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Track List
01) Breed
02) Drain You
03) Aneurysm
04) School
05) Sliver
06) In Bloom
07) Come as You Are
08) Lithium
09) About a Girl
10) Tourette's
11) Polly
12) Lounge Act
13) Smells Like Teen Spirit
14) On a Plain
15) Negative Creep
16) Been a Son
17) All Apologies
18) Blew
19) Dumb
20) Stay Away
21) Spank Thru
22) The Money Will Roll Right In
23) D-7
24) Territorial Pissings
01) Breed
02) Drain You
03) Aneurysm
04) School
05) Sliver
06) In Bloom
07) Come as You Are
08) Lithium
09) About a Girl
10) Tourette's
11) Polly
12) Lounge Act
13) Smells Like Teen Spirit
14) On a Plain
15) Negative Creep
16) Been a Son
17) All Apologies
18) Blew
19) Dumb
20) Stay Away
21) Spank Thru
22) The Money Will Roll Right In
23) D-7
24) Territorial Pissings
3:12
3:38
4:35
2:43
2:06
4:36
3:36
4:21
2:51
1:50
2:48
2:36
4:45
3:00
2:52
2:13
3:09
3:19
2:32
3:32
3:06
2:16
3:43
4:29
Data Complete
80%
Total Rating
80%Total Rating
(0 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2009
Grunge
Sad
Rock/Pop
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Live
200,000 copies
Album Description
Available in:
Live at Reading es un CD/DVD en vivo de la banda estadounidense de grunge Nirvana, lanzado el 2 de noviembre de 2009, con la crónica de su actuación en el Festival de Reading en 1992. Tiempo después de la actuación comenzaron a circular entre coleccionistas diferentes grabaciones de video y audio, algunas de ellas a la venta en bootlegs, con un variado rango de calidades. Las mejores grabaciones fueron durante más de una década las tomadas de transmisiones de la BBC, que grabó en forma profesional el concierto y lo transmitió al menos 2 veces en una versión incompleta editada para ajustarse a un programa de radio de 1 hora; hasta que a principios del año 2005 apareció un video profesional completo, de similar calidad pero con una mezcla de audio diferente a la transmitida por la BBC (unas pocas canciones de este video habían sido trasmitidas en la televisiíon británica años antes, pero nunca el show completo). El álbum oficial presenta una remezcla del audio, un nuevo montaje del video con ángulos de cámara diferentes al video previamente circulado entre coleccionistas, y corrección del color. La presentación de "tourette's", sacada de la grabación de la BBC, fue publicado previamente en la compilación en vivo From the Muddy Banks of the Wishkah.
En Live at Reading es la primera vez que un lanzamiento de Nirvana recibe crédito de una composición de Chet Powers por la utilización de sus letras de la canción "Get Together" (en 1960, un himno de la paz y el amor) como el intro de "Territorial Pissings".
User Album Review
Nirvana headlined the Reading festival in 1992 as they were unsteadily acclimatising to their newfound status as multi-platinum unit shifters, frontman Kurt Cobain loudly declaring his disaffection with fame, and denying rumours of drug abuse that dogged him and his wife, Courtney Love. Indeed, hearsay across the festival site that weekend whispered that Nirvana would blow out their headline set, that Cobain was hospitalised by an overdose.
Such offstage drama lends an undeniable tension to this live album of that performance. On the DVD of the show that accompanies Deluxe Editions of this release (the standalone CD omits a song and all the between-song banter, and is very much inferior as a result), Cobain rolls onstage in a wheelchair and fakes an addled collapse, before ‘recovering’ and leading Nirvana through a ferocious and full-blooded Breed.
This venomous energy burns throughout what is by no means a greatest hits set; alienated by much of his newfound fandom, Cobain was in no mood to play crowd-pleaser. Performances of Nevermind anthems like Come As You Are and Smells Like Teen Spirit are by no means perfunctory, but Nirvana truly come alive here when exploring the murkier corners of their catalogue: fiery takes of fan-favourite B side Aneurysm and covers of The Wipers’ D7 and The Money Will Roll Right In (by 1980s Californian punks Fang) are highlights.
The true revelation, however, is the then-unrecorded All Apologies, dedicated to Courtney Love and their 12-day-old daughter Frances Bean. “[Courtney] thinks everyone hates her now,” says Cobain, betraying a vulnerable, boyish grin as the Reading audience yells “Courtney, we love you!” at his request. The song that follows remains perhaps Cobain’s most moving, and in this early stripped-bare version ”“ just Cobain’s brittle, chiming guitar and howl, Dave Grohl’s powerhouse drums and Krist Novoselic’s McCartney-aping bass-lines ”“ perfectly fuses Cobain’s equal love for Beatles-esque melody and punk-rock’s searing honesty, with a haunting intensity.
Forget the indulgent soloing and theatrical spectacle many live albums trade in. Live at Reading delivers instead an opportunity to revisit a key moment in rock history, unedited and unadorned; to experience the greatest rock’n’roll group of their era playing what became, tragically, their final performance on British soil. On this evidence, it was a truly remarkable night.
External Album Reviews
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User Comments
Available in:
Live at Reading es un CD/DVD en vivo de la banda estadounidense de grunge Nirvana, lanzado el 2 de noviembre de 2009, con la crónica de su actuación en el Festival de Reading en 1992. Tiempo después de la actuación comenzaron a circular entre coleccionistas diferentes grabaciones de video y audio, algunas de ellas a la venta en bootlegs, con un variado rango de calidades. Las mejores grabaciones fueron durante más de una década las tomadas de transmisiones de la BBC, que grabó en forma profesional el concierto y lo transmitió al menos 2 veces en una versión incompleta editada para ajustarse a un programa de radio de 1 hora; hasta que a principios del año 2005 apareció un video profesional completo, de similar calidad pero con una mezcla de audio diferente a la transmitida por la BBC (unas pocas canciones de este video habían sido trasmitidas en la televisiíon británica años antes, pero nunca el show completo). El álbum oficial presenta una remezcla del audio, un nuevo montaje del video con ángulos de cámara diferentes al video previamente circulado entre coleccionistas, y corrección del color. La presentación de "tourette's", sacada de la grabación de la BBC, fue publicado previamente en la compilación en vivo From the Muddy Banks of the Wishkah.
En Live at Reading es la primera vez que un lanzamiento de Nirvana recibe crédito de una composición de Chet Powers por la utilización de sus letras de la canción "Get Together" (en 1960, un himno de la paz y el amor) como el intro de "Territorial Pissings".
User Album Review
Nirvana headlined the Reading festival in 1992 as they were unsteadily acclimatising to their newfound status as multi-platinum unit shifters, frontman Kurt Cobain loudly declaring his disaffection with fame, and denying rumours of drug abuse that dogged him and his wife, Courtney Love. Indeed, hearsay across the festival site that weekend whispered that Nirvana would blow out their headline set, that Cobain was hospitalised by an overdose.
Such offstage drama lends an undeniable tension to this live album of that performance. On the DVD of the show that accompanies Deluxe Editions of this release (the standalone CD omits a song and all the between-song banter, and is very much inferior as a result), Cobain rolls onstage in a wheelchair and fakes an addled collapse, before ‘recovering’ and leading Nirvana through a ferocious and full-blooded Breed.
This venomous energy burns throughout what is by no means a greatest hits set; alienated by much of his newfound fandom, Cobain was in no mood to play crowd-pleaser. Performances of Nevermind anthems like Come As You Are and Smells Like Teen Spirit are by no means perfunctory, but Nirvana truly come alive here when exploring the murkier corners of their catalogue: fiery takes of fan-favourite B side Aneurysm and covers of The Wipers’ D7 and The Money Will Roll Right In (by 1980s Californian punks Fang) are highlights.
The true revelation, however, is the then-unrecorded All Apologies, dedicated to Courtney Love and their 12-day-old daughter Frances Bean. “[Courtney] thinks everyone hates her now,” says Cobain, betraying a vulnerable, boyish grin as the Reading audience yells “Courtney, we love you!” at his request. The song that follows remains perhaps Cobain’s most moving, and in this early stripped-bare version ”“ just Cobain’s brittle, chiming guitar and howl, Dave Grohl’s powerhouse drums and Krist Novoselic’s McCartney-aping bass-lines ”“ perfectly fuses Cobain’s equal love for Beatles-esque melody and punk-rock’s searing honesty, with a haunting intensity.
Forget the indulgent soloing and theatrical spectacle many live albums trade in. Live at Reading delivers instead an opportunity to revisit a key moment in rock history, unedited and unadorned; to experience the greatest rock’n’roll group of their era playing what became, tragically, their final performance on British soil. On this evidence, it was a truly remarkable night.
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