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Track List
01) Lightning to the Nations
02) The Prince
03) Sucking My Love
04) Am I Evil?
05) Sweet and Innocent
06) It's Electric
07) Helpless
08) Shoot Out the Lights
09) Streets of Gold
10) Waited Too Long
11) Play It Loud
12) Diamond Lights
13) We Won't Be Back
14) I Don't Got
01) Lightning to the Nations
02) The Prince
03) Sucking My Love
04) Am I Evil?
05) Sweet and Innocent
06) It's Electric
07) Helpless
08) Shoot Out the Lights
09) Streets of Gold
10) Waited Too Long
11) Play It Loud
12) Diamond Lights
13) We Won't Be Back
14) I Don't Got
4:15
6:26
9:32
7:43
3:14
3:38
6:54
3:34
4:17
3:32
3:53
3:31
4:18
4:25
Data Complete
60%
Total Rating
60%Total Rating
(2 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1981
Heavy Metal
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Metal
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Medium
Album
0 copies
Album Description
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Lightning to the Nations is the debut album by British heavy metal band Diamond Head. The album was recorded in 1979 (after the 1977 and 1979 demos) and released in 1980 through Happy Face Records, a label owned by the producer Muff Murfin of The Old Smithy studio of Worcester, due to lack of interest from major labels and the band feeling that they needed to get the ball rolling as other bands from the same era, such as Iron Maiden and Def Leppard, were already becoming big names. It was originally released in a plain white sleeve with no title or track listing, and was subsequently named after the first track on the album. Metal Blade Records re-released it on CD in 1992. In 2001, it was re-issued in its original "White Album" form by Sanctuary Records, featuring seven bonus tracks that were featured on singles and EPs from this era.
Diamond Head had gained enough attention to tour as support with AC/DC and Iron Maiden. Although a clutch of record companies fought to sign the band, none were willing to fully commit. The fact that the band was at the time managed by Sean Harris' mother (Linda Harris) did not help the band's commercial momentum. So, while other new wave of British heavy metal bands were signed to major labels and were headlining their own tours, Diamond Head were growing increasingly impatient and decided that they would release their material through their own label, Happy Face Records.
The album was recorded within seven days at The Old Smythy Studio in Worcester, which the band described as 'dead'. This album came in a plain sleeve with no title, having on it only a signature of one of the band members and no track listings. The reason for this was that the band's new manager, Reg Fellows, owned a cardboard factory and could produce blank sleeves at low cost. Also, the reason for recording this album was an attempt to lay down some tracks so they could send it to a record company who would be more willing to release it, as the recording costs had already been covered; this idea came from Fellows and Linda Harris (by then tour manager). There were originally only 1000 copies pressed of the album, which were only available at their concerts or through mail-order at a price of £3.50. In fact the only mail-order advertisement appeared in British music magazine 'Sounds' and ran for four weeks. However, the band did not pay for the ad and ended up being sued.
This album has become one of the most sought-after items from the time for record collectors. Later, there was a second pressing of 1000 copies that included track listings. The only original one-and-a-quarter-inch master tapes were lost for years after the band sent them to the German record company Woolfe Records, who did release the album (theirs having a front cover with a map of the world burning).
In 1993, Metal Blade Records released the first official CD version of the entire album. They did not attempt to find the master tapes or create a professional transfer from the original vinyl version and used a remix instead (made in 1986). Additionally, the track "It's Electric" has a major mastering error: the intro of the song is missing and it skips in shortly before the vocals start. High Vaultage Records released another version of the album in 1997, this time sourced from the German Woolfe Records LP. As a bonus, most of the 7" single tracks from that era were included. In 2001, a Sanctuary Records release came out. It includes the same mastering as the High Vaultage CD, which had since gone out of print. The 2011 Deluxe Edition, remastered by Andy Pearce, includes the original album sourced from the rediscovered master tape. This and the 2016 HNE Recordings Ltd CD release are the only CD releases made from a remaster of the original tapes; all other CD versions include either the 1986 remix or the High Vaultage vinyl dubs.
The album brought Diamond Head to the forefront of the NWOBHM scene and was a big influence on many later metal bands, including Metallica and Megadeth. The former have covered songs such as "The Prince", "Sucking My Love", "Am I Evil?", "It's Electric", and "Helpless" throughout their career and recorded most of them. Versions from various periods were compiled on Metallica's album Garage Inc.. As a result, Diamond Head became relatively well-known to Metallica fans and enjoyed exposure to a broader public than similar NWOBHM bands from the late 1970s and early 1980s.
In 2008, the Japanese metal magazine Burrn! rated this album as the third best riff album of all time, behind Black Sabbath's Master of Reality and Slayer's Reign in Blood. The Guitarists' Book of Heavy Metal ranked the track "Am I Evil?" at No. 5 on its list of the best metal riffs behind Iron Maiden's "The Number of the Beast".
In 2017, Rolling Stone ranked Lightning to the Nations as 42nd on their list of 'The 100 Greatest Metal Albums of All Time'.
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Available in:
Lightning to the Nations is the debut album by British heavy metal band Diamond Head. The album was recorded in 1979 (after the 1977 and 1979 demos) and released in 1980 through Happy Face Records, a label owned by the producer Muff Murfin of The Old Smithy studio of Worcester, due to lack of interest from major labels and the band feeling that they needed to get the ball rolling as other bands from the same era, such as Iron Maiden and Def Leppard, were already becoming big names. It was originally released in a plain white sleeve with no title or track listing, and was subsequently named after the first track on the album. Metal Blade Records re-released it on CD in 1992. In 2001, it was re-issued in its original "White Album" form by Sanctuary Records, featuring seven bonus tracks that were featured on singles and EPs from this era.
Diamond Head had gained enough attention to tour as support with AC/DC and Iron Maiden. Although a clutch of record companies fought to sign the band, none were willing to fully commit. The fact that the band was at the time managed by Sean Harris' mother (Linda Harris) did not help the band's commercial momentum. So, while other new wave of British heavy metal bands were signed to major labels and were headlining their own tours, Diamond Head were growing increasingly impatient and decided that they would release their material through their own label, Happy Face Records.
The album was recorded within seven days at The Old Smythy Studio in Worcester, which the band described as 'dead'. This album came in a plain sleeve with no title, having on it only a signature of one of the band members and no track listings. The reason for this was that the band's new manager, Reg Fellows, owned a cardboard factory and could produce blank sleeves at low cost. Also, the reason for recording this album was an attempt to lay down some tracks so they could send it to a record company who would be more willing to release it, as the recording costs had already been covered; this idea came from Fellows and Linda Harris (by then tour manager). There were originally only 1000 copies pressed of the album, which were only available at their concerts or through mail-order at a price of £3.50. In fact the only mail-order advertisement appeared in British music magazine 'Sounds' and ran for four weeks. However, the band did not pay for the ad and ended up being sued.
This album has become one of the most sought-after items from the time for record collectors. Later, there was a second pressing of 1000 copies that included track listings. The only original one-and-a-quarter-inch master tapes were lost for years after the band sent them to the German record company Woolfe Records, who did release the album (theirs having a front cover with a map of the world burning).
In 1993, Metal Blade Records released the first official CD version of the entire album. They did not attempt to find the master tapes or create a professional transfer from the original vinyl version and used a remix instead (made in 1986). Additionally, the track "It's Electric" has a major mastering error: the intro of the song is missing and it skips in shortly before the vocals start. High Vaultage Records released another version of the album in 1997, this time sourced from the German Woolfe Records LP. As a bonus, most of the 7" single tracks from that era were included. In 2001, a Sanctuary Records release came out. It includes the same mastering as the High Vaultage CD, which had since gone out of print. The 2011 Deluxe Edition, remastered by Andy Pearce, includes the original album sourced from the rediscovered master tape. This and the 2016 HNE Recordings Ltd CD release are the only CD releases made from a remaster of the original tapes; all other CD versions include either the 1986 remix or the High Vaultage vinyl dubs.
The album brought Diamond Head to the forefront of the NWOBHM scene and was a big influence on many later metal bands, including Metallica and Megadeth. The former have covered songs such as "The Prince", "Sucking My Love", "Am I Evil?", "It's Electric", and "Helpless" throughout their career and recorded most of them. Versions from various periods were compiled on Metallica's album Garage Inc.. As a result, Diamond Head became relatively well-known to Metallica fans and enjoyed exposure to a broader public than similar NWOBHM bands from the late 1970s and early 1980s.
In 2008, the Japanese metal magazine Burrn! rated this album as the third best riff album of all time, behind Black Sabbath's Master of Reality and Slayer's Reign in Blood. The Guitarists' Book of Heavy Metal ranked the track "Am I Evil?" at No. 5 on its list of the best metal riffs behind Iron Maiden's "The Number of the Beast".
In 2017, Rolling Stone ranked Lightning to the Nations as 42nd on their list of 'The 100 Greatest Metal Albums of All Time'.
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