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Track List
01) Goin' Nowhere
02) I Didn't Mean It
03) Confidence
04) Point of No Return
05) Sail Away
06) Like It or Not
07) Soft in the Head
08) Queenie
09) Lover of the Human Race
10) Sherri Don't Fail Me Now
11) Rude Awakening Time
12) Back on My Feet
13) Restless
14) Ciao-Ciao
15) Tango
16) Sorry
01) Goin' Nowhere
02) I Didn't Mean It
03) Confidence
04) Point of No Return
05) Sail Away
06) Like It or Not
07) Soft in the Head
08) Queenie
09) Lover of the Human Race
10) Sherri Don't Fail Me Now
11) Rude Awakening Time
12) Back on My Feet
13) Restless
14) Ciao-Ciao
15) Tango
16) Sorry
3:50
3:22
3:14
3:50
3:34
4:01
3:20
3:32
3:32
3:20
4:12
3:06
4:10
3:31
4:06
3:28
Data Complete
90%
Total Rating
90%Total Rating
(2 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1995
Rock & Roll
Gritty
Rock/Pop
---
Medium
Album
0 copies
Album Description
Available in:
1994's Thirsty Work is one of those peculiar albums that Status Quo seemed increasingly prone to during the 1980s and 1990s, whereby they would follow a return-to-form corker with something that leaves you wondering just who you're listening to. In this case, it was the spectacular Rock Til You Drop that had just raised hopes back to stratospheric proportions, only for them all to be dashed within minutes of the next record's opening cut kicking off. And "Going Nowhere" is actually one of Thirsty Work's better moments. Returning to the more pop than rock realms that scarred their late-'80s output, Thirsty Work is best remembered for the hit "I Didn't Mean It," and the driving pulse of "Rude Awakening Time." But a band that prided itself on its ability to revamp the most unlikely of cover songs comes up against an unyielding wall when faced by Jennifer Warnes' "Restless," while their own "Lover of the Human Race" could politely be described as "experimental," provided you're not too concerned about whether it works or not. Elsewhere, "Sherri Don't Fail Me Now" is rendered all the more pallid by the decision to release it as a single -- if this really was the best the record company could find, no wonder the fans stayed away in droves. But "Ciao, Ciao" and "Soft in the Head" restore one's faith in the band just a little -- and at least remind us why we loved the group in the first place. It's just a shame that Quo themselves don't seem so sure.
User Album Review
1994's Thirsty Work is one of those peculiar albums that Status Quo seemed increasingly prone to during the 1980s and 1990s, whereby they would follow a return-to-form corker with something that leaves you wondering just who you're listening to. In this case, it was the spectacular Rock Til You Drop that had just raised hopes back to stratospheric proportions, only for them all to be dashed within minutes of the next record's opening cut kicking off. And "Going Nowhere" is actually one of Thirsty Work's better moments. Returning to the more pop than rock realms that scarred their late-'80s output, Thirsty Work is best remembered for the hit "I Didn't Mean It," and the driving pulse of "Rude Awakening Time." But a band that prided itself on its ability to revamp the most unlikely of cover songs comes up against an unyielding wall when faced by Jennifer Warnes' "Restless," while their own "Lover of the Human Race" could politely be described as "experimental," provided you're not too concerned about whether it works or not. Elsewhere, "Sherri Don't Fail Me Now" is rendered all the more pallid by the decision to release it as a single -- if this really was the best the record company could find, no wonder the fans stayed away in droves. But "Ciao, Ciao" and "Soft in the Head" restore one's faith in the band just a little -- and at least remind us why we loved the group in the first place. It's just a shame that Quo themselves don't seem so sure.
External Album Reviews
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User Comments
Available in:
1994's Thirsty Work is one of those peculiar albums that Status Quo seemed increasingly prone to during the 1980s and 1990s, whereby they would follow a return-to-form corker with something that leaves you wondering just who you're listening to. In this case, it was the spectacular Rock Til You Drop that had just raised hopes back to stratospheric proportions, only for them all to be dashed within minutes of the next record's opening cut kicking off. And "Going Nowhere" is actually one of Thirsty Work's better moments. Returning to the more pop than rock realms that scarred their late-'80s output, Thirsty Work is best remembered for the hit "I Didn't Mean It," and the driving pulse of "Rude Awakening Time." But a band that prided itself on its ability to revamp the most unlikely of cover songs comes up against an unyielding wall when faced by Jennifer Warnes' "Restless," while their own "Lover of the Human Race" could politely be described as "experimental," provided you're not too concerned about whether it works or not. Elsewhere, "Sherri Don't Fail Me Now" is rendered all the more pallid by the decision to release it as a single -- if this really was the best the record company could find, no wonder the fans stayed away in droves. But "Ciao, Ciao" and "Soft in the Head" restore one's faith in the band just a little -- and at least remind us why we loved the group in the first place. It's just a shame that Quo themselves don't seem so sure.
User Album Review
1994's Thirsty Work is one of those peculiar albums that Status Quo seemed increasingly prone to during the 1980s and 1990s, whereby they would follow a return-to-form corker with something that leaves you wondering just who you're listening to. In this case, it was the spectacular Rock Til You Drop that had just raised hopes back to stratospheric proportions, only for them all to be dashed within minutes of the next record's opening cut kicking off. And "Going Nowhere" is actually one of Thirsty Work's better moments. Returning to the more pop than rock realms that scarred their late-'80s output, Thirsty Work is best remembered for the hit "I Didn't Mean It," and the driving pulse of "Rude Awakening Time." But a band that prided itself on its ability to revamp the most unlikely of cover songs comes up against an unyielding wall when faced by Jennifer Warnes' "Restless," while their own "Lover of the Human Race" could politely be described as "experimental," provided you're not too concerned about whether it works or not. Elsewhere, "Sherri Don't Fail Me Now" is rendered all the more pallid by the decision to release it as a single -- if this really was the best the record company could find, no wonder the fans stayed away in droves. But "Ciao, Ciao" and "Soft in the Head" restore one's faith in the band just a little -- and at least remind us why we loved the group in the first place. It's just a shame that Quo themselves don't seem so sure.
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