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Track List
01) Basic Instinct (U Got Me)
02) Ride (feat. Ludacris)
03) Gimmie Dat
04) Heavy Rotation
05) Girls Get Your Money
06) Yeah I Know
07) Speechless
08) You Can Get It
09) Turn It Up (feat. Usher)
10) Wants for Dinner
11) I Run It
01) Basic Instinct (U Got Me)
02) Ride (feat. Ludacris)
03) Gimmie Dat
04) Heavy Rotation
05) Girls Get Your Money
06) Yeah I Know
07) Speechless
08) You Can Get It
09) Turn It Up (feat. Usher)
10) Wants for Dinner
11) I Run It
3:29
4:34
4:11
4:08
3:32
3:44
4:08
4:00
3:08
3:31
5:15
Data Complete
70%
Total Rating
70%Total Rating
(3 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2010
R&B
Bittersweet
Rock/Pop
---
Medium
Album
0 copies
Album Description
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On her fourth album, Ciara works extensively with Terius “The-Dream” Nash and Christopher “Tricky” Stewart, the duo who collaborated on four of Fantasy Ride's best tracks. Unsurprisingly, the move fosters the singer’s most consistent and unified release. For the most part, Nash and Stewart alter their ever-present sound just enough to avoid repeating themselves, albeit while incorporating some of their telltale sonic imprints -- the dive-bombing synths, the subtle background-vocal chirps, the unrivaled sonic opulence. They cover each base with great accuracy; there’s a bombastic intro, a sleazy club track, some playful pop, and a ballad with a feather-light touch among them. The euphoric “Speechless” is the best of the seven Nash/Stewart productions, working a kind of regal slow-motion glide with synthetic horns and trunk-shaking bottom as Ciara’s voice hovers in a love-struck daze. A few songs touch upon characteristics from Ciara’s first two albums without being complete retreads; the Infinity-produced “Yeah I Know,” for instance, enters like a low-profile update of “Goodies” -- Ciara is half confrontational, half flirtatious -- but incorporates a twisting, glitzed-out chorus. “Turn It Up,” featuring Usher, improves upon Ciara’s other attempts at aggressive dance-pop. It’s one of the few effective Euro-flavored club numbers to be fronted by an R&B artist. Altogether, this is one of 2010’s finest pop-R&B albums -- Ciara's best yet.
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Available in:
On her fourth album, Ciara works extensively with Terius “The-Dream” Nash and Christopher “Tricky” Stewart, the duo who collaborated on four of Fantasy Ride's best tracks. Unsurprisingly, the move fosters the singer’s most consistent and unified release. For the most part, Nash and Stewart alter their ever-present sound just enough to avoid repeating themselves, albeit while incorporating some of their telltale sonic imprints -- the dive-bombing synths, the subtle background-vocal chirps, the unrivaled sonic opulence. They cover each base with great accuracy; there’s a bombastic intro, a sleazy club track, some playful pop, and a ballad with a feather-light touch among them. The euphoric “Speechless” is the best of the seven Nash/Stewart productions, working a kind of regal slow-motion glide with synthetic horns and trunk-shaking bottom as Ciara’s voice hovers in a love-struck daze. A few songs touch upon characteristics from Ciara’s first two albums without being complete retreads; the Infinity-produced “Yeah I Know,” for instance, enters like a low-profile update of “Goodies” -- Ciara is half confrontational, half flirtatious -- but incorporates a twisting, glitzed-out chorus. “Turn It Up,” featuring Usher, improves upon Ciara’s other attempts at aggressive dance-pop. It’s one of the few effective Euro-flavored club numbers to be fronted by an R&B artist. Altogether, this is one of 2010’s finest pop-R&B albums -- Ciara's best yet.
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