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Track List
01) Saddam a Go-Go
02) Penis I See
03) Eat Steel
04) Jack the World
05) Sonderkommando
06) Bad Bad Men
07) Pepperoni
08) The Insidious Soliloquy of Skulhedface
09) Fight
10) The Issue of Tissue (Spacecake)
11) Pocket Pool
12) Slap U Around
13) Krak Down
14) Filthy Flow
15) The Obliteration of Flab Quarv 7
01) Saddam a Go-Go
02) Penis I See
03) Eat Steel
04) Jack the World
05) Sonderkommando
06) Bad Bad Men
07) Pepperoni
08) The Insidious Soliloquy of Skulhedface
09) Fight
10) The Issue of Tissue (Spacecake)
11) Pocket Pool
12) Slap U Around
13) Krak Down
14) Filthy Flow
15) The Obliteration of Flab Quarv 7
2:30
2:55
1:28
2:24
4:54
3:08
1:41
5:17
0:55
3:10
2:27
2:39
3:22
2:14
2:41
Data Complete
60%
Total Rating
60%Total Rating
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Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1994
Thrash Metal
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Metal
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Medium
Album
0 copies
Album Description
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This Toilet Earth is the fourth album released by rock/heavy metal/punk band Gwar. Released March 29, 1994 through Priority Records (First Pressing), Metal Blade Records (All subsequent pressings).
This album was to be one of their oddest and most bittersweet albums. It was the first Gwar album to be censored (the second was We Kill Everything, which comes in both censored and uncensored versions), due to their gain in popularity as a result of MTV exposure. The music and artwork is almost cartoonish when compared to the previous albums, and the instrumentation had expanded to include horns (in the opener, "Saddam a Go-Go") that reinforce the goofiness.
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Available in:
This Toilet Earth is the fourth album released by rock/heavy metal/punk band Gwar. Released March 29, 1994 through Priority Records (First Pressing), Metal Blade Records (All subsequent pressings).
This album was to be one of their oddest and most bittersweet albums. It was the first Gwar album to be censored (the second was We Kill Everything, which comes in both censored and uncensored versions), due to their gain in popularity as a result of MTV exposure. The music and artwork is almost cartoonish when compared to the previous albums, and the instrumentation had expanded to include horns (in the opener, "Saddam a Go-Go") that reinforce the goofiness.
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None...
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