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Out of Control is the fifth studio album by British all-female pop group Girls Aloud, released in the UK on 3 November 2008 by Fascination Records. Like their previous albums, it was crafted by the production team of Brian Higgins and Xenomania. Out of Control builds on the sound of Girls Aloud's previous albums and represents a move into the mainstream for the group.
Out of Control debuted to generally favorable reviews from contemporary music critics, receiving praise from some reviewers but also criticism from others for failing to meet expectations. The album debuted at #1 on the UK Albums Chart, Girls Aloud's first studio album to do so, and quickly became Girls Aloud's best-selling studio album. It was certified 2x platinum in the UK and Ireland. It yielded three singles, including chart-topping "The Promise", which was awarded Best British Single at the 2009 BRIT Awards.
User Album Review
Even before Queen Cheryl of Cole sharpened her perfectly manicured judging nails to become the nation's new sweetheart, Girls Aloud were adored by everyone from misery guts Noel Gallagher to toff David Cameron. Now teaming up with hit factory Xenomania again for their fifth studio album, our girls show no sign of giving up the hunt for the perfect pop song.
That perfect song might not, however, be exactly what you're expecting. Instead of compelling us to race to the dancefloor and jump on our tutu, Out of Control has taken its lead from the success of icy ballad Call The Shots and brought us a shimmering album of heartbreaking electro pop with the tearstained melancholy of the Ashley baiting Love Is Pain its defining moment.
Forgetting about hugely disappointing Neil Tennant collaboration The Loving Kind, the Balearic bliss of epic seven minute marathon Untouchable and the haunting swirls of Turn 2 Stone (which cries out for a big trance remix) prove that you don't have to be brassy to be brilliant. That said, if you're running back to Tangled Up frantically searching for Girl Overboard, you need not fear. Although there aren't as many stompers as usual, the sarcastic country of Love Is The Key and drum and bass anti-anarchy anthem Live In The Country, in which Sarah begs for a ''stall selling strawberry shortcake'' will go some way in cheering you up. Miss You Bow Wow impresses as one big non-stop chorus and the dancehall mayhem of Revolution In The Head mean there's no chance of an overly serious 'we are no longer pop' edict being issued.
Pop music at its finest, Girls Aloud have opened up their hearts, and finally won their battle against drippy, re-hashed ballads. Long may they reign.
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