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Track List
01) Guns and Horses
02) Starry Eyed
03) This Love (Will Be Your Downfall)
04) Under the Sheets
05) The Writer
06) Every Time You Go
07) Wish I Stayed
08) Your Biggest Mistake
09) I'll Hold My Breath
10) Salt Skin
11) Lights
12) Human
13) Little Dreams
14) Home
15) Animal
16) Believe Me
17) Your Song 
01) Guns and Horses
02) Starry Eyed
03) This Love (Will Be Your Downfall)
04) Under the Sheets
05) The Writer
06) Every Time You Go
07) Wish I Stayed
08) Your Biggest Mistake
09) I'll Hold My Breath
10) Salt Skin
11) Lights
12) Human
13) Little Dreams
14) Home
15) Animal
16) Believe Me
17) Your Song
3:35
2:57
3:53
3:44
4:11
3:25
3:40
3:25
3:45
4:15
3:31
4:09
3:19
3:25
3:40
4:05
3:11
Data Complete
80%
Total Rating
80%Total Rating
(4 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2010
Pop
Carefree
Rock/Pop
---
Medium
Album
650,000 copies
Album Description
Available in:
"Lights" er debutalbumet til den engelske plateartisten Ellie Goulding , utgitt 26. februar 2010 av Polydor Records. Goulding samarbeidet med flere produsenter på albumet , inkludert Starsmith , Fraser T Smith , Frankmusik , Richard " Biff " Stannard , Ash Howes , Liam Howe , Fred Falke og Mumford & Sons ' Ben Lovett . Albumet fikk positive anmeldelser fra musikk- kritikere, som komplimentert Goulding for den elektroniske touchen , mens mindre gode kritikk pga av noe generisk lydbilde. Lights debuterte på toppen av den britiske Albums Chart med første-ukers salg på 36 854 eksemplarer. I Nord-Amerika , albumet havnet som nummer 21 i USA, og nummer 66 i Canada. Det ble gitt ut fire singler : "Under de Sheets ", " Starry Eyed ", " Guns and Horses " og " The Writer " .
Albumet ble utgitt den 29. november 2010 som "Bright Lights" og inkluderte seks helt nye låter . Det ble produsert ytterligere to singler; En cover av Elton Johns "Your Song " og " Lights " , som ble Goulding største hit hittil i Storbritannia og USA . Etter re-releaseen fikk albumet en økning i salget både i Storbritannia og Irland . 8. mars 2011 ble albumet sluppet i USA med tre låter som tidligere ikke var tilgjengelig på den originale versjonen , men ble inkludert på Bright Lights reissue .
User Album Review
That Ellie Goulding topped the BBC’s Sound of 2010 poll and won the Critics’ award at the Brits counts for precisely nothing as of now. Her debut album signals the next chapter in the career of an artist who, with only a pair of singles reaching the world beyond the music industry, seems to have been handed success on a plate. But the past is just that, the page has turned; here is where Goulding truly lays down the foundations for either a 15-minute stand or, she’d hope, a lengthy tenure in our hearts.
Good news: Lights is an expectations-passing collection that should see fans of the singer’s material to date elevating her to superstar status – perhaps not Gaga league, but certainly the equal of the current solo female du jour, Florence Welch. Both possess vocals that can rub a listener the wrong way, but Goulding’s lyricism surpasses Welch’s exacerbating I’m-so-wacky-me artifice, connecting on a commendably affecting level with no little frequency.
She’s not a bad vocalist, but there are moments when an endearing cuteness crosses into uncomfortable irritation, a purr peaking to a piercing squeal. With words cut-and-pasted across compositions that dance with contemporary class – the presence of Starsmith (Marina and the Diamonds, Paloma Faith) and Fraser T Smith (Tinchy Stryder, N-Dubz) ensures an up-to-the-moment production modernity shines through – there are parallels with Frankmusik’s enjoyably breathless patter throughout. The polish, laid thick but even, keeps the consistency controlled – ballads like The Writer and I’ll Hold My Breath retain the glossy attraction of singles Under the Sheets and Starry Eyed. Wish I Stayed is the album’s skilfully sound-scaped highlight, percussively brutish but comely of light keys.
What really sells Goulding as a hyped artist with substance enough to qualify the acclaim, though, is her way with words. She’s not showy, but cuts to the core of each matter with the accomplished efficiency of an artist twice her age. Considering she only signed her deal in the autumn of 2009, Lights represents a superb achievement in this respect – hackneyed heart-on-sleeve emoting is conspicuous by its absence, deliberately curt posers dominating proceedings. “Who am I to say I’m always yours?” she asks, and in one line addresses more romantic uncertainty than entire albums from her would-be peers.
Who, if you’d not already guessed, she spectacularly surpasses. 2010’s poll-winners’ party has only just begun, but expect Goulding to be the last one standing.
External Album Reviews
None...
User Comments
Available in:
"Lights" er debutalbumet til den engelske plateartisten Ellie Goulding , utgitt 26. februar 2010 av Polydor Records. Goulding samarbeidet med flere produsenter på albumet , inkludert Starsmith , Fraser T Smith , Frankmusik , Richard " Biff " Stannard , Ash Howes , Liam Howe , Fred Falke og Mumford & Sons ' Ben Lovett . Albumet fikk positive anmeldelser fra musikk- kritikere, som komplimentert Goulding for den elektroniske touchen , mens mindre gode kritikk pga av noe generisk lydbilde. Lights debuterte på toppen av den britiske Albums Chart med første-ukers salg på 36 854 eksemplarer. I Nord-Amerika , albumet havnet som nummer 21 i USA, og nummer 66 i Canada. Det ble gitt ut fire singler : "Under de Sheets ", " Starry Eyed ", " Guns and Horses " og " The Writer " .
Albumet ble utgitt den 29. november 2010 som "Bright Lights" og inkluderte seks helt nye låter . Det ble produsert ytterligere to singler; En cover av Elton Johns "Your Song " og " Lights " , som ble Goulding største hit hittil i Storbritannia og USA . Etter re-releaseen fikk albumet en økning i salget både i Storbritannia og Irland . 8. mars 2011 ble albumet sluppet i USA med tre låter som tidligere ikke var tilgjengelig på den originale versjonen , men ble inkludert på Bright Lights reissue .
User Album Review
That Ellie Goulding topped the BBC’s Sound of 2010 poll and won the Critics’ award at the Brits counts for precisely nothing as of now. Her debut album signals the next chapter in the career of an artist who, with only a pair of singles reaching the world beyond the music industry, seems to have been handed success on a plate. But the past is just that, the page has turned; here is where Goulding truly lays down the foundations for either a 15-minute stand or, she’d hope, a lengthy tenure in our hearts.
Good news: Lights is an expectations-passing collection that should see fans of the singer’s material to date elevating her to superstar status – perhaps not Gaga league, but certainly the equal of the current solo female du jour, Florence Welch. Both possess vocals that can rub a listener the wrong way, but Goulding’s lyricism surpasses Welch’s exacerbating I’m-so-wacky-me artifice, connecting on a commendably affecting level with no little frequency.
She’s not a bad vocalist, but there are moments when an endearing cuteness crosses into uncomfortable irritation, a purr peaking to a piercing squeal. With words cut-and-pasted across compositions that dance with contemporary class – the presence of Starsmith (Marina and the Diamonds, Paloma Faith) and Fraser T Smith (Tinchy Stryder, N-Dubz) ensures an up-to-the-moment production modernity shines through – there are parallels with Frankmusik’s enjoyably breathless patter throughout. The polish, laid thick but even, keeps the consistency controlled – ballads like The Writer and I’ll Hold My Breath retain the glossy attraction of singles Under the Sheets and Starry Eyed. Wish I Stayed is the album’s skilfully sound-scaped highlight, percussively brutish but comely of light keys.
What really sells Goulding as a hyped artist with substance enough to qualify the acclaim, though, is her way with words. She’s not showy, but cuts to the core of each matter with the accomplished efficiency of an artist twice her age. Considering she only signed her deal in the autumn of 2009, Lights represents a superb achievement in this respect – hackneyed heart-on-sleeve emoting is conspicuous by its absence, deliberately curt posers dominating proceedings. “Who am I to say I’m always yours?” she asks, and in one line addresses more romantic uncertainty than entire albums from her would-be peers.
Who, if you’d not already guessed, she spectacularly surpasses. 2010’s poll-winners’ party has only just begun, but expect Goulding to be the last one standing.
External Album Reviews
None...
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