Album Title
Warren Zevon
Artist Icon Excitable Boy (1978)
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First Released

Calendar Icon 1978

Genre

Genre Icon Rock

Mood

Mood Icon Confrontational

Style

Style Icon Rock/Pop

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Tempo

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Release Format

Release Format Icon Album

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Album Description
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Excitable Boy is the third studio album by Warren Zevon. The album was released on January 18, 1978, by Asylum Records. It includes the top 40 success "Werewolves of London". The album brought Warren to commercial attention and remains the best-selling album of his career. A remastered and expanded edition was released during 2007.

The tracks "Excitable Boy" and "Werewolves of London" were considered macabrely humorous by some critics. The historical "Veracruz" dramatizes the United States occupation of Veracruz, and likewise "Roland the Headless Thompson Gunner" is a fictionalization of a mercenary in Africa. "Lawyers, Guns and Money" is a tongue-in-cheek tale of a young American man's adventures in Cold War era Latin America. In addition, there are two ballads about life and relationships ("Accidentally Like a Martyr" and "Tenderness on the Block"), as well as a dance tune ("Nighttime in the Switching Yard").
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User Album Review
Warren Zevon's self-titled 1976 album announced he was one of the most striking talents to emerge from the Los Angeles soft rock singer/songwriter community, and Linda Ronstadt (a shrewd judge of talent if a sometimes questionable interpreter) recorded three of its songs on two of her biggest-selling albums, which doubtlessly earned Zevon bigger royalty checks than the album itself ever did. But if Warren Zevon was an impressive calling card, the follow-up, Excitable Boy, was an actual hit, scoring one major hit single, "Werewolves of London," and a trio of turntable hits ("Roland the Headless Thompson Gunner," "Lawyers, Guns and Money," and the title track). But while Excitable Boy won Zevon the larger audience his music certainly deserved, the truth is it was a markedly inferior album; while it had all the bile of Warren Zevon, and significantly raised Zevon's dark-humor factor, it was often obvious where his previous album had been subtle, and while all 11 tracks on Warren Zevon were strong and compelling, two of the nine tunes on Excitable Boy -- "Johnny Strike Up the Band" and "Nighttime in the Switching Yard" -- sound like they're just taking up space. Musically, most of Excitable Boy is stuck in a polished but unexceptional FM pop groove, and only "Veracruz" hints at the artful intelligence of Warren Zevon's finest moments. It's hard to say if Zevon was feeling uninspired or just dumbing himself down when he made Excitable Boy, but while it made him famous, it lacks the smarts and substance of his best work.


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