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Track List
01) State of Grace
02) Red
03) Treacherous
04) I Knew You Were Trouble
05) All Too Well
06) 22 
07) I Almost Do
08) We Are Never Ever Getting Back Together
09) Stay Stay Stay
10) The Last Time
11) Holy Ground
12) Sad Beautiful Tragic
13) The Lucky One
14) Everything Has Changed
15) Starlight
16) Begin Again
Cd 2
01) The Moment I Knew
02) Come Back... Be Here
03) Girl at Home
04) Treacherous (original demo recording)
05) Red (original demo recording)
06) State of Grace (acoustic version)
01) State of Grace
02) Red
03) Treacherous
04) I Knew You Were Trouble
05) All Too Well
06) 22
07) I Almost Do
08) We Are Never Ever Getting Back Together
09) Stay Stay Stay
10) The Last Time
11) Holy Ground
12) Sad Beautiful Tragic
13) The Lucky One
14) Everything Has Changed
15) Starlight
16) Begin Again
Cd 2
01) The Moment I Knew
02) Come Back... Be Here
03) Girl at Home
04) Treacherous (original demo recording)
05) Red (original demo recording)
06) State of Grace (acoustic version)
4:55
3:43
4:03
3:39
5:29
3:52
4:05
3:11
3:26
4:59
3:23
4:45
4:00
4:05
3:41
3:57
0:00
0:00
0:00
0:00
0:00
0:00
Data Complete
90%
Total Rating
90%Total Rating
(3 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2012
Country Pop
Needy
Rock/Pop
---
Slow
Album
4,000,000 copies
Album Description
Available in:
Red er det fjerde studioalbumet av den amerikansk sanger og låtskriveren Taylor Swift. Det ble utgitt den 22. oktober 2012 av Big Machine Records som oppfølging til hennes kommersielt vellykkede tredje studioalbum "Speak Now" (2010). Det ble annonsert gjennom Swift live webchat 13. august 2012, der hun avslørte også albumtittel og album cover. Fire salgsfremmende singler ble utgitt i måneden frem mot plateslipp, hvorav tre debuterte inne blant de ti beste i den amerikanske Billboard Hot 100 listen. Albumet inneholder samarbeid med produsenter og gjesteartister som Gary Lightbody fra Snow Patrol og Ed Sheeran. Swift eksperimenterer med nye musikalske sjangere.
Red mottok positive anmeldelser, og musikkritikere roste Swifts allsidighet som musiker og hennes eksperimenter med nye musikksjangere. Albumet solgte 1.280.000 eksemplarer i sin første uke i USA, og debuterte som nummer én på Billboard 200 listen, og var den nest høyeste debuten for en kvinnelig artist (etter "Oops! ... I Did It Again" av Britney Spears.) Den har også ligget totalt 16 ikke-sammenhengende uker som nummer én på Billboards Country Albums liste.
Red ble Swifts første chart-topper i Storbritannia, og toppet albumlistene i Australia, Canada, Irland og New Zealand. Albumet solgte 1.890.000 eksemplarer i de første tre ukene. Pr. januar 2014 hadde albumet solgt mer enn 3.969 million eksemplarer i USA.
User Album Review
Like Kanye West, Taylor Swift is a turbine of artistic ambition and superstar drama. So it’s no surprise she manages to make her fourth album both her Joni Mitchell-influenced maturity binge and her Max Martin-abetted pop move – and have it seem not just inevitable but natural.
Red is a 16-song geyser of willful eclecticism that’s only tangentially related to Nashville (much like Swift herself at this point). The album pinballs from the U2-tinged liftoff of “State of Grace” to the dubstep-y teen pop of “I Knew You Were Trouble” to “The Last Time,” a sad piano duet with Gary Lightbody of Snow Patrol. Swift’s bedrock is driving, diaristic post-country rock – see the breakup flashback “All Too Well,” where she drops the great image of “dancing around the kitchen in the refrigerator light” with her ex.
Part of the fun is watching Swift find her pony-footing on Great Songwriter Mountain. She often succeeds in joining the Joni/Carole King tradition of stark-relief emotional mapping: “Loving him is like trying to change your mind once you’re already flying through the free fall,” she sings on the simile-monsoon title track, where banjos and vocoders make out like third cousins. But whether she’s real-talking Jake Gyllenhaal (“We Are Never Ever Getting Back Together”) or fantasizing about crashing “a yacht-club party” that sounds uncannily like the Kennedy bash she attended with her current future-ex-boyfriend Conor (“Starlight”), her self-discovery project is one of the best stories in pop. When she’s really on, her songs are like tattoos.
SOURCE: https://www.rollingstone.com/music/music-country/red-187797/
External Album Reviews
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User Comments
Available in:
Red er det fjerde studioalbumet av den amerikansk sanger og låtskriveren Taylor Swift. Det ble utgitt den 22. oktober 2012 av Big Machine Records som oppfølging til hennes kommersielt vellykkede tredje studioalbum "Speak Now" (2010). Det ble annonsert gjennom Swift live webchat 13. august 2012, der hun avslørte også albumtittel og album cover. Fire salgsfremmende singler ble utgitt i måneden frem mot plateslipp, hvorav tre debuterte inne blant de ti beste i den amerikanske Billboard Hot 100 listen. Albumet inneholder samarbeid med produsenter og gjesteartister som Gary Lightbody fra Snow Patrol og Ed Sheeran. Swift eksperimenterer med nye musikalske sjangere.
Red mottok positive anmeldelser, og musikkritikere roste Swifts allsidighet som musiker og hennes eksperimenter med nye musikksjangere. Albumet solgte 1.280.000 eksemplarer i sin første uke i USA, og debuterte som nummer én på Billboard 200 listen, og var den nest høyeste debuten for en kvinnelig artist (etter "Oops! ... I Did It Again" av Britney Spears.) Den har også ligget totalt 16 ikke-sammenhengende uker som nummer én på Billboards Country Albums liste.
Red ble Swifts første chart-topper i Storbritannia, og toppet albumlistene i Australia, Canada, Irland og New Zealand. Albumet solgte 1.890.000 eksemplarer i de første tre ukene. Pr. januar 2014 hadde albumet solgt mer enn 3.969 million eksemplarer i USA.
User Album Review
Like Kanye West, Taylor Swift is a turbine of artistic ambition and superstar drama. So it’s no surprise she manages to make her fourth album both her Joni Mitchell-influenced maturity binge and her Max Martin-abetted pop move – and have it seem not just inevitable but natural.
Red is a 16-song geyser of willful eclecticism that’s only tangentially related to Nashville (much like Swift herself at this point). The album pinballs from the U2-tinged liftoff of “State of Grace” to the dubstep-y teen pop of “I Knew You Were Trouble” to “The Last Time,” a sad piano duet with Gary Lightbody of Snow Patrol. Swift’s bedrock is driving, diaristic post-country rock – see the breakup flashback “All Too Well,” where she drops the great image of “dancing around the kitchen in the refrigerator light” with her ex.
Part of the fun is watching Swift find her pony-footing on Great Songwriter Mountain. She often succeeds in joining the Joni/Carole King tradition of stark-relief emotional mapping: “Loving him is like trying to change your mind once you’re already flying through the free fall,” she sings on the simile-monsoon title track, where banjos and vocoders make out like third cousins. But whether she’s real-talking Jake Gyllenhaal (“We Are Never Ever Getting Back Together”) or fantasizing about crashing “a yacht-club party” that sounds uncannily like the Kennedy bash she attended with her current future-ex-boyfriend Conor (“Starlight”), her self-discovery project is one of the best stories in pop. When she’s really on, her songs are like tattoos.
SOURCE: https://www.rollingstone.com/music/music-country/red-187797/
External Album Reviews
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