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Track List
01) No Line on the Horizon
02) Magnificent
03) Moment of Surrender
04) Unknown Caller
05) I'll Go Crazy If I Don't Go Crazy Tonight
06) Get On Your Boots
07) Stand Up Comedy
08) Fez - Being Born
09) White as Snow
10) Breathe
11) Cedars of Lebanon
01) No Line on the Horizon
02) Magnificent
03) Moment of Surrender
04) Unknown Caller
05) I'll Go Crazy If I Don't Go Crazy Tonight
06) Get On Your Boots
07) Stand Up Comedy
08) Fez - Being Born
09) White as Snow
10) Breathe
11) Cedars of Lebanon
4:12
5:24
7:24
6:02
4:13
3:25
3:49
5:16
4:41
5:00
4:16
Data Complete
80%
Total Rating
80%Total Rating
(1 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2009
Pop-Rock
Political
Rock/Pop
---
Medium
Album
5,000,000 copies
Album Description
Available in:
No Line on the Horizon er det tolvte studioalbumet fra det irske rockebandet U2, utgitt 27. februar 2009 i Irland, Nederland, Tyskland og Australia, og 2. mars 2009 i resten av Europa, og én dag senere i USA. Albumet er U2s første på fire år og fire måneder siden How to Dismantle an Atomic Bomb i 2004, noe som er bandets lengste opphold mellom to studioalbum i hele deres karriere.
U2 begynte egentlig arbeidet med det nye albumet i 2006 sammen med Rick Rubin, men materialet som ble produsert under disse innspillingene ble ikke brukt på No Line on the Horizon. Bandet samarbeidet med produsentene Brian Eno og Daniel Lanois fra 2007-2008, og lot dem ta del i komponeringsdelen av prosessen. Albumet hadde opprinnelig planlagt utgivelsesdato i november 2008, men innen da hadde U2 skrevet omtrent 50-60 sanger og ønsket å fortsette å skrive. De siste innspillingene og den siste mixingen ble gjort i januar 2009. I et intervju med The Guardian 15. februar uttalte Bono at U2 planla utgivelse av enda et album innen slutten av 2009, hvor noe av det materialet som ikke kom med på No Line on the Horizon ville bli brukt. Albumet, med arbeidstittelen Songs of Ascent, ble utsatt flere ganger og planlegges utgitt innen utgangen av 2010.
Albumet er innspilt i Fez i Marocco, i London, New York og i bandets eget studio i Dublin, Irland.
User Album Review
Like all of U2's best work there's a schism at the heart of their 12th studio album. It's the polarity between the hedonistic and the profound; the thin line between the general and the particular: rock and a very hard place. Their very lucrative humanitarianism may stick in the craw of many, but this skill allows them to make important points about all our lives while never forgetting to move our collective booties.
Much of No Line On the Horizon examines the state of the planet from the viewpoint of victims and witnesses. White As Snow sets a traditional air beneath a tale of an Afghanistan where, ''only poppies laugh under a crescent moon''. World citizenry is reflected in uber-cool, William Gibson-style lyrics on Breathe (''16th of June, Chinese Stocks are going up, And I'm coming down with some new Asian virus''). Only in Unknown Caller's dreadful ''Force quit and move to trash'' lines does the hi-tech metaphor card get overplayed.
There's plenty to rejoice about here. Not only is old mucker Steve Lillywhite back at the desk on several tracks, resurrecting the days of War, but the Edge's guitar also returns to the glory days on the title track as well as the hilariously titled I'll Go Crazy If I Don't Go Crazy Tonight; with the echo pedal set to 11. Add to these the massed ''oh, ohs'', and this at least feels like a classic; even if a lack of obviously hummable tunes makes it more of a grower than an instant hit.
The symbiotic relationship with Brian Eno (and Daniel Lanois) seems to have reached the point of imperceptibility. From the musical box sprinkles on the chugging title track to the midway palate cleanser FEZ-Being Born's cut-up first half, the touch may be light but it's now as much a part of their sound as Larry's rattling toms or Adam's one-note runs.
Get On Your Boots sounds unnervingly like U2 doing a Muse impersonation. Not necessarily a bad thing but, as on Pop, it sounds odd when U2 sound like followers rather than leaders. But it would be unrealistic to expect a band at the wrong end of a 30-year career to be as lithe as they once were.
There are at least two classics here. The closing Cedars Of Lebanon is a beautifully weary tale told by a journalist in the Middle East; while conversely Stand Up Comedy is a rowdy, grand gesture urging you to ''stand up for love'' as only U2 can. It also contains one of Bono's greatest lines in "stop helping God across the road like an little old lady''.
It seems that faith is what still drives these men: the faith in music to convey an important message and faith in the power of faith itself. But overall No Line On The Horizon proves that U2 really still have faith in themselves.
External Album Reviews
None...
User Comments
Available in:
No Line on the Horizon er det tolvte studioalbumet fra det irske rockebandet U2, utgitt 27. februar 2009 i Irland, Nederland, Tyskland og Australia, og 2. mars 2009 i resten av Europa, og én dag senere i USA. Albumet er U2s første på fire år og fire måneder siden How to Dismantle an Atomic Bomb i 2004, noe som er bandets lengste opphold mellom to studioalbum i hele deres karriere.
U2 begynte egentlig arbeidet med det nye albumet i 2006 sammen med Rick Rubin, men materialet som ble produsert under disse innspillingene ble ikke brukt på No Line on the Horizon. Bandet samarbeidet med produsentene Brian Eno og Daniel Lanois fra 2007-2008, og lot dem ta del i komponeringsdelen av prosessen. Albumet hadde opprinnelig planlagt utgivelsesdato i november 2008, men innen da hadde U2 skrevet omtrent 50-60 sanger og ønsket å fortsette å skrive. De siste innspillingene og den siste mixingen ble gjort i januar 2009. I et intervju med The Guardian 15. februar uttalte Bono at U2 planla utgivelse av enda et album innen slutten av 2009, hvor noe av det materialet som ikke kom med på No Line on the Horizon ville bli brukt. Albumet, med arbeidstittelen Songs of Ascent, ble utsatt flere ganger og planlegges utgitt innen utgangen av 2010.
Albumet er innspilt i Fez i Marocco, i London, New York og i bandets eget studio i Dublin, Irland.
User Album Review
Like all of U2's best work there's a schism at the heart of their 12th studio album. It's the polarity between the hedonistic and the profound; the thin line between the general and the particular: rock and a very hard place. Their very lucrative humanitarianism may stick in the craw of many, but this skill allows them to make important points about all our lives while never forgetting to move our collective booties.
Much of No Line On the Horizon examines the state of the planet from the viewpoint of victims and witnesses. White As Snow sets a traditional air beneath a tale of an Afghanistan where, ''only poppies laugh under a crescent moon''. World citizenry is reflected in uber-cool, William Gibson-style lyrics on Breathe (''16th of June, Chinese Stocks are going up, And I'm coming down with some new Asian virus''). Only in Unknown Caller's dreadful ''Force quit and move to trash'' lines does the hi-tech metaphor card get overplayed.
There's plenty to rejoice about here. Not only is old mucker Steve Lillywhite back at the desk on several tracks, resurrecting the days of War, but the Edge's guitar also returns to the glory days on the title track as well as the hilariously titled I'll Go Crazy If I Don't Go Crazy Tonight; with the echo pedal set to 11. Add to these the massed ''oh, ohs'', and this at least feels like a classic; even if a lack of obviously hummable tunes makes it more of a grower than an instant hit.
The symbiotic relationship with Brian Eno (and Daniel Lanois) seems to have reached the point of imperceptibility. From the musical box sprinkles on the chugging title track to the midway palate cleanser FEZ-Being Born's cut-up first half, the touch may be light but it's now as much a part of their sound as Larry's rattling toms or Adam's one-note runs.
Get On Your Boots sounds unnervingly like U2 doing a Muse impersonation. Not necessarily a bad thing but, as on Pop, it sounds odd when U2 sound like followers rather than leaders. But it would be unrealistic to expect a band at the wrong end of a 30-year career to be as lithe as they once were.
There are at least two classics here. The closing Cedars Of Lebanon is a beautifully weary tale told by a journalist in the Middle East; while conversely Stand Up Comedy is a rowdy, grand gesture urging you to ''stand up for love'' as only U2 can. It also contains one of Bono's greatest lines in "stop helping God across the road like an little old lady''.
It seems that faith is what still drives these men: the faith in music to convey an important message and faith in the power of faith itself. But overall No Line On The Horizon proves that U2 really still have faith in themselves.
External Album Reviews
None...
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