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Track List
01) Show Don't Tell
02) Chain Lightning
03) The Pass
04) War Paint
05) Scars
06) Presto
07) Superconductor
08) Anagram (for Mongo)
09) Red Tide
10) Hand Over Fist
11) Available Light
01) Show Don't Tell
02) Chain Lightning
03) The Pass
04) War Paint
05) Scars
06) Presto
07) Superconductor
08) Anagram (for Mongo)
09) Red Tide
10) Hand Over Fist
11) Available Light
5:01
4:33
4:50
5:24
4:07
5:46
4:47
3:59
4:30
4:10
5:04
Data Complete
70%
Total Rating
70%Total Rating
(2 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1989
Progressive Rock
Gritty
Rock/Pop
---
Fast
Album
0 copies
Album Description
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Presto is the thirteenth studio album by the Canadian rock band Rush, released in 1989 (see 1989 in music). The album was recorded at Le Studio in Morin Heights and at McClear Place in Toronto. It was the band's first album with their new international label Atlantic Records which the band signed to in early 1989 after deciding not to renew its contract with Mercury/PolyGram Records.
The band had intended to co-produce the album with Peter Collins, who had produced the previous two studio albums, Power Windows and Hold Your Fire; however, he reluctantly declined the offer for personal reasons. An objective ear was found in producer Rupert Hine.
All singles released from the album ("Show Don't Tell", "The Pass", "Superconductor") charted, with "Show Don't Tell" hitting #1 on the Album Rock Tracks chart. The album itself charted at #16 on the Billboard 200 album chart, and sales of Presto earned the band a gold record (sales in excess of 500,000 copies) in the U.S., and Platinum in Canada.
The album is generally held by fans to have marked the beginning of a transition period, moving away from a sound dominated by synthesizers and toward more traditional rock instrumentation and pop songwriting. In an interview in Canadian Musician, Geddy Lee explained:
"We wanted [Presto] to be more of a singer’s album, and I think you’ll notice that the arrangements musically support the vocal[s]. . . . Neil’s lyrics to me are a lot more heartfelt. Presently, they’re experience oriented. I think they deal with living . . . This album was a real reaction against technology in a sense. I was getting sick and tired of working with computers and synthesizers. Fortunately, so was [co-producer] Rupert [Hine]. . . . We made a pact to stay away from strings, pianos, and organs—to stay away from digital technology. In the end, we couldn’t resist using them for colour."
"Scars" features a complex drum pattern in which both acoustic and electronic drums are utilized. The pattern was derived from a tribal rhythm Neil Peart experienced while on a bicycle tour of Africa (later chronicled in his first book, The Masked Rider: Cycling in West Africa). Peart has gone on to incorporate this pattern into his live drum solos. The song also features the use of a sequencer in place of, and often mistaken for, a bass guitar.
According to Geddy Lee during the Rush in Rio concert (as well as the recent "Box Set" episode on VH1 Classic), “The Pass” is one of the band’s favourite songs. In a 2011 interview, Peart said of Presto, "That was an album that, for all of us, should have been so much better than it was... If we could do one [album] again, it would be that one, because we still love the songs from it, but... you can never make magic happen."
During the 1990 Presto Tour, the title track itself was never played. It was first played live during the Time Machine Tour in 2010.
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Available in:
Presto is the thirteenth studio album by the Canadian rock band Rush, released in 1989 (see 1989 in music). The album was recorded at Le Studio in Morin Heights and at McClear Place in Toronto. It was the band's first album with their new international label Atlantic Records which the band signed to in early 1989 after deciding not to renew its contract with Mercury/PolyGram Records.
The band had intended to co-produce the album with Peter Collins, who had produced the previous two studio albums, Power Windows and Hold Your Fire; however, he reluctantly declined the offer for personal reasons. An objective ear was found in producer Rupert Hine.
All singles released from the album ("Show Don't Tell", "The Pass", "Superconductor") charted, with "Show Don't Tell" hitting #1 on the Album Rock Tracks chart. The album itself charted at #16 on the Billboard 200 album chart, and sales of Presto earned the band a gold record (sales in excess of 500,000 copies) in the U.S., and Platinum in Canada.
The album is generally held by fans to have marked the beginning of a transition period, moving away from a sound dominated by synthesizers and toward more traditional rock instrumentation and pop songwriting. In an interview in Canadian Musician, Geddy Lee explained:
"We wanted [Presto] to be more of a singer’s album, and I think you’ll notice that the arrangements musically support the vocal[s]. . . . Neil’s lyrics to me are a lot more heartfelt. Presently, they’re experience oriented. I think they deal with living . . . This album was a real reaction against technology in a sense. I was getting sick and tired of working with computers and synthesizers. Fortunately, so was [co-producer] Rupert [Hine]. . . . We made a pact to stay away from strings, pianos, and organs—to stay away from digital technology. In the end, we couldn’t resist using them for colour."
"Scars" features a complex drum pattern in which both acoustic and electronic drums are utilized. The pattern was derived from a tribal rhythm Neil Peart experienced while on a bicycle tour of Africa (later chronicled in his first book, The Masked Rider: Cycling in West Africa). Peart has gone on to incorporate this pattern into his live drum solos. The song also features the use of a sequencer in place of, and often mistaken for, a bass guitar.
According to Geddy Lee during the Rush in Rio concert (as well as the recent "Box Set" episode on VH1 Classic), “The Pass” is one of the band’s favourite songs. In a 2011 interview, Peart said of Presto, "That was an album that, for all of us, should have been so much better than it was... If we could do one [album] again, it would be that one, because we still love the songs from it, but... you can never make magic happen."
During the 1990 Presto Tour, the title track itself was never played. It was first played live during the Time Machine Tour in 2010.
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