(7 users) 
Cover is also available in
Join Patreon for 4K upload/download access
Your Rating (Click a star below)
Track List
01) Intro
02) VCR
03) Crystalised
04) Islands
05) Heart Skipped a Beat
06) Fantasy
07) Shelter
08) Basic Space
09) Infinity
10) Night Time
11) Stars
01) Intro
02) VCR
03) Crystalised
04) Islands
05) Heart Skipped a Beat
06) Fantasy
07) Shelter
08) Basic Space
09) Infinity
10) Night Time
11) Stars
2:07
2:57
3:21
2:40
4:02
2:38
4:30
3:08
5:13
3:36
4:22
Data Complete
90%
Total Rating
90%Total Rating
(8 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2009
Pop
Relaxed
Rock/Pop
---
Medium
Album
405,000 copies
Album Description
Available in:
xx est le premier album studio du groupe d'indie pop londonien The xx, sorti en le 17 août 2009 sur le label Young Turks. L'album, auto-produit, a été enregistré dans les studios XL à Londres entre décembre 2008 et avril 2009.
Dès sa sortie, xx été acclamé par le milieu pop indé de musique et reçoit en 2010 le Mercury Prize. xx reste pendant quatre-vingt-sept semaines dans le UK Albums Chart, et a été certifié disque de platine par la British Phonographic Industry. En septembre 2011, les ventes de l'album au Royaume-Uni s'élèvent à 405 000 exemplaires.
User Album Review
The xx, like Burial’s William Bevan and Four Tet’s Kieran Hebden, studied at Elliott School in Putney, a pleasant south-west London suburb. But on the basis of this sleek debut this ice-cool quartet could surpass the achievements of their secondary school alumni.
Naming an album opener Intro prepares listeners for low expectations, so it's a great surprise when the track snakes in with a tightly coiled riff initially reminiscent of Casiokids' ace Fot I Hose. It doesn't turn into an immense house-echoing banger like the Norwegians’ tune, but when beats do arrive they're heavy enough for dubstep.
If Intro is a template for xx's simple, minimalist songs, VCR sets a precedent for winning vocal interplay between Romy Madley Croft and bassist Oliver Sim. With Jamie Smith's simple chiming production suggesting a nod to Brooklyn wonders Chairlift, Croft emotes breathily: “You used to have all the answers and you, you still have them, too.” Sim, meanwhile, sighs like a regretful Lou Reed.
A seemingly unlikely influence it may be, but amid the deep house beats of Island, the melody from Tom Petty's I Won't Back Down makes an appearance. Despite the incongruity, the motif evokes a sense of quiet triumph.
Fans of the midnight guitar in Chris Isaak’s Wicked Game will appreciate Infinity. While reverb-swollen chords drift by, Croft is hell-bent on mimicking Mazzy Star chanteuse Hope Sandoval in front of the microphone. And she succeeds beautifully.
Every song here is an enigmatic and moody blend of smoky crooning, nimble keyboard trickery and slippery treble-heavy riffs. Such self-awareness and focus is commendable given so few experienced bands, let alone newcomers, can manage it.
Yet xx’s consistency is also its sole undoing. The xx have perfected one formula but appear scared to develop any more, wary of branching into different tempos or styles. Fortunately this fault is not fatal ”“ after all, many successful bands, from Oasis to AC/DC, have only ever had one killer idea.
Whether The xx plough on in the same noir direction of this debut or pursue new tangents, it must be hoped the Londoners are able to maintain their affecting hold on the listener whatever the stylistic surface.
External Album Reviews
None...
User Comments
Available in:
xx est le premier album studio du groupe d'indie pop londonien The xx, sorti en le 17 août 2009 sur le label Young Turks. L'album, auto-produit, a été enregistré dans les studios XL à Londres entre décembre 2008 et avril 2009.
Dès sa sortie, xx été acclamé par le milieu pop indé de musique et reçoit en 2010 le Mercury Prize. xx reste pendant quatre-vingt-sept semaines dans le UK Albums Chart, et a été certifié disque de platine par la British Phonographic Industry. En septembre 2011, les ventes de l'album au Royaume-Uni s'élèvent à 405 000 exemplaires.
User Album Review
The xx, like Burial’s William Bevan and Four Tet’s Kieran Hebden, studied at Elliott School in Putney, a pleasant south-west London suburb. But on the basis of this sleek debut this ice-cool quartet could surpass the achievements of their secondary school alumni.
Naming an album opener Intro prepares listeners for low expectations, so it's a great surprise when the track snakes in with a tightly coiled riff initially reminiscent of Casiokids' ace Fot I Hose. It doesn't turn into an immense house-echoing banger like the Norwegians’ tune, but when beats do arrive they're heavy enough for dubstep.
If Intro is a template for xx's simple, minimalist songs, VCR sets a precedent for winning vocal interplay between Romy Madley Croft and bassist Oliver Sim. With Jamie Smith's simple chiming production suggesting a nod to Brooklyn wonders Chairlift, Croft emotes breathily: “You used to have all the answers and you, you still have them, too.” Sim, meanwhile, sighs like a regretful Lou Reed.
A seemingly unlikely influence it may be, but amid the deep house beats of Island, the melody from Tom Petty's I Won't Back Down makes an appearance. Despite the incongruity, the motif evokes a sense of quiet triumph.
Fans of the midnight guitar in Chris Isaak’s Wicked Game will appreciate Infinity. While reverb-swollen chords drift by, Croft is hell-bent on mimicking Mazzy Star chanteuse Hope Sandoval in front of the microphone. And she succeeds beautifully.
Every song here is an enigmatic and moody blend of smoky crooning, nimble keyboard trickery and slippery treble-heavy riffs. Such self-awareness and focus is commendable given so few experienced bands, let alone newcomers, can manage it.
Yet xx’s consistency is also its sole undoing. The xx have perfected one formula but appear scared to develop any more, wary of branching into different tempos or styles. Fortunately this fault is not fatal ”“ after all, many successful bands, from Oasis to AC/DC, have only ever had one killer idea.
Whether The xx plough on in the same noir direction of this debut or pursue new tangents, it must be hoped the Londoners are able to maintain their affecting hold on the listener whatever the stylistic surface.
External Album Reviews
None...
User Comments
No comments yet...
Status
unlockedRank: External Links
