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Track List
01) Love Song
02) Vegas
03) Bottle It Up
04) One Sweet Love
05) Come Round Soon
06) Morningside
07) Between the Lines
08) Love on the Rocks
09) City
10) Many the Miles
11) Fairytale
12) Gravity
Cd 2
01) Bottle It Up
02) Love Song
03) In Your Eyes
04) Many the Miles
05) Gravity
01) Love Song
02) Vegas
03) Bottle It Up
04) One Sweet Love
05) Come Round Soon
06) Morningside
07) Between the Lines
08) Love on the Rocks
09) City
10) Many the Miles
11) Fairytale
12) Gravity
Cd 2
01) Bottle It Up
02) Love Song
03) In Your Eyes
04) Many the Miles
05) Gravity
4:18
4:07
3:00
4:20
3:33
3:58
4:34
4:13
4:33
5:11
3:14
3:52
3:25
4:14
5:29
4:48
4:18
Data Complete
60%
Total Rating
60%Total Rating
(0 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2007
Indie
---
Rock/Pop
---
Medium
Album
0 copies
Album Description
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For her first major outing Little Voice, Sara Bareilles puts forth an intimate, emotionally charged album that sounds remarkably polished for a fledgling self-taught songwriter/performer. In fact, her voice even stands up to professionally trained pop divas like Christina Aguilera. Her only potential downfall is that she fits so perfectly in the adult contemporary female pianist mold that comparisons are inevitable -- Bareilles' vocal range is similar to Fiona Apple and she bears a striking physical resemblance to a merged composite of Vanessa Carlton and Michelle Branch. Despite the plethora of comparable looking and sounding artists, she still manages to stand out. The songs are sultry and generally upbeat, and delivered in a soulful manner with polished production and arrangement, but her X factor is in her ability to make it all sound unforced and very, very easy. Unquestionably, she's a natural with a huge voice and personality that shine through with spirited energy here. Perhaps the best and most original track is the ultra-peppy (think "Benny and the Jets") "Love on the Rocks" (not to be confused with the Neil Diamond number). With a warm wah-wah guitar and meandering Motown-esque harmonies, it makes for a perfect summertime love song. Undoubtedly her expertise is writing love songs like this, evident by song titles like "Love Song" and "One Sweet Love," but there are enough uniquely spun takes on the subject to make it interesting. In "Fairytale," children's stories are used as a metaphor for escapism and dealing with depression, and with the moody ballad "Gravity," falling in love is compared to getting caught in an inescapable gravitational pull. In the latter tearjerker of a tune, she shows off her chops with a song-stopping vocal crescendo, further proving that she has a style that's something special, even among all the stiff competition.
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Available in:
For her first major outing Little Voice, Sara Bareilles puts forth an intimate, emotionally charged album that sounds remarkably polished for a fledgling self-taught songwriter/performer. In fact, her voice even stands up to professionally trained pop divas like Christina Aguilera. Her only potential downfall is that she fits so perfectly in the adult contemporary female pianist mold that comparisons are inevitable -- Bareilles' vocal range is similar to Fiona Apple and she bears a striking physical resemblance to a merged composite of Vanessa Carlton and Michelle Branch. Despite the plethora of comparable looking and sounding artists, she still manages to stand out. The songs are sultry and generally upbeat, and delivered in a soulful manner with polished production and arrangement, but her X factor is in her ability to make it all sound unforced and very, very easy. Unquestionably, she's a natural with a huge voice and personality that shine through with spirited energy here. Perhaps the best and most original track is the ultra-peppy (think "Benny and the Jets") "Love on the Rocks" (not to be confused with the Neil Diamond number). With a warm wah-wah guitar and meandering Motown-esque harmonies, it makes for a perfect summertime love song. Undoubtedly her expertise is writing love songs like this, evident by song titles like "Love Song" and "One Sweet Love," but there are enough uniquely spun takes on the subject to make it interesting. In "Fairytale," children's stories are used as a metaphor for escapism and dealing with depression, and with the moody ballad "Gravity," falling in love is compared to getting caught in an inescapable gravitational pull. In the latter tearjerker of a tune, she shows off her chops with a song-stopping vocal crescendo, further proving that she has a style that's something special, even among all the stiff competition.
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