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Infinity Land is the third studio album by Scottish alternative rock band Biffy Clyro, released on October 4, 2004 on Beggars Banquet. The album saw the band move into darker territory, in terms of both sound and lyrical content. It also furthered various experiments from The Vertigo of Bliss, such as using 5/4 time ("There is no Such Thing as a Jaggy Snake"), multiple time changes, key changes, and instrumental variation.
The album contains a hidden track, "Tradition Feed". After the final track, "Pause And Turn It Up", approximately 18 minutes of silence precedes a short poem, read by Simon Neil, dedicated to his late mother. "Tradition Feed" can also be found as a B-side to the vinyl 7" single "Only One Word Comes To Mind". As with each of the band's first three albums, it has been played in full once only, on 15 December 2005 at King Tut's Wah Wah Hut in Glasgow. "Only One Word Comes to Mind" reached #27 on the UK Singles Chart.
"Glitter And Trauma", "My Recovery Injection", and "Only One Word Comes To Mind" were released as singles in edited forms. "There's No Such Thing As A Jaggy Snake" was released as digital download. "Got Wrong" was considered for the final single but lost out to "Only One Word Comes To Mind".
The cover art was created by Chris Fleming, who also created the cover art for all the singles from Infinity Land.
User Album Review
Scottish three-piece Biffy Clyro certainly don't hang about when it comes to bashing out new records. Unlike most bands who release an album perhaps once every two to three years, these hard sloggers completely break the mould by releasing an LP every 12 months. The amazing thing is that Infinity Land, their third record, sounds so complex at times that you'd have thought it would have taken them years to complete.
The album, which was produced by the band and with the help of Foo Fighters and Feeder producer Chris Sheldon, is crammed with 13 sprawling songs that are a testament to the Scottish trio's work rate.
The genius of Infinity Land is the band's ability to lace sweet sounding melodies with brutal guitar riffs, heavy drum-rolls and unpredictable stop start arrangements.
The aptly titled opening track 'Glitter And Trauma' is a fine example of this, kicking off with a series of scratchy dance beats before bursting into meaty guitar hooks set against singer Simon Neil's gentle vocals. At times he almost sounds like Queens Of The Stone Age frontman Josh Homme.
But any further comparison ends there. From here on in Neil's vocals switch from harmonious ('The Atrocity') to full on screeching ('Strung To Your Ribcage'). Despite the former track's gentle approach, the words are extremely desolate as the haunting lyrics: 'I don't wanna die. Don't expect me to die', clearly reinforce. This is mirrored in the traumatic 'Wave Upon Wave' where Neil talks about a knife in his hand covered in blood.
Nearly every song is unpredictable. Even the album's heaviest number 'Theres No Such Thing As A Jaggy Snake' completely trips you up with its melodic twists.
As a result Biffy Clyro can only be applauded for pushing the boundaries so brilliantly. Infinity Land is without doubt the band's finest material to date.
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