars of Stuart Zechman, the thunderous rhythm section (bassist Jim Sellers and drummer David Suycott), and the drenching keyboards of Walter Flakus. The songs don't distinguish themselves from each other much, but the tribal drumming and wailing guitars drive some catchy melodies and create a mood. "Control" is given a shot of adrenaline by the throbbing bassline and the midsection of "Nothing" has an attention-getting, jackhammer riff. And at moments, like "Lies," the band almost comes across as a less playful White Zombie. The lyrics range from bleak ("Lost") to bleaker ("Nothing") to bleaker still ("Lies"), but the beat of the music is infectious and kinetic. As to whether the grimness that permeates Ungod is cathartic or wallowing is subject to individual tastes.
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Available in:
One of the more mainstream and melodic of Trent Reznor-inspired, industrial/alternative rock bands, Stabbing Westward released their major-label debut with Ungod. Christopher Hall rages hard, singing over the grinding guitars of Stuart Zechman, the thunderous rhythm section (bassist Jim Sellers and drummer David Suycott), and the drenching keyboards of Walter Flakus. The songs don't distinguish themselves from each other much, but the tribal drumming and wailing guitars drive some catchy melodies and create a mood. "Control" is given a shot of adrenaline by the throbbing bassline and the midsection of "Nothing" has an attention-getting, jackhammer riff. And at moments, like "Lies," the band almost comes across as a less playful White Zombie. The lyrics range from bleak ("Lost") to bleaker ("Nothing") to bleaker still ("Lies"), but the beat of the music is infectious and kinetic. As to whether the grimness that permeates Ungod is cathartic or wallowing is subject to individual tastes.
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