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Track List
01) We Weren't Born to Follow
02) When We Were Beautiful
03) Work for the Working Man
04) Superman Tonight
05) Bullet
06) Thorn in My Side
07) Live Before You Die
08) Brokenpromiseland
09) Love's the Only Rule
10) Fast Cars
11) Happy Now
12) Learn to Love
01) We Weren't Born to Follow
02) When We Were Beautiful
03) Work for the Working Man
04) Superman Tonight
05) Bullet
06) Thorn in My Side
07) Live Before You Die
08) Brokenpromiseland
09) Love's the Only Rule
10) Fast Cars
11) Happy Now
12) Learn to Love
4:03
5:18
4:04
5:12
3:50
4:07
4:17
4:57
4:38
3:16
4:21
4:39
Data Complete
80%
Total Rating
80%Total Rating
(4 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2009
Rock
Energetic
Rock/Pop
---
Medium
Album
0 copies
Album Description
Available in:
The Circle is the title of the eleventh studio album by rock band Bon Jovi. Produced by John Shanks, the album was released November 10, 2009. The album debuted at #1 in several countries, including the U.S., where it sold 163,000 copies in its first week debuting at #1 on the Billboard 200.
The Circle takes the band back to the rock n' roll roots after their prior Nashville influenced album Lost Highway. The Circle inspired by the economic meltdown and political turmoil around the world.
User Album Review
New Jersey rockers Bon Jovi return with their eleventh album and are reunited with Lost Highway producer John Shanks, fresh from recent stints working with Take That and Alesha Dixon.
Bon Jovi fans, and there’s plenty of them, who have not been put off by recent output will find plenty to love here. The band long ago developed into a slick, stadium-filling act, and although this album marks a slight return to their more traditional rock roots after the Nashville-influenced Lost Highway, not much has changed. Like a hairier and less-subtle version of Bruce Springsteen, they like to give voice to the blue-collar worker and refuse to progress stylistically beyond a form that's served them so well already.
Long-standing bands often believe their own hype; indeed, they are often the last ones left believing it, and someone’s clearly exploded a lyrical cliché bomb in the studio here. They’ve even titled a song Live Before You Die, which is wrong on too many levels to even begin listing here. There is no denying their skill with a tune, but there is the lingering sense that were Flight of the Conchords to do a heavy metal pastiche of, say, millionaires sticking it to the ‘man’, it would sound exactly like Work for the Working Man. It is commendable that Jon Bon Jovi can keep a straight face while writing lines such as “working man, empty pockets full of worry / had to get two jobs”, presumably referring to a rock star’s need for an acting career on the side.
That said, other than the band, few listen to Bon Jovi with a straight face, and stupid grins are to be found. The atmospheric Broken Promiseland could be lifted from Slippery When Wet, while swelling keyboards herald moments of genuine emotion, such as on Fast Cars. Love’s the Only Rule also utilises synthesized strings to great effect, and perhaps illustrates where referees are going wrong around the country.
The Circle is not going to surprise anyone, but maybe in such turbulent times this is exactly what people need: dependable drive-time rock dripping with references to getting up from your knees and not giving up.
External Album Reviews
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User Comments
Available in:
The Circle is the title of the eleventh studio album by rock band Bon Jovi. Produced by John Shanks, the album was released November 10, 2009. The album debuted at #1 in several countries, including the U.S., where it sold 163,000 copies in its first week debuting at #1 on the Billboard 200.
The Circle takes the band back to the rock n' roll roots after their prior Nashville influenced album Lost Highway. The Circle inspired by the economic meltdown and political turmoil around the world.
User Album Review
New Jersey rockers Bon Jovi return with their eleventh album and are reunited with Lost Highway producer John Shanks, fresh from recent stints working with Take That and Alesha Dixon.
Bon Jovi fans, and there’s plenty of them, who have not been put off by recent output will find plenty to love here. The band long ago developed into a slick, stadium-filling act, and although this album marks a slight return to their more traditional rock roots after the Nashville-influenced Lost Highway, not much has changed. Like a hairier and less-subtle version of Bruce Springsteen, they like to give voice to the blue-collar worker and refuse to progress stylistically beyond a form that's served them so well already.
Long-standing bands often believe their own hype; indeed, they are often the last ones left believing it, and someone’s clearly exploded a lyrical cliché bomb in the studio here. They’ve even titled a song Live Before You Die, which is wrong on too many levels to even begin listing here. There is no denying their skill with a tune, but there is the lingering sense that were Flight of the Conchords to do a heavy metal pastiche of, say, millionaires sticking it to the ‘man’, it would sound exactly like Work for the Working Man. It is commendable that Jon Bon Jovi can keep a straight face while writing lines such as “working man, empty pockets full of worry / had to get two jobs”, presumably referring to a rock star’s need for an acting career on the side.
That said, other than the band, few listen to Bon Jovi with a straight face, and stupid grins are to be found. The atmospheric Broken Promiseland could be lifted from Slippery When Wet, while swelling keyboards herald moments of genuine emotion, such as on Fast Cars. Love’s the Only Rule also utilises synthesized strings to great effect, and perhaps illustrates where referees are going wrong around the country.
The Circle is not going to surprise anyone, but maybe in such turbulent times this is exactly what people need: dependable drive-time rock dripping with references to getting up from your knees and not giving up.
External Album Reviews
None...
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