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Track List
01) Smalltown
02) Open House
03) Style It Takes
04) Work
05) Trouble With Classicists
06) Starlight
07) Faces and Names
08) Images
09) Slip Away (A Warning)
10) It Wasn't Me
11) I Believe
12) Nobody but You
13) A Dream
14) Forever Changed
15) Hello It's Me
01) Smalltown
02) Open House
03) Style It Takes
04) Work
05) Trouble With Classicists
06) Starlight
07) Faces and Names
08) Images
09) Slip Away (A Warning)
10) It Wasn't Me
11) I Believe
12) Nobody but You
13) A Dream
14) Forever Changed
15) Hello It's Me
2:03
4:17
2:54
2:37
3:41
3:28
4:12
3:30
3:05
3:30
3:17
3:45
6:33
4:51
3:04
Data Complete
60%
Total Rating
60%Total Rating
(1 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1990
Rock
Intense
Rock/Pop
---
Medium
Album
0 copies
Album Description
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Songs for Drella is a 1990 album by Lou Reed and John Cale, both formerly of the Velvet Underground; it is a song cycle about Andy Warhol, their mentor, who had died following routine surgery in 1987. Drella was a nickname for Warhol coined by Warhol superstar Ondine, a contraction of Dracula and Cinderella, used by Warhol's crowd but never liked by Warhol himself. The song cycle focuses on Warhol's interpersonal relations and experiences, with songs falling roughly into three categories: Warhol's first-person perspective (which makes up the vast majority of the album), third-person narratives chronicling events and affairs, and first-person commentaries on Warhol by Reed and Cale themselves. The songs, in general, address events in their chronological order.
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Available in:
Songs for Drella is a 1990 album by Lou Reed and John Cale, both formerly of the Velvet Underground; it is a song cycle about Andy Warhol, their mentor, who had died following routine surgery in 1987. Drella was a nickname for Warhol coined by Warhol superstar Ondine, a contraction of Dracula and Cinderella, used by Warhol's crowd but never liked by Warhol himself. The song cycle focuses on Warhol's interpersonal relations and experiences, with songs falling roughly into three categories: Warhol's first-person perspective (which makes up the vast majority of the album), third-person narratives chronicling events and affairs, and first-person commentaries on Warhol by Reed and Cale themselves. The songs, in general, address events in their chronological order.
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