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Track List
01) Ooh Yeah
02) I Love to Move in Here
03) 257.Zero
04) Everyday It's 1989
05) Live for Tomorrow
06) Alice
07) Hyenas
08) I'm in Love
09) Disco Lies
10) The Stars
11) Degenerates
12) Sweet Apocalypse
13) Mothers of the Night
14) Last Night / Lucy Vida
01) Ooh Yeah
02) I Love to Move in Here
03) 257.Zero
04) Everyday It's 1989
05) Live for Tomorrow
06) Alice
07) Hyenas
08) I'm in Love
09) Disco Lies
10) The Stars
11) Degenerates
12) Sweet Apocalypse
13) Mothers of the Night
14) Last Night / Lucy Vida
5:18
4:44
3:37
3:40
4:02
4:26
3:35
3:42
3:22
4:21
3:58
5:18
3:19
9:23
Data Complete
80%
Total Rating
80%Total Rating
(3 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2008
Electronic
Philosophical
Electronic
---
Medium
Album
0 copies
Album Description
Available in:
Last Night — восьмой студийный альбом американского музыканта Моби, релиз которого состоялся 30 марта 2008 года в Австралии, 1 апреля 2008 года в США, и 12 мая 2008 года в Соединённом Королевстве (в цифровом формате релиз состоялся 31 марта 2008 года).
User Album Review
So, after the rock dabblings of 18 and the like, Moby returns with...what? Has the 42-year old friend of advertisers the world over made a mid-life crisis album? Is that 'last' in the title a literal reference to a night out on the New York club scene, or is it the bald one's elegy to his last ever clubbing forays? Certainly Last Night, stuffed as it is with old-skool house and hedonistic club bangers, has more than a certain whiff of nostalgia about it.
Supposedly chronicling a night out on the tiles in the Big Apple, LN is a bold return from wrong-headed experimentation. However those who only know of his return through the single, Alice may be wrong-footed. Alice itself, a low-end rumble of electronica and hip hop, is a killer track, but the rest of the album covers quite a diferent spectrum of sound. At least half of it is day-glo rave in nature, from opener, Ooh yeah, to I'm In Love and I Love To Move In Here.. It's all sequencers and glow sticks As the song title says Everyday It's 1989. So is Moby recalling his youth or is he genuinely interested in reintroducing the world to his own smiley face? The fact is that he has obviously updated his sounds to match current trends as well. Disco Lies and The Stars are equal parts Black Box and Justice. Whether this is a good thing all depends on where you are when you hear it. On the dance floor it's going to be unstoppable. It's on the more monumental, ad-friendly tracks that he comes a cropper. Mothers Of The Night and Hyenas are the kind of coffee table fare that got him hated by so many in the first place.
Naturally, as the night's story arc peters out the vibe gets more languid. Degenerates is a slo-mo dredge through the chemical afterburn; post indutrial and a little creepy, while hidden track Lucy Vida is a gorgeous spill through jazzy exhaustion. If you're a child of the late '80s then these thumping pianos and retro synths will make you glad again. But as a template for longevity, Last Night doesn't auger well. It may just be Moby's final fanfare.
External Album Reviews
None...
User Comments
Available in:
Last Night — восьмой студийный альбом американского музыканта Моби, релиз которого состоялся 30 марта 2008 года в Австралии, 1 апреля 2008 года в США, и 12 мая 2008 года в Соединённом Королевстве (в цифровом формате релиз состоялся 31 марта 2008 года).
User Album Review
So, after the rock dabblings of 18 and the like, Moby returns with...what? Has the 42-year old friend of advertisers the world over made a mid-life crisis album? Is that 'last' in the title a literal reference to a night out on the New York club scene, or is it the bald one's elegy to his last ever clubbing forays? Certainly Last Night, stuffed as it is with old-skool house and hedonistic club bangers, has more than a certain whiff of nostalgia about it.
Supposedly chronicling a night out on the tiles in the Big Apple, LN is a bold return from wrong-headed experimentation. However those who only know of his return through the single, Alice may be wrong-footed. Alice itself, a low-end rumble of electronica and hip hop, is a killer track, but the rest of the album covers quite a diferent spectrum of sound. At least half of it is day-glo rave in nature, from opener, Ooh yeah, to I'm In Love and I Love To Move In Here.. It's all sequencers and glow sticks As the song title says Everyday It's 1989. So is Moby recalling his youth or is he genuinely interested in reintroducing the world to his own smiley face? The fact is that he has obviously updated his sounds to match current trends as well. Disco Lies and The Stars are equal parts Black Box and Justice. Whether this is a good thing all depends on where you are when you hear it. On the dance floor it's going to be unstoppable. It's on the more monumental, ad-friendly tracks that he comes a cropper. Mothers Of The Night and Hyenas are the kind of coffee table fare that got him hated by so many in the first place.
Naturally, as the night's story arc peters out the vibe gets more languid. Degenerates is a slo-mo dredge through the chemical afterburn; post indutrial and a little creepy, while hidden track Lucy Vida is a gorgeous spill through jazzy exhaustion. If you're a child of the late '80s then these thumping pianos and retro synths will make you glad again. But as a template for longevity, Last Night doesn't auger well. It may just be Moby's final fanfare.
External Album Reviews
None...
User Comments
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