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Track List
01) 3-D Man
02) Spy
03) Gentleman Death
04) Forever Alone
05) Draintime
06) Surrounded by Idiots
07) Desert Grins
08) What's Your Pleasure?
09) Prego
10) Another Nameless Face
11) //
12) I Ain't Drunk, I'm Just Drinkin'
01) 3-D Man
02) Spy
03) Gentleman Death
04) Forever Alone
05) Draintime
06) Surrounded by Idiots
07) Desert Grins
08) What's Your Pleasure?
09) Prego
10) Another Nameless Face
11) //
12) I Ain't Drunk, I'm Just Drinkin'
4:25
4:42
3:59
4:37
6:01
6:05
6:29
4:10
2:58
4:31
5:21
4:15
Data Complete
50%
Total Rating
50%Total Rating
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Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1991
Thrash Metal
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Metal
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Medium
Album
0 copies
Album Description
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3-D is the second and final studio album by American heavy metal band Wrathchild America, released on January 28, 1991 by Atlantic Records. This was the band's last studio album before they changed their name to Souls at Zero in 1992. 3-D was not successful as Climbin' the Walls, failing to appear on any record chart, although music videos for "Spy" and "Surrounded by Idiots" were released.
While retaining some of the thrash metal roots of its predecessor, 3-D is notable for being the band's most diverse and technical album. It leans towards other genres such as progressive and funk metal, and in particular, the instrumental "Prego" is played in a jazz fusion style, while its follow-up track "Another Nameless Face" draws a reggae influence.
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3-D is the second and final studio album by American heavy metal band Wrathchild America, released on January 28, 1991 by Atlantic Records. This was the band's last studio album before they changed their name to Souls at Zero in 1992. 3-D was not successful as Climbin' the Walls, failing to appear on any record chart, although music videos for "Spy" and "Surrounded by Idiots" were released.
While retaining some of the thrash metal roots of its predecessor, 3-D is notable for being the band's most diverse and technical album. It leans towards other genres such as progressive and funk metal, and in particular, the instrumental "Prego" is played in a jazz fusion style, while its follow-up track "Another Nameless Face" draws a reggae influence.
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