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Track List
01) I Can Transform Ya
02) Sing Like Me
03) Crawl
04) So Cold
05) What I Do (feat. Plies)
06) Famous Girl
07) Take My Time (feat. Tank)
08) I.Y.A.
09) Pass Out (feat. Eva Simons)
10) Wait (feat. Trey Songz & The Game)
11) Lucky Me
12) Fallin Down
13) I'll Go
01) I Can Transform Ya
02) Sing Like Me
03) Crawl
04) So Cold
05) What I Do (feat. Plies)
06) Famous Girl
07) Take My Time (feat. Tank)
08) I.Y.A.
09) Pass Out (feat. Eva Simons)
10) Wait (feat. Trey Songz & The Game)
11) Lucky Me
12) Fallin Down
13) I'll Go
3:48
4:15
3:56
3:38
4:00
3:39
4:38
3:08
3:53
4:30
5:10
4:11
3:05
Data Complete
80%
Total Rating
80%Total Rating
(2 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2009
R&B
Party
Urban/R&B
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Album
0 copies
Album Description
Available in:
Graffiti is the third studio album by American R&B and pop recording artist Chris Brown. It is the follow-up to his successful second album Exclusive (2007). The album was produced during 2008 to 2009 by several record producers, including Polow Da Don, Swizz Beatz, The Runners, and Brian Kennedy. Primarily an R&B and pop outing, Graffiti incorporates elements of electropop and hip hop music with synthesizers and electronic-influenced beats.
The album debuted at number seven on the U.S. Billboard 200 chart, selling 102,489 copies in its first week. To date, "Graffiti" has sold 341,000 copies in the US. It became his third consecutive top-ten debut in the United States and produced three singles that achieved moderate chart success. Upon its release, Graffiti received generally negative reviews from most music critics. Graffiti was nominated for two Grammy Awards, one for Best Contemporary R&B Album and Best R&B Performance by a Duo or Group with Vocals for the track, "Take My Time" featuring fellow R&B singer-songwriter Tank.
User Album Review
Two weeks after the release of Rihanna’s Rated R – a complex, adventurous pop record that presented a superstar fighting with fire after a difficult year – Chris Brown's comeback album arrives. This is a comeback in both senses, as a response to the woman he attacked back in February, from a man who has spent the time since trying to save his career.
Nevertheless, it's important to remember that Brown began this LP in 2008. "I don't want to be typical urban," he said last summer, talking excitedly about his glossy ambitions. "I want to be like... Prince and Michael Jackson and Stevie Wonder." Graffiti is full of sparky collaborators who could help make this happen, from Lupe Fiasco and Lil Wayne in big-budget supporting roles, to reggae group Rock City and Dutch electro-pop singer Eva Simons, with whom the 20-year-old RnB star tries out new sounds. But anyone expecting dazzling results will find mainly damp squibs – songs sputtering with faded 80s glitz instead of forward-looking glamour.
In Brown's brave new world, only two sorts of track exist: slinky RnB body-poppers and cheesy, breathy ballads. Most of them come swaddled in AutoTune – how very groundbreaking – and the songs that sound best (like the vaguely catchy I Can Transform Ya and Pass Out) sound like pale imitations of Justin Timberlake album tracks. Elsewhere, the prevailing mood is one of boyband pop by numbers. Crawl is a weak first attempt at an X Factor epic, while So Cold sounds like The Backstreet Boys limping quietly back to the drawing board. And then there's Take My Time, a song about sex that's so powerfully unerotic that secondary schools should use it to encourage celibacy.
It also quickly gets impossible to ignore Brown's pointed lyrics, especially in Famous Girl: "I don't wear no halo / You were first to play the game, though / Sorry I bust the windows out your car". And even if we ignore his protestations, Graffiti still lumbers, having few of the modern flourishes Brown kindly promised us (only the brief sigh of an accordion on I Luv U gives us sweet relief). Instead, plodding melodies draw attention to Brown's unpleasantly macho style and unapologetic sentiments, and the void where his talent, and his future, should be.
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User Comments
Available in:
Graffiti is the third studio album by American R&B and pop recording artist Chris Brown. It is the follow-up to his successful second album Exclusive (2007). The album was produced during 2008 to 2009 by several record producers, including Polow Da Don, Swizz Beatz, The Runners, and Brian Kennedy. Primarily an R&B and pop outing, Graffiti incorporates elements of electropop and hip hop music with synthesizers and electronic-influenced beats.
The album debuted at number seven on the U.S. Billboard 200 chart, selling 102,489 copies in its first week. To date, "Graffiti" has sold 341,000 copies in the US. It became his third consecutive top-ten debut in the United States and produced three singles that achieved moderate chart success. Upon its release, Graffiti received generally negative reviews from most music critics. Graffiti was nominated for two Grammy Awards, one for Best Contemporary R&B Album and Best R&B Performance by a Duo or Group with Vocals for the track, "Take My Time" featuring fellow R&B singer-songwriter Tank.
User Album Review
Two weeks after the release of Rihanna’s Rated R – a complex, adventurous pop record that presented a superstar fighting with fire after a difficult year – Chris Brown's comeback album arrives. This is a comeback in both senses, as a response to the woman he attacked back in February, from a man who has spent the time since trying to save his career.
Nevertheless, it's important to remember that Brown began this LP in 2008. "I don't want to be typical urban," he said last summer, talking excitedly about his glossy ambitions. "I want to be like... Prince and Michael Jackson and Stevie Wonder." Graffiti is full of sparky collaborators who could help make this happen, from Lupe Fiasco and Lil Wayne in big-budget supporting roles, to reggae group Rock City and Dutch electro-pop singer Eva Simons, with whom the 20-year-old RnB star tries out new sounds. But anyone expecting dazzling results will find mainly damp squibs – songs sputtering with faded 80s glitz instead of forward-looking glamour.
In Brown's brave new world, only two sorts of track exist: slinky RnB body-poppers and cheesy, breathy ballads. Most of them come swaddled in AutoTune – how very groundbreaking – and the songs that sound best (like the vaguely catchy I Can Transform Ya and Pass Out) sound like pale imitations of Justin Timberlake album tracks. Elsewhere, the prevailing mood is one of boyband pop by numbers. Crawl is a weak first attempt at an X Factor epic, while So Cold sounds like The Backstreet Boys limping quietly back to the drawing board. And then there's Take My Time, a song about sex that's so powerfully unerotic that secondary schools should use it to encourage celibacy.
It also quickly gets impossible to ignore Brown's pointed lyrics, especially in Famous Girl: "I don't wear no halo / You were first to play the game, though / Sorry I bust the windows out your car". And even if we ignore his protestations, Graffiti still lumbers, having few of the modern flourishes Brown kindly promised us (only the brief sigh of an accordion on I Luv U gives us sweet relief). Instead, plodding melodies draw attention to Brown's unpleasantly macho style and unapologetic sentiments, and the void where his talent, and his future, should be.
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