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Track List
01) Heart Shaped World
02) I'm Not Waiting
03) Don't Make Me Dream About You
04) Kings of the Highway
05) Wicked Game
06) Blue Spanish Sky
07) Wrong to Love You
08) Forever Young
09) Nothing's Changed
10) In the Heat of the Jungle
11) Diddley Daddy
01) Heart Shaped World
02) I'm Not Waiting
03) Don't Make Me Dream About You
04) Kings of the Highway
05) Wicked Game
06) Blue Spanish Sky
07) Wrong to Love You
08) Forever Young
09) Nothing's Changed
10) In the Heat of the Jungle
11) Diddley Daddy
3:29
3:16
3:33
4:46
4:49
3:58
4:19
3:23
4:08
6:19
4:05
Data Complete
70%
Total Rating
70%Total Rating
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Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1989
Rock
Cheerful
Rock/Pop
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Album
0 copies
Album Description
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When filmmaker David Lynch backed a disquieting scene in Blue Velvet with Roy Orbison's "In Dreams," he demonstrated the eerie atmosphere behind its pre-'60s innocence. Orbison disciple Chris Isaak played those qualities to the hilt in his shimmering, spare "Wicked Game," so it was no surprise when Lynch included the ballad in Wild at Heart. What was surprising, given the fact that it sounded like nothing else on pop radio in 1990, was that "Wicked Game" became a breakout Top Ten hit, pushing Isaak's accompanying album Heart Shaped World to platinum status. Of course, there's more than that one moody masterpiece of a single to recommend Heart Shaped World. Isaak faithfully recreates his influences with production that's infinitely cleaner than Sun rock & roll, drawing more on its form than its attitude, but he's particularly suited to the sort of Orbison/Presley-style balladry that brought him a mass audience. His rich, sobbing croon is simply a gorgeous instrument, whether he's in a sonorous baritone or quavering falsetto. And he uses that instrument to tremendous effect here, coming across as a brooding romantic with a broken heart and swoon-inducing style. Of itself, Heart Shaped World is a pretty effective mood piece, showcasing Isaak doing a whole lot of what he does best. He does attempt a couple of rockers, but they never really rock -- much like Orbison, it's clear that ballads are his true forte, and given the spirit Isaak wants to channel, the numbers feel much too tame. But aside from that flaw, the rest of Heart Shaped World is a supremely elegant late-night soundtrack, equally suited to steamy romance or solitary heartache.
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When filmmaker David Lynch backed a disquieting scene in Blue Velvet with Roy Orbison's "In Dreams," he demonstrated the eerie atmosphere behind its pre-'60s innocence. Orbison disciple Chris Isaak played those qualities to the hilt in his shimmering, spare "Wicked Game," so it was no surprise when Lynch included the ballad in Wild at Heart. What was surprising, given the fact that it sounded like nothing else on pop radio in 1990, was that "Wicked Game" became a breakout Top Ten hit, pushing Isaak's accompanying album Heart Shaped World to platinum status. Of course, there's more than that one moody masterpiece of a single to recommend Heart Shaped World. Isaak faithfully recreates his influences with production that's infinitely cleaner than Sun rock & roll, drawing more on its form than its attitude, but he's particularly suited to the sort of Orbison/Presley-style balladry that brought him a mass audience. His rich, sobbing croon is simply a gorgeous instrument, whether he's in a sonorous baritone or quavering falsetto. And he uses that instrument to tremendous effect here, coming across as a brooding romantic with a broken heart and swoon-inducing style. Of itself, Heart Shaped World is a pretty effective mood piece, showcasing Isaak doing a whole lot of what he does best. He does attempt a couple of rockers, but they never really rock -- much like Orbison, it's clear that ballads are his true forte, and given the spirit Isaak wants to channel, the numbers feel much too tame. But aside from that flaw, the rest of Heart Shaped World is a supremely elegant late-night soundtrack, equally suited to steamy romance or solitary heartache.
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