Album Title
Alicia Keys
Artist Icon Songs in A minor (2001)
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First Released

Calendar Icon 2001

Genre

Genre Icon R&B

Mood

Mood Icon Smooth

Style

Style Icon Urban/R&B

Theme

Theme Icon ---

Tempo

Speed Icon Slow

Release Format

Release Format Icon Album

Record Label Release

Speed Icon J Records

World Sales Figure

Sales Icon 12,000,000 copies

Album Description
Available in: Country Icon Country Icon Country Icon
Isaac Hayes soutient Alicia Keys en tant que musicien et arrangeur, et elle réalise son premier album studio Songs in A Minor en juin 2001. Véritable « succès instantané, il se vend à plus de 50 000 exemplaires le premier jour de la mise en vente et celui-ci s’installe, dès sa sortie, à la première place du Billboard 200 avec la vente de plus de six millions de copies aux États-Unis et où il est certifié six fois disque de platine par la Recording Industry Association of America (RIAA). L’album sera vendu à plus de 12 millions d'exemplaire à l'échelle mondiale, ce qui établit la popularité internationale de la chanteuse. Elle devient ainsi, la meilleure nouvelle artiste vendeuse et la meilleure artiste de Soul et de R&B vendeuse en 2001. Fallin', le titre phare de l’album, reste numéro 1 durant six semaines dans le Billboard Hot 100 américain. Le second single de l’album A Woman's Worth atteint un pic à la troisième place du Billboard Hot 100. Quelques années plus tard, l’album a été réédité en huit titres remixés avec l’album live MTV Unplugged.

Alicia remporte, avec Songs in A Minor, cinq Grammy Awards en 2002 dans les catégories chanson de l'année, meilleure performance vocale Soul/R&B féminine et meilleure chanson R'n'B/Soul. Le titre Fallin' est également nommé dans la catégorie l’enregistrement de l’année. Alicia Keys devient, en 2002, l’artiste solo ayant gagné le plus de Grammy Awards en une seule nuit après Lauryn Hill aux 41e Grammy Awards. Durant cette même année, Alicia a coécrit le titre Impossible pour l’album Stripped de Christina Aguilera. Au début des années 2000, Keys a aussi fait des apparitions dans les séries télévisées Charmed et Mes plus belles années.
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User Album Review
Three discs, one of which is a DVD; swish silver cut-out, fold-out packaging; sleevenotes by Quincy Jones; and track annotation by the singer herself. This is an extravagant package that works beautifully on two levels, either as the perfect complement to the original album ”“ included here, obviously ”“ or as the very best place to start. And this is because it digs fairly deep into who Alicia Keys is and what she was about when she made this stunning debut, now celebrating its 10th anniversary.
The extensive booklet opens with the singer’s simple but impassioned mission statement about New York ”“ very much part of the sleeve design ”“ and how the city’s streets fused with her classical training to allow the then-teenager to express herself so vividly. She then goes on to talk each track with an enthusiasm for every aspect of the process.
The specially-made documentary tells her story up to Songs in A Minor’s claiming of five trophies at the 2002 Grammy Awards, setting itself against dramatic New York footage and making room for entertaining comments from people who worked with her. Keys herself is funny, charming and remarkably candid. She talks forthrightly about the battles with her first label, Columbia ”“ they trashed this album, and wanted her to turn her into a standard RnB bunny; she refused, they wouldn’t let her leave, and it almost crushed her. She’s equally open in her delight and obvious surprise at the album’s success. Most of all, though, what is shown proves how dedicated Keys is to making music.
Disc two collects together alternate mixes of tunes like A Woman’s Worth (a tastefully inventive vintage hip hop version, featuring Nas) and the sparser Butterflyz as it was heard in the 2002 film Drumline; elsewhere, three live recordings from a Seattle show display her accomplished musicianship and easy way with an audience. What makes the disc really special, however, is the previously unreleased Ghettoman, a moody, edgy inner city lament made eerily beautiful by a jangling piano. It’s a blaxploitation theme looking for a film, and why it never made the album is anybody’s guess.
Oh yes, the original album ”“ it still stands strong 10 years later, as a masterpiece of contemporary soul songwriting and arrangement. It continued a bloodline from Etta James, Gladys Knight, Aretha, Esther Phillips and Roberta Flack into the hip hop age, and was ultimately made possible by Keys’ astonishing musical sensibilities.


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