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Track List
01) All Around the World
02) Boyfriend
03) As Long as You Love Me
04) Take You
05) Right Here
06) Catching Feelings
07) Die in Your Arms
08) Fall
09) Thought of You
10) Beauty and a Beat
11) One Love
12) Be Alright
13) Believe
01) All Around the World
02) Boyfriend
03) As Long as You Love Me
04) Take You
05) Right Here
06) Catching Feelings
07) Die in Your Arms
08) Fall
09) Thought of You
10) Beauty and a Beat
11) One Love
12) Be Alright
13) Believe
4:03
2:52
3:49
3:40
3:24
3:54
3:57
4:08
3:50
3:48
3:54
3:09
3:42
Data Complete
80%
Total Rating
80%Total Rating
(2 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2012
Pop
Good Natured
Rock/Pop
---
Medium
Album
500,000 copies
Album Description
Available in:
Believe est le nom du 3e album de Justin Bieber sorti le 19 juin 2012. Plusieurs duos y sont inclus, notamment avec Drake, Big Sean, Nicki Minaj, Ludacris, et avec des productions de pointures tel que Rodney Jerkins, Max Martin, Hit-Boy ou encore les français soFLY & Nius. Le premier single de cet album, intitulé Boyfriend, est sorti le 26 mars 2012 (il l'a annoncé en direct du Talk-Show d'Ellen DeGeneres où il était invité le 1er mars, jour de son anniversaire). Boyfriend, sortie le 26 mars 2012 est le 1re single extrait de cet album.
User Album Review
Marking his progression from screaming-kids-in-tow starlet to something close to a pop god, Justin Bieber’s new album not only finds him becoming an artist for adults on his own terms, but showcasing impressively distinctive tones and translating an innate charisma across many styles.
Believe is glitzier than his debut, My World(s), but Bieber doesn’t leave his faithful audience behind in pursuit of a broader fanbase. There are still returns to his years of tween appeal, notably on Be Alright, Fall and the title track.
But throughout, this album presents proof that expensive-sounding songs don’t need to be about material things, regardless of how much Bieber wants to scream that he’s an adult now. Despite the array of impressive guest contributors – Nicki Minaj, Drake, Ludacris, Big Sean, Mike Posner, Diplo – Bieber’s never overshadowed. He has grown into this role to such an extent that the "featuring" turns never steal his spotlight.
He’s aware that he’s still three years too young to get into the clubs where his beats belong; lyrically, his focus on love and faith is both explicit and suitably open – and, admirably, never puerile. Stepping back briefly, he’s simply being the teen star that he still is. The unshowiness of Bieber’s lyrics is played up, and his confidence, for the most part, played down.
It’s fine that his vocal simpers on the verses of As Long As You Love Me, because the song’s pulsating undercurrent propels it onto the dancefloor. And this is exactly why comparisons with Justin Timberlake’s showy dreamboat persona are misleading. Believe presents Bieber as an 18-year-old in love, rather than desperate for an audience to adore him.
The way he gets introspective on the Babyface-produced Catching Feelings is a rare delight: it sees him caught up in a daydream, like Robin Thicke for a younger generation. And other highlights are plentiful: Die in Your Arms’ Michael Jackson sample is worth every penny, while One Love’s space-age synths, watered down DnB beat and defiant lack of fluff make it a total mega-hit.
Believe doesn’t take as many risks as it might (those are saved for bonus tracks), but it’s not meant to be a big and bold collection. It’s simply, elegantly, propelling Bieber into the next chapter of his career. And for an album whose aims are so remarkably graceful, Believe exceeds all expectations.
External Album Reviews
None...
User Comments
Available in:
Believe est le nom du 3e album de Justin Bieber sorti le 19 juin 2012. Plusieurs duos y sont inclus, notamment avec Drake, Big Sean, Nicki Minaj, Ludacris, et avec des productions de pointures tel que Rodney Jerkins, Max Martin, Hit-Boy ou encore les français soFLY & Nius. Le premier single de cet album, intitulé Boyfriend, est sorti le 26 mars 2012 (il l'a annoncé en direct du Talk-Show d'Ellen DeGeneres où il était invité le 1er mars, jour de son anniversaire). Boyfriend, sortie le 26 mars 2012 est le 1re single extrait de cet album.
User Album Review
Marking his progression from screaming-kids-in-tow starlet to something close to a pop god, Justin Bieber’s new album not only finds him becoming an artist for adults on his own terms, but showcasing impressively distinctive tones and translating an innate charisma across many styles.
Believe is glitzier than his debut, My World(s), but Bieber doesn’t leave his faithful audience behind in pursuit of a broader fanbase. There are still returns to his years of tween appeal, notably on Be Alright, Fall and the title track.
But throughout, this album presents proof that expensive-sounding songs don’t need to be about material things, regardless of how much Bieber wants to scream that he’s an adult now. Despite the array of impressive guest contributors – Nicki Minaj, Drake, Ludacris, Big Sean, Mike Posner, Diplo – Bieber’s never overshadowed. He has grown into this role to such an extent that the "featuring" turns never steal his spotlight.
He’s aware that he’s still three years too young to get into the clubs where his beats belong; lyrically, his focus on love and faith is both explicit and suitably open – and, admirably, never puerile. Stepping back briefly, he’s simply being the teen star that he still is. The unshowiness of Bieber’s lyrics is played up, and his confidence, for the most part, played down.
It’s fine that his vocal simpers on the verses of As Long As You Love Me, because the song’s pulsating undercurrent propels it onto the dancefloor. And this is exactly why comparisons with Justin Timberlake’s showy dreamboat persona are misleading. Believe presents Bieber as an 18-year-old in love, rather than desperate for an audience to adore him.
The way he gets introspective on the Babyface-produced Catching Feelings is a rare delight: it sees him caught up in a daydream, like Robin Thicke for a younger generation. And other highlights are plentiful: Die in Your Arms’ Michael Jackson sample is worth every penny, while One Love’s space-age synths, watered down DnB beat and defiant lack of fluff make it a total mega-hit.
Believe doesn’t take as many risks as it might (those are saved for bonus tracks), but it’s not meant to be a big and bold collection. It’s simply, elegantly, propelling Bieber into the next chapter of his career. And for an album whose aims are so remarkably graceful, Believe exceeds all expectations.
External Album Reviews
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