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Track List
01) I Wanna Be Adored
02) She Bangs the Drums
03) Elephant Stone
04) Waterfall
05) Don't Stop
06) Bye Bye Badman
07) Elizabeth My Dear
08) (Song for My) Sugar Spun Sister
09) Made of Stone
10) Shoot You Down
11) This Is the One
12) I Am the Resurrection (original LP version)
01) I Wanna Be Adored
02) She Bangs the Drums
03) Elephant Stone
04) Waterfall
05) Don't Stop
06) Bye Bye Badman
07) Elizabeth My Dear
08) (Song for My) Sugar Spun Sister
09) Made of Stone
10) Shoot You Down
11) This Is the One
12) I Am the Resurrection (original LP version)
4:52
3:45
3:03
4:40
5:20
4:06
0:56
3:26
4:15
4:13
4:59
8:13
Data Complete
70%
Total Rating
70%Total Rating
(2 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1989
Rock
Rousing
Rock/Pop
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Album
0 copies
Album Description
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The Stone Roses is the debut album by English rock band The Stone Roses, released on Silvertone Records in 1989. It cemented the band's reputation among critics, and is still rated by some as one of the most influential albums. In 2004 an Observer Music Monthly poll consisting of musicians and critics voted the album the greatest of all time, as did the writers of NME in 2006, declaring it to be the greatest British album of all time. It is widely considered as the seminal record of the Madchester movement that was active in the late 1980s and early 1990s, and as being highly responsible for the mid 1990s resurrection of British guitar music that came to be known as Britpop.
The Stone Roses formed in 1984 and released their full-length debut in the spring of 1989, having previously released a handful of singles on several different labels. The band came from Manchester, where the so-called Madchester movement was centred. Despite not considering themselves part of this scene, their eponymous debut brought them nationwide success along with such Madchester groups as the Inspiral Carpets and Happy Mondays.
The Roses recorded the album with John Leckie, a notable producer who had worked with Pink Floyd on Meddle. It was released by Silvertone, a division of Zomba Records created to work with "new rock" acts.
The band played a number of high-profile gigs supporting the album, including one at what was regarded as the centre of the "Baggy"/"Madchester" scene, Manchester's The Haçienda nightclub. Andrew Collins wrote in NME: "Bollocks to Morrissey at Wolverhampton, to The Sundays at The Falcon, to PWEI at Brixton - I'm already drafting a letter to my grandchildren telling them that I saw The Stone Roses at the Haçienda."
The Roses' 1990 Spike Island gig, organized by the band and attended by over 27,000 fans, also holds a formidable reputation. Critics have frequently labeled it the 'Woodstock of the baggy generation'.
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Available in:
The Stone Roses is the debut album by English rock band The Stone Roses, released on Silvertone Records in 1989. It cemented the band's reputation among critics, and is still rated by some as one of the most influential albums. In 2004 an Observer Music Monthly poll consisting of musicians and critics voted the album the greatest of all time, as did the writers of NME in 2006, declaring it to be the greatest British album of all time. It is widely considered as the seminal record of the Madchester movement that was active in the late 1980s and early 1990s, and as being highly responsible for the mid 1990s resurrection of British guitar music that came to be known as Britpop.
The Stone Roses formed in 1984 and released their full-length debut in the spring of 1989, having previously released a handful of singles on several different labels. The band came from Manchester, where the so-called Madchester movement was centred. Despite not considering themselves part of this scene, their eponymous debut brought them nationwide success along with such Madchester groups as the Inspiral Carpets and Happy Mondays.
The Roses recorded the album with John Leckie, a notable producer who had worked with Pink Floyd on Meddle. It was released by Silvertone, a division of Zomba Records created to work with "new rock" acts.
The band played a number of high-profile gigs supporting the album, including one at what was regarded as the centre of the "Baggy"/"Madchester" scene, Manchester's The Haçienda nightclub. Andrew Collins wrote in NME: "Bollocks to Morrissey at Wolverhampton, to The Sundays at The Falcon, to PWEI at Brixton - I'm already drafting a letter to my grandchildren telling them that I saw The Stone Roses at the Haçienda."
The Roses' 1990 Spike Island gig, organized by the band and attended by over 27,000 fans, also holds a formidable reputation. Critics have frequently labeled it the 'Woodstock of the baggy generation'.
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