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Track List
01) Suite: Judy Blue Eyes
02) Marrakesh Express
03) Guinnevere
04) You Don't Have to Cry
05) Pre-Road Downs
06) Wooden Ships
07) Lady of the Island
08) Helplessly Hoping
09) Long Time Gone
10) 49 Bye-Byes
11) Do for the Others
12) Song With No Words
13) Everybody's Talkin'
14) Teach Your Children
01) Suite: Judy Blue Eyes
02) Marrakesh Express
03) Guinnevere
04) You Don't Have to Cry
05) Pre-Road Downs
06) Wooden Ships
07) Lady of the Island
08) Helplessly Hoping
09) Long Time Gone
10) 49 Bye-Byes
11) Do for the Others
12) Song With No Words
13) Everybody's Talkin'
14) Teach Your Children
7:24
2:39
4:39
2:45
2:57
5:28
2:38
2:41
4:18
5:12
2:50
3:18
3:15
3:14
Data Complete
60%
Total Rating
60%Total Rating
(1 users)
Back Cover
CD Art
3D Case
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First Released
1969
Rock
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Rock/Pop
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Medium
Album
0 copies
Album Description
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The Crosby, Stills & Nash triumvirate shot to immediate superstardom with the release of its self-titled debut LP, a sparkling set immortalizing the group's amazingly close, high harmonies. While elements of the record haven't dated well -- Nash's Eastern-influenced musings on the hit "Marrakesh Express" now seem more than a little silly, while the antiwar sentiments of "Wooden Ships," though well-intentioned, are rather hokey -- the harmonies are absolutely timeless, and the best material remains rock-solid. Stills' gorgeous opener, "Suite: Judy Blue Eyes," in particular, is an epic love song remarkable in its musical and emotional intricacy, Nash's "Pre-Road Downs" is buoyant folk-pop underpinned by light psychedelic textures, and Crosby's "Long Time Gone" remains a potent indictment of the assassination of Robert Kennedy. A definitive document of its era.
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Available in:
The Crosby, Stills & Nash triumvirate shot to immediate superstardom with the release of its self-titled debut LP, a sparkling set immortalizing the group's amazingly close, high harmonies. While elements of the record haven't dated well -- Nash's Eastern-influenced musings on the hit "Marrakesh Express" now seem more than a little silly, while the antiwar sentiments of "Wooden Ships," though well-intentioned, are rather hokey -- the harmonies are absolutely timeless, and the best material remains rock-solid. Stills' gorgeous opener, "Suite: Judy Blue Eyes," in particular, is an epic love song remarkable in its musical and emotional intricacy, Nash's "Pre-Road Downs" is buoyant folk-pop underpinned by light psychedelic textures, and Crosby's "Long Time Gone" remains a potent indictment of the assassination of Robert Kennedy. A definitive document of its era.
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