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Track List
01) One More Time
02) Aerodynamic
03) Digital Love
04) Harder, Better, Faster, Stronger
05) Crescendolls
06) Nightvision
07) Superheroes
08) High Life
09) Something About Us
10) Voyager
11) Veridis Quo
12) Short Circuit
13) Face to Face
14) Too Long
01) One More Time
02) Aerodynamic
03) Digital Love
04) Harder, Better, Faster, Stronger
05) Crescendolls
06) Nightvision
07) Superheroes
08) High Life
09) Something About Us
10) Voyager
11) Veridis Quo
12) Short Circuit
13) Face to Face
14) Too Long
5:20
3:27
4:58
3:44
3:31
1:44
3:57
3:21
3:51
3:47
5:44
3:26
4:00
10:00
Data Complete
80%
Total Rating
80%Total Rating
(7 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2001
House
Happy
Electronic
---
Medium
Album
2,600,000 copies
Album Description
Available in:
Discovery est le titre du deuxième album du groupe Daft Punk, sorti en 2001 et composé de 14 titres. En 2003 sortira le film d'animation muet Interstella 5555: The 5tory of the 5ecret 5tar 5ystem réalisé par Leiji Matsumoto, le créateur d'Albator, avec comme uniques musiques les 14 morceaux de Discovery accompagnant l'action.
Six singles ont été extraits de cet album : One More Time, Aerodynamic, Digital Love, Harder, Better, Faster, Stronger, Face to Face et Something About Us. Les clips des quatre premiers singles étaient en fait les quatre premiers chapitres du film Interstella 5555: The 5tory of the 5ecret 5tar 5ystem et Something About Us, le neuvième.
La première version du disque offrait une carte de membre du « Daft Club ». Cette carte donnait, grâce à un code, l'accès à un site internet proposant des téléchargements gratuits de remixes inédits et d'extraits de performance live. Les titres n'étaient lisibles qu'avec un lecteur fourni par le site. Le site a depuis été fermé, les morceaux sont désormais disponible sur Alive 1997 et Daft Club.
Le titre du 11e morceau de l'album, Veridis Quo, peut aussi être interprété comme l'homophone de "Very Disco". De même, il suffit de remettre les syllabes dans le bon ordre et on obtient "Disco very" c’est-à-dire le titre de l'album Discovery.
User Album Review
French duo, Guy-Manuel de Homem-Christo and Thomas Bangalter had first burst upon the dance world in 1995 with their hit “Da Funk” ”“ a tasty homage to Chicago Techno with a typically Gallic twist. The attendant album, Homework proved to be more of the same. So, four years later it came as some surprise when Discovery arrived; chock-full of, well”¦disco pop. Luckily it was even better.
Morphing (like the power rangers they resembled) into gleaming house robots for their publicity shots, the techno twins had spent the hiatus crafting something at once nostalgic and futuristic ”“ stating that Discovery was their attempt to summon up the innocence of a child’s approach to music (ie: a ten-year old had no snobbery about the dreaded word ‘disco’ ”“ cleverly contained in the title). To do this they blended a selection of late 70s and early 80s tunes (George Duke, Sister Sledge, Barry Manilow etc.) with wonderfully retro vocoder-style effects and some metallic guitars. The formula worked like a dream and even made them household names in the States.
The key element to Discovery is fun. From the opening smash “One More Time” (featuring New York new-garage legend, Romanthony, on vocals) to fifth track, “Crescendolls”, the album’s a rollercoaster ride of cheese and choons. Second hit, “Harder, Better, Faster, Stronger” is a masterpiece of relentless synth splurge, like Kraftwerk in kindergarden while “Digital Love” is simply gorgeous pop. Only the needlessly ambient “Nightvision” slows the pace. The second half’s a more mixed bag (you do grow slightly weary of the tinny-AM-radio-into-monster-floor-filler trick that virtually every track uses), though still dotted with gems such as the penultimate “Face To Face”.
The final icing on the cake was the cinematic tranformation of the album into the soundtrack for the charming Interstella 5555 ”“ Daft Punk’s tribute to anime director and hero, Leiji Matsumoto (who produced the film). The blend of children’s TV sensibility and glistening house made perfect sense, and the band have never bettered its coherence of vision or joyful playfulness. Daft, maybe, but for a while the world was a brighter place for it.
External Album Reviews
None...
User Comments
Available in:
Discovery est le titre du deuxième album du groupe Daft Punk, sorti en 2001 et composé de 14 titres. En 2003 sortira le film d'animation muet Interstella 5555: The 5tory of the 5ecret 5tar 5ystem réalisé par Leiji Matsumoto, le créateur d'Albator, avec comme uniques musiques les 14 morceaux de Discovery accompagnant l'action.
Six singles ont été extraits de cet album : One More Time, Aerodynamic, Digital Love, Harder, Better, Faster, Stronger, Face to Face et Something About Us. Les clips des quatre premiers singles étaient en fait les quatre premiers chapitres du film Interstella 5555: The 5tory of the 5ecret 5tar 5ystem et Something About Us, le neuvième.
La première version du disque offrait une carte de membre du « Daft Club ». Cette carte donnait, grâce à un code, l'accès à un site internet proposant des téléchargements gratuits de remixes inédits et d'extraits de performance live. Les titres n'étaient lisibles qu'avec un lecteur fourni par le site. Le site a depuis été fermé, les morceaux sont désormais disponible sur Alive 1997 et Daft Club.
Le titre du 11e morceau de l'album, Veridis Quo, peut aussi être interprété comme l'homophone de "Very Disco". De même, il suffit de remettre les syllabes dans le bon ordre et on obtient "Disco very" c’est-à-dire le titre de l'album Discovery.
User Album Review
French duo, Guy-Manuel de Homem-Christo and Thomas Bangalter had first burst upon the dance world in 1995 with their hit “Da Funk” ”“ a tasty homage to Chicago Techno with a typically Gallic twist. The attendant album, Homework proved to be more of the same. So, four years later it came as some surprise when Discovery arrived; chock-full of, well”¦disco pop. Luckily it was even better.
Morphing (like the power rangers they resembled) into gleaming house robots for their publicity shots, the techno twins had spent the hiatus crafting something at once nostalgic and futuristic ”“ stating that Discovery was their attempt to summon up the innocence of a child’s approach to music (ie: a ten-year old had no snobbery about the dreaded word ‘disco’ ”“ cleverly contained in the title). To do this they blended a selection of late 70s and early 80s tunes (George Duke, Sister Sledge, Barry Manilow etc.) with wonderfully retro vocoder-style effects and some metallic guitars. The formula worked like a dream and even made them household names in the States.
The key element to Discovery is fun. From the opening smash “One More Time” (featuring New York new-garage legend, Romanthony, on vocals) to fifth track, “Crescendolls”, the album’s a rollercoaster ride of cheese and choons. Second hit, “Harder, Better, Faster, Stronger” is a masterpiece of relentless synth splurge, like Kraftwerk in kindergarden while “Digital Love” is simply gorgeous pop. Only the needlessly ambient “Nightvision” slows the pace. The second half’s a more mixed bag (you do grow slightly weary of the tinny-AM-radio-into-monster-floor-filler trick that virtually every track uses), though still dotted with gems such as the penultimate “Face To Face”.
The final icing on the cake was the cinematic tranformation of the album into the soundtrack for the charming Interstella 5555 ”“ Daft Punk’s tribute to anime director and hero, Leiji Matsumoto (who produced the film). The blend of children’s TV sensibility and glistening house made perfect sense, and the band have never bettered its coherence of vision or joyful playfulness. Daft, maybe, but for a while the world was a brighter place for it.
External Album Reviews
None...
User Comments
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