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Track List
01) My Medicine
02) Since You're Gone
03) Make Me Wanna Die 
04) Light Me Up
05) Zombie
06) Just Tonight
07) Miss Nothing
08) Goin' Down
09) Nothing Left to Lose
10) You
11) Factory Girl
01) My Medicine
02) Since You're Gone
03) Make Me Wanna Die
04) Light Me Up
05) Zombie
06) Just Tonight
07) Miss Nothing
08) Goin' Down
09) Nothing Left to Lose
10) You
11) Factory Girl
3:14
2:42
3:56
3:28
3:08
2:48
3:14
3:36
4:12
3:32
3:31
Data Complete
80%
Total Rating
80%Total Rating
(3 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2009
Alternative Rock
Troubled
Rock/Pop
---
Medium
Album
0 copies
Album Description
Available in:
Light Me Up is the debut studio album by American alternative rock band The Pretty Reckless, released on August 27, 2010 by Interscope Records. The album received commercial success with the singles "Make Me Wanna Die", "Miss Nothing", and "Just Tonight". The record process started in 2008, after Taylor Momsen met producer Kato Khandwala and his partner, songwriter Ben Phillips. By the summer of 2009, they felt they had found an authentic sound. Two months before the album's release, the band released the self-titled EP containing four songs expected to appear in the future record. However, the song "Zombie" was not present in the initial track listing, later appearing on the North and South American release.
The album received much more success in the UK, where it was released months before the American release. The warmer British reception spanned the singles "Miss Nothing" and "Just Tonight", which were not released anywhere else.
User Album Review
The Pretty Reckless are pretty much a shoo-in for critical drubbings in the UK, whatever noise they make. They push every wrong button. Teenage girl singer wearing lingerie onstage and writhing around on tables in the videos? Check. Happens to be a Hollywood actress who co-stars (as Jenny) in the glitzy, vacuous (and addictive) Gossip Girl, which isn’t The Wire? Check. Is backed by three hairy hired hands twice her age (and width)? Check. The only thing that could make them less palatable to British arbiters of taste would be if they sounded like Hole in a trainer bra. Oh.
So they bring out the contrarian in one from the off. First, the acting thing. Other – albeit better-known – actors like Scarlett Johansson, Juliette Lewis and Zooey Deschanel may not have made the best music of the past few years but they’ve all received a degree of praise for their efforts. Second, the wardrobe: if Taylor Momsen, the dodgy Lolita figure here, was wearing dungarees and a balaclava, would that mean The Pretty Reckless’ grunge-pop was okay? She’s more modestly attired than Britney or Christina were in their breakthrough days, and however polished her slick rock is, it’s indisputably more provocative than the never-dissed Rihanna’s latest offering.
Citing influences such as The White Stripes and Led Zeppelin, Momsen and cohorts rewrite Celebrity Skin ten times and have a whale of a time. The music won’t alienate Paramore fans, and Momsen’s surprisingly low, growly, deadpan voice is very effective. This is at heart a fun, dirty, insincere, cheap-thrill-laden pop record, with the raunch-riffery of Band of Skulls and lyrics which could be drawled from the mouth of a Bret Easton Ellis character. Make Me Wanna Die packs every emo-romantic cliché into its punchy pat structure, and Miss Nothing is three taut minutes of Primark-value Blondie. The album’s opening is a joy, Momsen lighting a cigarette, coughing, and sighing “somebody mixed my medicine” before committing to a feisty Jack White homage. Everything about The Pretty Reckless is a guilty pleasure. You know it’s wrong. But it feels so right.
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User Comments
Available in:
Light Me Up is the debut studio album by American alternative rock band The Pretty Reckless, released on August 27, 2010 by Interscope Records. The album received commercial success with the singles "Make Me Wanna Die", "Miss Nothing", and "Just Tonight". The record process started in 2008, after Taylor Momsen met producer Kato Khandwala and his partner, songwriter Ben Phillips. By the summer of 2009, they felt they had found an authentic sound. Two months before the album's release, the band released the self-titled EP containing four songs expected to appear in the future record. However, the song "Zombie" was not present in the initial track listing, later appearing on the North and South American release.
The album received much more success in the UK, where it was released months before the American release. The warmer British reception spanned the singles "Miss Nothing" and "Just Tonight", which were not released anywhere else.
User Album Review
The Pretty Reckless are pretty much a shoo-in for critical drubbings in the UK, whatever noise they make. They push every wrong button. Teenage girl singer wearing lingerie onstage and writhing around on tables in the videos? Check. Happens to be a Hollywood actress who co-stars (as Jenny) in the glitzy, vacuous (and addictive) Gossip Girl, which isn’t The Wire? Check. Is backed by three hairy hired hands twice her age (and width)? Check. The only thing that could make them less palatable to British arbiters of taste would be if they sounded like Hole in a trainer bra. Oh.
So they bring out the contrarian in one from the off. First, the acting thing. Other – albeit better-known – actors like Scarlett Johansson, Juliette Lewis and Zooey Deschanel may not have made the best music of the past few years but they’ve all received a degree of praise for their efforts. Second, the wardrobe: if Taylor Momsen, the dodgy Lolita figure here, was wearing dungarees and a balaclava, would that mean The Pretty Reckless’ grunge-pop was okay? She’s more modestly attired than Britney or Christina were in their breakthrough days, and however polished her slick rock is, it’s indisputably more provocative than the never-dissed Rihanna’s latest offering.
Citing influences such as The White Stripes and Led Zeppelin, Momsen and cohorts rewrite Celebrity Skin ten times and have a whale of a time. The music won’t alienate Paramore fans, and Momsen’s surprisingly low, growly, deadpan voice is very effective. This is at heart a fun, dirty, insincere, cheap-thrill-laden pop record, with the raunch-riffery of Band of Skulls and lyrics which could be drawled from the mouth of a Bret Easton Ellis character. Make Me Wanna Die packs every emo-romantic cliché into its punchy pat structure, and Miss Nothing is three taut minutes of Primark-value Blondie. The album’s opening is a joy, Momsen lighting a cigarette, coughing, and sighing “somebody mixed my medicine” before committing to a feisty Jack White homage. Everything about The Pretty Reckless is a guilty pleasure. You know it’s wrong. But it feels so right.
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