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Track List
01) Intro
02) The Prequel
03) Say What
04) What's Happenin'
05) The Motto
06) We Some Dogs
07) The Turn
08) Tease
09) Rodeo
10) Baby Come On
11) Who Ya Rollin Wit
12) Never Hold Back
13) The Show
14) Act Right
15) Afterparty
16) Crooked Letter I
17) Ridin' for Outro
01) Intro
02) The Prequel
03) Say What
04) What's Happenin'
05) The Motto
06) We Some Dogs
07) The Turn
08) Tease
09) Rodeo
10) Baby Come On
11) Who Ya Rollin Wit
12) Never Hold Back
13) The Show
14) Act Right
15) Afterparty
16) Crooked Letter I
17) Ridin' for Outro
1:00
2:07
4:11
3:52
3:24
4:30
3:01
4:50
2:57
4:01
4:26
3:05
2:30
3:17
3:12
3:48
1:00
Data Complete
70%
Total Rating
70%Total Rating
(2 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2004
Hip-Hop
Energetic
Urban/R&B
---
Medium
Album
0 copies
Album Description
Available in:
Method Man's third solo work, following 1998's uneven Tical 2000 (and released a month after Ghostface's superior-in-every-aspect Pretty Toney Album), arrived with many conflicting rumors and circumstances attached to it. On the M2 program Spoke 'n' Heard, Meth informed journalist/host Touré that Tical 0 is his best record, and alluded to being boxed in when working with one producer and one sound. Around the same time, the official Wu-Tang website reported that the MC was not pleased with the version Def Jam opted to put out, due to its scant number of RZA productions -- one single cut, when an entire record's worth was allegedly put together throughout the past couple years. Whatever the circumstances might be, there's no doubt that Tical 0 is even less penetrating than Tical 2000, a record that at least had its ambitions to retain interest during the lulls. At its best, this one offers brief bursts of okay-to-decent tracks. The most energizing moments typically come when Meth's supported by the likes of Busta Rhymes ("What's Happenin'") and Ludacris ("Rodeo"), but the productive conveyor belt of guest spots -- which chucks out well over a dozen of them, including Missy Elliott, Raekwon, Kardinal Offishall, Chinky (not Chingy), and soon-to-be fellow sitcom star Redman -- also weighs down the whole process. Likewise, the list of producers comes pretty close to being lengthier than the list of guest MCs; this makes the record seem unfocused and disjointed, not diverse and well rounded. Meth seems more clear-headed than ever, possibly a result from his cleaned-up, family-oriented lifestyle. (The lyrical matter, however, does nothing to reflect this change.) His throaty rasp isn't nearly as doped out as it was a decade prior, but his personality remains an attraction. As an MC, he's had nothing to prove for quite some time. Give or take a couple hot tracks, this release is not likely to play a significant role in his legacy.
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Available in:
Method Man's third solo work, following 1998's uneven Tical 2000 (and released a month after Ghostface's superior-in-every-aspect Pretty Toney Album), arrived with many conflicting rumors and circumstances attached to it. On the M2 program Spoke 'n' Heard, Meth informed journalist/host Touré that Tical 0 is his best record, and alluded to being boxed in when working with one producer and one sound. Around the same time, the official Wu-Tang website reported that the MC was not pleased with the version Def Jam opted to put out, due to its scant number of RZA productions -- one single cut, when an entire record's worth was allegedly put together throughout the past couple years. Whatever the circumstances might be, there's no doubt that Tical 0 is even less penetrating than Tical 2000, a record that at least had its ambitions to retain interest during the lulls. At its best, this one offers brief bursts of okay-to-decent tracks. The most energizing moments typically come when Meth's supported by the likes of Busta Rhymes ("What's Happenin'") and Ludacris ("Rodeo"), but the productive conveyor belt of guest spots -- which chucks out well over a dozen of them, including Missy Elliott, Raekwon, Kardinal Offishall, Chinky (not Chingy), and soon-to-be fellow sitcom star Redman -- also weighs down the whole process. Likewise, the list of producers comes pretty close to being lengthier than the list of guest MCs; this makes the record seem unfocused and disjointed, not diverse and well rounded. Meth seems more clear-headed than ever, possibly a result from his cleaned-up, family-oriented lifestyle. (The lyrical matter, however, does nothing to reflect this change.) His throaty rasp isn't nearly as doped out as it was a decade prior, but his personality remains an attraction. As an MC, he's had nothing to prove for quite some time. Give or take a couple hot tracks, this release is not likely to play a significant role in his legacy.
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