Album Title
Alicia Keys
Artist Icon The Diary of Alicia Keys (2003)
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First Released

Calendar Icon 2003

Genre

Genre Icon R&B

Mood

Mood Icon Smooth

Style

Style Icon Urban/R&B

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Speed Icon Medium

Release Format

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Record Label Release

Speed Icon J Records

World Sales Figure

Sales Icon 8,000,000 copies

Album Description
Available in: Country Icon Country Icon
The Diary of Alicia Keys es el segundo álbum de estudio de la artista estadounidense Alicia Keys. Fue lanzado en los Estados Unidos el 2 de diciembre de 2003 por J Records. Las sesiones de grabación para el álbum tuvieron lugar entre 2002 y 2003 en varios estudios de grabación, y la producción fue manejada principalmente por Keys con contribuciones de Kerry Brothers, Jr., Timbaland, Dwayne Wiggins, Dre & Vidal, Easy Mo Bee y Kanye West. El álbum debutó en el número uno en la lista Billboard 200 de EE. UU., Vendiendo 618,000 copias en su primera semana. Se convirtió en el segundo debut número uno consecutivo de Keys en los Estados Unidos y generó tres sencillos entre los diez primeros. Tras su lanzamiento, The Diary of Alicia Keys recibió críticas generalmente positivas de la mayoría de los críticos de música y le valió a Keys tres premios Grammy en la 47a entrega de los premios Grammy. Con ventas nacionales de cuatro millones de copias y ventas mundiales de ocho millones de copias, The Diary of Alicia Keys es el trigésimo primer álbum más vendido de la década de 2000.
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User Album Review
This was an eagerly-awaited follow-up. Released two years after the 20-million plus sales of her debut, Songs in A Minor, The Diary of”¦ underlined 22-year-old singer and pianist Alicia Keys’ increasing maturity and her significance to 21st century American music.
Keys states in her accompanying notes that the 15 pieces of music here are like diary entries. They could so easily have been full of gauche heart-on-sleeve angst, but fortunately everything is kept in good measure with the listener being drawn into her world of contemporary takes on classic soul.
Lead single You Don’t Know My Name is built around a sample from the 1970s New York group Main Ingredient’s Let Me Prove My Love to You. The meshing of modern street funk with its gorgeous, string-laden predecessors is hardly the freshest concept, but the subtlety ”“ and Keys’ stunning voice ”“ carries it through.
With contributions from artists such as Kanye West, Timbaland and John Legend, at times this album is like an academic exercise in spotting her reference points. Titles such as Harlem's Nocturne and her cover of Gladys Knight’s If I Was Your Woman (which merges into Isaac Hayes’ version of Walk On By) make her nods to history explicit; it's like some RnB relief teacher coming in and taking the class.
But it is so much more than just that ”“ the album is all about mood and groove. Diary, which features Tony! Toni! Toné!, is faultlessly languid late-night soul with a superb “your secrets are safe with me” hook.
There can be a level of suspicion about Grammy-gathering albums often subsequently reduced to their statistics ”“ US No.1; 618,000 US sales in its first week alone ”“ as this often says little, and commemorates only the commercial accomplishment. However, it is easy to hear why The Diary of Alicia Keys was so popular ”“ well-written, well-played and, although it boasts a cast list commensurate with all urban albums of the 21st century, it is unmistakably the vision of one person. An MTV Unplugged performance, a book of poetry and an acting career was just around the corner.


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