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Track List
01) Come and Get It
02) Crimson Ship
03) Dear Angie
04) Fisherman
05) Midnight Sun
06) Beautiful and Blue
07) Rock of All Ages
08) Carry on Till Tomorrow
09) I'm in Love
10) Walk Out in the Rain
11) Angelique
12) Knocking Down Our Home
13) Give It a Try
14) Maybe Tomorrow
15) Storm in a Teacup
16) Arthur
01) Come and Get It
02) Crimson Ship
03) Dear Angie
04) Fisherman
05) Midnight Sun
06) Beautiful and Blue
07) Rock of All Ages
08) Carry on Till Tomorrow
09) I'm in Love
10) Walk Out in the Rain
11) Angelique
12) Knocking Down Our Home
13) Give It a Try
14) Maybe Tomorrow
15) Storm in a Teacup
16) Arthur
2:22
3:45
2:41
2:26
2:49
2:43
3:17
4:49
2:28
3:28
2:30
3:42
2:32
2:56
2:31
3:20
Data Complete
60%
Total Rating
60%Total Rating
(1 users)
Back Cover
CD Art
3D Case
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3D Spine
First Released
1970
Rock
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Rock/Pop
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Medium
Album
0 copies
Album Description
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Magic Christian Music is an album by the rock band Badfinger, released in early 1970 on Apple Records. Three tracks from the LP are featured in the film The Magic Christian, which also gives the album its title. However, Magic Christian Music is not an official soundtrack album for the film.
History :
The film soundtrack for The Magic Christian featured three new songs by Badfinger that had been commissioned for the film, including their US/UK top-10 hit "Come and Get It"', which opened the film, and "Carry on Till Tomorrow", the title theme. The soundtrack album, which also included incidental music by Ken Thorne, had originally been scheduled for release on Apple Records, but the addition of the Thunderclap Newman song "Something in the Air" to the movie prevented that. Instead, the soundtrack album was released on the little-known label Commonwealth United Records label in the US and on Pye in the UK. As a result, it received little promotion in the US and remained mostly unknown to American record buyers.
To capitalize on this gap, Apple Records released its own "pseudo-soundtrack." Apple combined the film's three Badfinger songs with four unreleased songs and seven older tracks released by the group when they were still known as The Iveys on the album Maybe Tomorrow, which had been quickly pulled off the market in 1969. The previously released Iveys songs were specially re-mixed for this album, significantly improving their sound quality in the process. One of them, "Fisherman", was also edited for this release.
The three tracks used in the film, "Come and Get It", "Rock of All Ages" and "Carry on Till Tomorrow", bear the strongest "Beatle connection". They were produced by Paul McCartney (the first was also composed by McCartney), and the strings on "Carry on Till Tomorrow" were arranged and conducted by Beatles producer George Martin. The other tracks on the album were produced by Tony Visconti (six songs, including both Iveys singles and the last recording made, "Crimson Ship") and Mal Evans (five songs).
Badfinger's line-up on these tracks includes bassist/vocalist Ron Griffiths. Griffiths departed The Iveys shortly after the McCartney sessions in late 1969, prior to the name change from The Iveys to Badfinger, which led to his exclusion from the credits and pictures on the album (although Griffiths does appear on the picture sleeve for "Come and Get It"). Guitarist Joey Molland was eventually added as Griffiths' replacement, causing Tom Evans to move from guitar to bass, but Molland's addition came after the album art had been prepared, so only Pete Ham, Tom Evans and Mike Gibbins are pictured on the cover.
The album peaked at number 55 in the US charts.
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Available in:
Magic Christian Music is an album by the rock band Badfinger, released in early 1970 on Apple Records. Three tracks from the LP are featured in the film The Magic Christian, which also gives the album its title. However, Magic Christian Music is not an official soundtrack album for the film.
History :
The film soundtrack for The Magic Christian featured three new songs by Badfinger that had been commissioned for the film, including their US/UK top-10 hit "Come and Get It"', which opened the film, and "Carry on Till Tomorrow", the title theme. The soundtrack album, which also included incidental music by Ken Thorne, had originally been scheduled for release on Apple Records, but the addition of the Thunderclap Newman song "Something in the Air" to the movie prevented that. Instead, the soundtrack album was released on the little-known label Commonwealth United Records label in the US and on Pye in the UK. As a result, it received little promotion in the US and remained mostly unknown to American record buyers.
To capitalize on this gap, Apple Records released its own "pseudo-soundtrack." Apple combined the film's three Badfinger songs with four unreleased songs and seven older tracks released by the group when they were still known as The Iveys on the album Maybe Tomorrow, which had been quickly pulled off the market in 1969. The previously released Iveys songs were specially re-mixed for this album, significantly improving their sound quality in the process. One of them, "Fisherman", was also edited for this release.
The three tracks used in the film, "Come and Get It", "Rock of All Ages" and "Carry on Till Tomorrow", bear the strongest "Beatle connection". They were produced by Paul McCartney (the first was also composed by McCartney), and the strings on "Carry on Till Tomorrow" were arranged and conducted by Beatles producer George Martin. The other tracks on the album were produced by Tony Visconti (six songs, including both Iveys singles and the last recording made, "Crimson Ship") and Mal Evans (five songs).
Badfinger's line-up on these tracks includes bassist/vocalist Ron Griffiths. Griffiths departed The Iveys shortly after the McCartney sessions in late 1969, prior to the name change from The Iveys to Badfinger, which led to his exclusion from the credits and pictures on the album (although Griffiths does appear on the picture sleeve for "Come and Get It"). Guitarist Joey Molland was eventually added as Griffiths' replacement, causing Tom Evans to move from guitar to bass, but Molland's addition came after the album art had been prepared, so only Pete Ham, Tom Evans and Mike Gibbins are pictured on the cover.
The album peaked at number 55 in the US charts.
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