Album Title
Artist IconTaylor Swift
Artist Icon Red
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First Released

Calendar Icon 2012

Genre

Genre Icon Country

Mood

Mood Icon Needy

Style

Style Icon Rock/Pop

Theme

Theme Icon ---

Tempo

Speed Icon Slow

Release Format

Release Format Icon Album

Record Label Release

Speed Icon Republic Records

World Sales Figure

Sales Icon 4,000,000 copies

Album Description
Available in: Country Icon Country Icon Country Icon Country Icon Country Icon Country Icon Country Icon Country Icon Country Icon Country Icon
『レッド』(英: Red)は、テイラー・スウィフトの4枚目のスタジオ・アルバム。

アメリカ合衆国、イギリス、カナダ等で2012年10月22日に、スペインで10月23日に発売された。

日本では、2012年10月24日に発売された。

またドイツでは10月26日、イタリアは10月30日、フランスは11月5日に発売された。

アルバムからの先行シングル「私たちは絶対に絶対にヨリを戻したりしない」がビルボード Hot 100でテイラー初の首位獲得。

Billboard 200において120万枚以上を売上げ初登場1位を記録。

これまでに2作連続で初週100万枚越えを記録しているアーティストはバックストリート・ボーイズ、イン・シンク、エミネムの3組のみであり、テイラーは4組目。尚且つ女性アーティストでは初の快挙である。

また、2週目に34万枚以上、3週目に19万枚以上を売上げ3週連続で首位を記録。

4週目はワン・ダイレクションの「テイク・ミー・ホーム」に破れ2位に止まった。

その後も(合計3週連続)2位に止まり7週目に1位へと返り咲いた。
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User Album Review
Like Kanye West, Taylor Swift is a turbine of artistic ambition and superstar drama. So it’s no surprise she manages to make her fourth album both her Joni Mitchell-influenced maturity binge and her Max Martin-abetted pop move – and have it seem not just inevitable but natural.

Red is a 16-song geyser of willful eclecticism that’s only tangentially related to Nashville (much like Swift herself at this point). The album pinballs from the U2-tinged liftoff of “State of Grace” to the dubstep-y teen pop of “I Knew You Were Trouble” to “The Last Time,” a sad piano duet with Gary Lightbody of Snow Patrol. Swift’s bedrock is driving, diaristic post-country rock – see the breakup flashback “All Too Well,” where she drops the great image of “dancing around the kitchen in the refrigerator light” with her ex.

Part of the fun is watching Swift find her pony-footing on Great Songwriter Mountain. She often succeeds in joining the Joni/Carole King tradition of stark-relief emotional mapping: “Loving him is like trying to change your mind once you’re already flying through the free fall,” she sings on the simile-monsoon title track, where banjos and vocoders make out like third cousins. But whether she’s real-talking Jake Gyllenhaal (“We Are Never Ever Getting Back Together”) or fantasizing about crashing “a yacht-club party” that sounds uncannily like the Kennedy bash she attended with her current future-ex-boyfriend Conor (“Starlight”), her self-discovery project is one of the best stories in pop. When she’s really on, her songs are like tattoos.

SOURCE: https://www.rollingstone.com/music/music-country/red-187797/


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