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Track List
01) 10:15 Saturday Night
02) Accuracy
03) Grinding Halt
04) Another Day
05) Object
06) Subway Song
07) Foxy Lady
08) Meat Hook
09) So What
10) Fire In Cairo
11) It's Not You
12) Three Imaginary Boys / The Weedy Burton
01) 10:15 Saturday Night
02) Accuracy
03) Grinding Halt
04) Another Day
05) Object
06) Subway Song
07) Foxy Lady
08) Meat Hook
09) So What
10) Fire In Cairo
11) It's Not You
12) Three Imaginary Boys / The Weedy Burton
3:40
2:15
2:48
3:39
2:58
1:58
2:25
2:16
2:34
3:19
2:41
4:21
Data Complete
80%
Total Rating
80%Total Rating
(2 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1979
Alternative Rock
Gritty
Rock/Pop
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Album
0 copies
Album Description
Available in:
Three Imaginary Boys is English rock band The Cure's debut album, released in May 1979 by Fiction Records. It was later released in the United States and Australia, with a slightly different song line-up, as Boys Don't Cry.
User Album Review
A fine year for alienation, 1979. The Clash made the apocalyptic London Calling; Manchester's Joy Division debuted with the brutally despairing Unknown Pleasures; Gerry Dammers and co. set the Midlands' malaise to a ska beat with The Specials. Meanwhile, in darkest Crawley, 20-year-old Robert Smith was forging his own take on the post-punk zeitgeist. Twenty-five years on, and in a beautifully repackaged edition, Three Imaginary Boys stands as one of that year's most audacious albums.
Forget about The Cure's later wallowings in gothic gloom and drawn-out suffering. After dark, Fiction Records' boss Chris Parry smuggled his budget-lite band into the studio where The Jam were recording All Mod Cons by day. Smith and the boys used that band's equipment to make midnight hay. From declamatory opener "10.15 Saturday Night", through the power-pop of "Grinding Halt" and the 999-sounding "Foxy Lady" to the lyrically abstract "Fire In Cairo" and psychedelia-tinged title track, TIB maintains a Japanese-water-torture insistence.
Recorded practically live over three nights with few over-dubs, the album is stark, angry and strafed with Smith's urgent guitar. Punk's predecessors and contemporary nightmares made it into the mix - "Object" evokes Ziggy Stardust-era Bowie; "Subway" could be sister to The Jam's "Down In The Tube Station At Midnight". Parry and engineer-cum-producer Mike Hedges gave the collection an icy veneer that upset Smith in 1979, but now feels starkly reflective of its moment.
Disc 2 of this deluxe edition contains twenty previously unreleased Cure rarities from 1977-1979. Home and studio demos track the development of many TIB tracks and of others like "Boys Don't Cry"; out-takes and live versions further mark the band's evolving sound. Smart cover notes reveal the album's genesis and Smith's own thoughts. Exciting, mascara-free and surprisingly upbeat, Three Imaginary Boys captures a key British talent let off the leash for the first time. It also helps recolour a band best known for inky melancholy. Available only in black? On this evidence, The Cure's music was much more than that.
External Album Reviews
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User Comments
Available in:
Three Imaginary Boys is English rock band The Cure's debut album, released in May 1979 by Fiction Records. It was later released in the United States and Australia, with a slightly different song line-up, as Boys Don't Cry.
User Album Review
A fine year for alienation, 1979. The Clash made the apocalyptic London Calling; Manchester's Joy Division debuted with the brutally despairing Unknown Pleasures; Gerry Dammers and co. set the Midlands' malaise to a ska beat with The Specials. Meanwhile, in darkest Crawley, 20-year-old Robert Smith was forging his own take on the post-punk zeitgeist. Twenty-five years on, and in a beautifully repackaged edition, Three Imaginary Boys stands as one of that year's most audacious albums.
Forget about The Cure's later wallowings in gothic gloom and drawn-out suffering. After dark, Fiction Records' boss Chris Parry smuggled his budget-lite band into the studio where The Jam were recording All Mod Cons by day. Smith and the boys used that band's equipment to make midnight hay. From declamatory opener "10.15 Saturday Night", through the power-pop of "Grinding Halt" and the 999-sounding "Foxy Lady" to the lyrically abstract "Fire In Cairo" and psychedelia-tinged title track, TIB maintains a Japanese-water-torture insistence.
Recorded practically live over three nights with few over-dubs, the album is stark, angry and strafed with Smith's urgent guitar. Punk's predecessors and contemporary nightmares made it into the mix - "Object" evokes Ziggy Stardust-era Bowie; "Subway" could be sister to The Jam's "Down In The Tube Station At Midnight". Parry and engineer-cum-producer Mike Hedges gave the collection an icy veneer that upset Smith in 1979, but now feels starkly reflective of its moment.
Disc 2 of this deluxe edition contains twenty previously unreleased Cure rarities from 1977-1979. Home and studio demos track the development of many TIB tracks and of others like "Boys Don't Cry"; out-takes and live versions further mark the band's evolving sound. Smart cover notes reveal the album's genesis and Smith's own thoughts. Exciting, mascara-free and surprisingly upbeat, Three Imaginary Boys captures a key British talent let off the leash for the first time. It also helps recolour a band best known for inky melancholy. Available only in black? On this evidence, The Cure's music was much more than that.
External Album Reviews
None...
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