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Track List
01) Needles in the Camel's Eye
02) The Paw Paw Negro Blowtorch
03) Baby's on Fire
04) Cindy Tells Me
05) Driving Me Backwards
06) On Some Faraway Beach
07) Blank Frank
08) Dead Finks Don't Talk
09) Some of Them Are Old
10) Here Come the Warm Jets
01) Needles in the Camel's Eye
02) The Paw Paw Negro Blowtorch
03) Baby's on Fire
04) Cindy Tells Me
05) Driving Me Backwards
06) On Some Faraway Beach
07) Blank Frank
08) Dead Finks Don't Talk
09) Some of Them Are Old
10) Here Come the Warm Jets
3:13
3:07
5:22
3:28
5:13
4:39
3:38
4:22
5:14
4:02
Data Complete
70%
Total Rating
70%Total Rating
(1 users)
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First Released
1973
Experimental
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Electronic
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Medium
Album
0 copies
Album Description
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Eno's solo debut, Here Come the Warm Jets, is a spirited, experimental collection of unabashed pop songs on which Eno mostly reprises his Roxy Music role as "sound manipulator," taking the lead vocals but leaving much of the instrumental work to various studio cohorts (including ex-Roxy mates Phil Manzanera and Andy Mackay, plus Robert Fripp and others). Eno's compositions are quirky, whimsical, and catchy, his lyrics bizarre and often free-associative, with a decidedly dark bent in their humor ("Baby's on Fire," "Dead Finks Don't Talk"). Yet the album wouldn't sound nearly as manic as it does without Eno's wildly unpredictable sound processing; he coaxes otherworldly noises and textures from the treated guitars and keyboards, layering them in complex arrangements or bouncing them off one another in a weird cacophony. Avant-garde yet very accessible, Here Come the Warm Jets still sounds exciting, forward-looking, and densely detailed, revealing more intricacies with every play.
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Eno's solo debut, Here Come the Warm Jets, is a spirited, experimental collection of unabashed pop songs on which Eno mostly reprises his Roxy Music role as "sound manipulator," taking the lead vocals but leaving much of the instrumental work to various studio cohorts (including ex-Roxy mates Phil Manzanera and Andy Mackay, plus Robert Fripp and others). Eno's compositions are quirky, whimsical, and catchy, his lyrics bizarre and often free-associative, with a decidedly dark bent in their humor ("Baby's on Fire," "Dead Finks Don't Talk"). Yet the album wouldn't sound nearly as manic as it does without Eno's wildly unpredictable sound processing; he coaxes otherworldly noises and textures from the treated guitars and keyboards, layering them in complex arrangements or bouncing them off one another in a weird cacophony. Avant-garde yet very accessible, Here Come the Warm Jets still sounds exciting, forward-looking, and densely detailed, revealing more intricacies with every play.
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