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Track List
01) Lie to Me
02) LowDown
03) 2:19
04) Fish in the Jailhouse
05) Bottom of the World
06) Lucinda
07) Ain't Goin' Down to the Well
08) Lord I've Been Changed
09) Puttin' on the Dog
10) Road to Peace
11) All the Time
12) The Return of Jackie and Judy
13) Walk Away
14) Sea of Love
15) Buzz Fledderjohn
16) Rains on Me
Cd 2
01) Bend Down the Branches
02) You Can Never Hold Back Spring
03) Long Way Home
04) Widow's Grove
05) Little Drop of Poison
06) Shiny Things
07) World Keeps Turning
08) Tell It to Me
09) Never Let Go
10) Fannin Street
11) Little Man
12) It's Over
13) If I Have to Go
14) Goodnight Irene
15) The Fall of Troy
16) Take Care of All My Children
17) Down There by the Train
18) Danny Says
19) Jayne's Blue Wish
20) Young at Heart
Cd 3
01) What Keeps Mankind Alive
02) Children's Story
03) Heigh Ho
04) Army Ants
05) Books of Moses
06) Bone Chain
07) Two Sisters
08) First Kiss
09) Dog Door
10) Redrum
11) Nirvana
12) Home I'll Never Be
13) Poor Little Lamb
14) Altar Boy
15) The Pontiac
16) Spidey's Wild Ride
17) King Kong
18) On the Road
19) Dog Treat
20) Missing My Son
01) Lie to Me
02) LowDown
03) 2:19
04) Fish in the Jailhouse
05) Bottom of the World
06) Lucinda
07) Ain't Goin' Down to the Well
08) Lord I've Been Changed
09) Puttin' on the Dog
10) Road to Peace
11) All the Time
12) The Return of Jackie and Judy
13) Walk Away
14) Sea of Love
15) Buzz Fledderjohn
16) Rains on Me
Cd 2
01) Bend Down the Branches
02) You Can Never Hold Back Spring
03) Long Way Home
04) Widow's Grove
05) Little Drop of Poison
06) Shiny Things
07) World Keeps Turning
08) Tell It to Me
09) Never Let Go
10) Fannin Street
11) Little Man
12) It's Over
13) If I Have to Go
14) Goodnight Irene
15) The Fall of Troy
16) Take Care of All My Children
17) Down There by the Train
18) Danny Says
19) Jayne's Blue Wish
20) Young at Heart
Cd 3
01) What Keeps Mankind Alive
02) Children's Story
03) Heigh Ho
04) Army Ants
05) Books of Moses
06) Bone Chain
07) Two Sisters
08) First Kiss
09) Dog Door
10) Redrum
11) Nirvana
12) Home I'll Never Be
13) Poor Little Lamb
14) Altar Boy
15) The Pontiac
16) Spidey's Wild Ride
17) King Kong
18) On the Road
19) Dog Treat
20) Missing My Son
2:10
4:15
5:02
4:22
5:42
4:52
2:28
2:28
3:39
7:17
4:33
3:28
2:43
3:43
4:12
3:20
1:06
2:26
3:10
4:58
3:09
2:20
4:16
3:08
3:13
5:01
4:33
4:40
2:15
4:47
3:00
2:31
5:38
3:05
2:29
3:41
2:09
1:42
3:32
3:25
2:49
1:03
4:55
2:40
2:43
1:12
2:12
2:28
1:43
2:48
1:54
2:03
5:29
4:14
2:56
3:38
Data Complete
70%
Total Rating
70%Total Rating
(1 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2006
Rock
Moody
Rock/Pop
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Album
0 copies
Album Description
Available in:
Orphans: Brawlers, Bawlers & Bastards is a limited edition three CD set by Tom Waits, released by the ANTI- label on November 17, 2006 in Europe and on November 21, 2006 in the United States.
The album is divided into three sections, with each disc being a separate collection in its own. It borrows from Tom Waits’ typical rock sound, with the first disc being blues and rock-based, the second centred on slow-tempo, melancholic ballads, and the third on more experimental compositions. Additionally, the record contains influences of other genres, including folk, gospel, jazz and roots music. Orphans: Brawlers, Bawlers and Bastards received universal acclaim from critics, who lauded its experimentation and composition, as well as Waits' vocals. It was listed as one of the highest-scoring albums of the year in Metacritic, and won a Grammy Award for Best Contemporary Folk Album. Furthermore, it was a fair commercial success, charting in the United States Billboard 200, as well as in Australia, Switzerland and Austria, reaching the top twenty in the latter.
The Orphans Tour was conducted in support of the album prior to its release.
User Album Review
Pictured on the sleeve in daguerreotype sepia surrounded by the ghosts of America’s alternative cultural history, Waits has now firmly sealed his place as one of the USA’s major storytellers. Orphans, containing rarities, reworkings and new material, beautifully demonstrates how he uses just about every native musical form of expression to achieve this high standing. These aren’t offcuts, but prime Tom.
This box set is handily split into three themed parts: Brawlers being composed of mutant rockabilly jive suffused with the spirit of the Mississippi delta, Gene Vincent and all points in between; Bawlers is the softer side of Tom’s muse, containing ballads and laments; meanwhile Bastards is the most intriguing set, filled with Brechtian cabaret, strange tales, jokes and the most disturbing version of “Heigh Ho” (from Hal Willner’s Disney project, Stay Awake) that you’ll ever hear.
Shot through with the grime of gutter life and the fairy dust of magical, violent realism, Waits and wife Kathleen Brennan’s ‘strange couplings’ (as he puts it) seem sometimes madly anachronistic yet utterly relevant. This set even contains what could be termed as Tom’s first ‘protest song’ in “The Road To Peace”. So, something for every type of Tom Waits fan and easily up there with his best work. Essential.
--Chris Jones, BBC
External Album Reviews
None...
User Comments
Available in:
Orphans: Brawlers, Bawlers & Bastards is a limited edition three CD set by Tom Waits, released by the ANTI- label on November 17, 2006 in Europe and on November 21, 2006 in the United States.
The album is divided into three sections, with each disc being a separate collection in its own. It borrows from Tom Waits’ typical rock sound, with the first disc being blues and rock-based, the second centred on slow-tempo, melancholic ballads, and the third on more experimental compositions. Additionally, the record contains influences of other genres, including folk, gospel, jazz and roots music. Orphans: Brawlers, Bawlers and Bastards received universal acclaim from critics, who lauded its experimentation and composition, as well as Waits' vocals. It was listed as one of the highest-scoring albums of the year in Metacritic, and won a Grammy Award for Best Contemporary Folk Album. Furthermore, it was a fair commercial success, charting in the United States Billboard 200, as well as in Australia, Switzerland and Austria, reaching the top twenty in the latter.
The Orphans Tour was conducted in support of the album prior to its release.
User Album Review
Pictured on the sleeve in daguerreotype sepia surrounded by the ghosts of America’s alternative cultural history, Waits has now firmly sealed his place as one of the USA’s major storytellers. Orphans, containing rarities, reworkings and new material, beautifully demonstrates how he uses just about every native musical form of expression to achieve this high standing. These aren’t offcuts, but prime Tom.
This box set is handily split into three themed parts: Brawlers being composed of mutant rockabilly jive suffused with the spirit of the Mississippi delta, Gene Vincent and all points in between; Bawlers is the softer side of Tom’s muse, containing ballads and laments; meanwhile Bastards is the most intriguing set, filled with Brechtian cabaret, strange tales, jokes and the most disturbing version of “Heigh Ho” (from Hal Willner’s Disney project, Stay Awake) that you’ll ever hear.
Shot through with the grime of gutter life and the fairy dust of magical, violent realism, Waits and wife Kathleen Brennan’s ‘strange couplings’ (as he puts it) seem sometimes madly anachronistic yet utterly relevant. This set even contains what could be termed as Tom’s first ‘protest song’ in “The Road To Peace”. So, something for every type of Tom Waits fan and easily up there with his best work. Essential.
--Chris Jones, BBC
External Album Reviews
None...
User Comments
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