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Track List
01) Under the Sun
02) Call My Name 
03) Craziest Things
04) Girl in the Mirror"
05) A Million Lights
06) Screw You
07) Love Killer
08) Ghetto Baby
09) Sexy Den a Mutha
10) Mechanics of the Heart
11) All Is Fair
01) Under the Sun
02) Call My Name
03) Craziest Things
04) Girl in the Mirror"
05) A Million Lights
06) Screw You
07) Love Killer
08) Ghetto Baby
09) Sexy Den a Mutha
10) Mechanics of the Heart
11) All Is Fair
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Data Complete 80%
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Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2012
Pop
In Love
Rock/Pop
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Medium
Album
0 copies
Album Description
Available in:
A Million Lights é o terceiro álbum de estúdio da artista musical britânica Cheryl Cole. Será lançado em 15 de junho de 2012 pela Polydor Records. As sessões de gravações ocorreram entre os anos de 2011 e 2012, com músicas produzidas por Alex da Kid, Dada Life, Calvin Harris, Hy-Grade, Panther, Naughty Boy, Taio Cruz e will.i.am. A primeira faixa lançada como single foi "Call My Name", estreando em 20 de abril de 2012 na estação de rádio compatriota Capital FM.
User Album Review
As she releases her third solo album, it’s worth remembering that Cheryl (sans the Cole part, as her profile now declares a mundanity such as a surname redundant) came to the fore as a pop star. Amidst the personal dramas and the gossip fodder and the being chewed up by the X Factor machine, A Million Lights would do well to serve as a reminder of the singer at the heart of the ceaseless interest.
In practice, it gets halfway there. Lead single Call My Name is Calvin Harris by numbers, every beat foreseeable a mile off. And a handful of other songs subscribe to the safety of all-consuming radio-house, songs which could be attributed to anyone. It’s an exercise which doesn’t do her justice ”“ for instance, the middle-eight of Sexy Den a Mutha, the only part where she sounds discernibly like herself, is the track’s high point.
For a woman whose every move is scrutinised by the murkier corners of the press, it’s understandable that she doesn’t want to lay herself entirely bare. But the infrequent flurries of sincerity provide the standout moments of the album.
The title track, an epic trance ballad which displays a genuine sensitivity, goes some way to depicting unfeigned individuality, something replicated on the stripped-down All Is Fair. And even the hip hop truisms that fill Ghetto Baby only heighten its lingering, brassy character.
It’s certainly not a ballad/up-tempo divide, though. The bleating synths and gritty squelch of Love Killer are commanding when twinned with a frank vocal, while the casual, high-spirited Under the Sun boasts a playful, summery, arguably alternative trait.
A Million Lights works well, and it works now ”“ largely, it’s a scrapbook of 2012 trends. And while it’s not quite the same dead-eyed detachment you’d get from, say, Rihanna, it treads a fine line between noticeable passion and pop for pop’s sake. There’s far more going in the favour of Cheryl The Human than of Cherylcorp Ltd ”“ those vast, busy pop explosions serve a purpose nicely, but the indications of artistry are significantly more appealing.
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User Comments
Available in:
A Million Lights é o terceiro álbum de estúdio da artista musical britânica Cheryl Cole. Será lançado em 15 de junho de 2012 pela Polydor Records. As sessões de gravações ocorreram entre os anos de 2011 e 2012, com músicas produzidas por Alex da Kid, Dada Life, Calvin Harris, Hy-Grade, Panther, Naughty Boy, Taio Cruz e will.i.am. A primeira faixa lançada como single foi "Call My Name", estreando em 20 de abril de 2012 na estação de rádio compatriota Capital FM.
User Album Review
As she releases her third solo album, it’s worth remembering that Cheryl (sans the Cole part, as her profile now declares a mundanity such as a surname redundant) came to the fore as a pop star. Amidst the personal dramas and the gossip fodder and the being chewed up by the X Factor machine, A Million Lights would do well to serve as a reminder of the singer at the heart of the ceaseless interest.
In practice, it gets halfway there. Lead single Call My Name is Calvin Harris by numbers, every beat foreseeable a mile off. And a handful of other songs subscribe to the safety of all-consuming radio-house, songs which could be attributed to anyone. It’s an exercise which doesn’t do her justice ”“ for instance, the middle-eight of Sexy Den a Mutha, the only part where she sounds discernibly like herself, is the track’s high point.
For a woman whose every move is scrutinised by the murkier corners of the press, it’s understandable that she doesn’t want to lay herself entirely bare. But the infrequent flurries of sincerity provide the standout moments of the album.
The title track, an epic trance ballad which displays a genuine sensitivity, goes some way to depicting unfeigned individuality, something replicated on the stripped-down All Is Fair. And even the hip hop truisms that fill Ghetto Baby only heighten its lingering, brassy character.
It’s certainly not a ballad/up-tempo divide, though. The bleating synths and gritty squelch of Love Killer are commanding when twinned with a frank vocal, while the casual, high-spirited Under the Sun boasts a playful, summery, arguably alternative trait.
A Million Lights works well, and it works now ”“ largely, it’s a scrapbook of 2012 trends. And while it’s not quite the same dead-eyed detachment you’d get from, say, Rihanna, it treads a fine line between noticeable passion and pop for pop’s sake. There’s far more going in the favour of Cheryl The Human than of Cherylcorp Ltd ”“ those vast, busy pop explosions serve a purpose nicely, but the indications of artistry are significantly more appealing.
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