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Track List
01) Space Cowboy
02) Stillness in Time
03) Half the Man
04) Light Years
05) Manifest Destiny
06) The Kids
07) Mr Moon
08) Scam
09) Journey to Arnhemland
10) Morning Glory
11) Just Another Story
12) Light Years (live)
01) Space Cowboy
02) Stillness in Time
03) Half the Man
04) Light Years
05) Manifest Destiny
06) The Kids
07) Mr Moon
08) Scam
09) Journey to Arnhemland
10) Morning Glory
11) Just Another Story
12) Light Years (live)
6:24
4:17
4:49
5:54
6:22
5:09
5:29
7:02
5:22
6:22
8:51
5:53
Data Complete
90%
Total Rating
90%Total Rating
(2 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1994
Acid Jazz
Good Natured
Jazz
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Album
0 copies
Album Description
Available in:
The Return of the Space Cowboy es el segundo álbum de estudio de la banda de funk y acid jazz británica Jamiroquai. El álbum reportó un importante éxito a la banda, y alcanzó el puesto nº 2 del UK Albums Chart. El disco, hasta ahora ha vendido alrededor de 4.500.000 copias a nivel mundial.
El éxito generado por el álbum Emergency on Planet Earth y las ganancias por la productividad de la gira del álbum produjeron el inicio de las sesiones de grabación de un segundo álbum, las cuales empezaron en el primer semestre de 1994. Para entonces, Jamiroquai habría lanzado canciones nuevas en los conciertos.
User Album Review
When Jason ‘Jay Kay’ Cheetham and his band appeared in 1992 as part of the acid jazz movement, they were viewed with a great deal of suspicion by the rock and soul cognoscenti. Aside from their leader’s silly hat, they ”“ keyboard player Toby Smith, bassist Stuart Zender, drummer Derrick McKenzie and Wallis Buchanan on didgeridoo ”“ seemed too arriviste; he was a showbiz child (his mother is comedienne Karen Kay), had bad boy credentials and a deep love for Stevie Wonder’s music. Naming his band after a combination of ‘jam session’ and the Iroquois Indians, theirs was a weird, stoned funk that sounded like some lost album from 1972.
The Return of the Space Cowboy was the 1994 follow-up to their debut, the previous year’s Emergency on Planet Earth. Q Magazine said at the time that "only Jay Kay could come up with as naff a title as The Return of the Space Cowboy and make it sound about right", and it’s true: it shouldn’t work, but it does. The whole album happens leisurely ”“ it plays for 71 minutes (just 10 minutes shorter than Wonder’s Innervisions and Fulfillingess’ First Finale put together) with most tracks around the six-minute mark. The mellow funk of Manifest Destiny meanders before drifting off in a brass heavy coda. Morning Glory is laid back, a blissed-out joy; perfect comedown music with percussion darting from speaker to speaker. The Kids is the only time the album strays from its trippy groove, with its heavy wah-wah opening and Kay’s affirmation that "now we’re getting nasty".
Space Cowboy, Half the Man and Stillness in Time were its UK-charting singles; the album reached number two domestically and spent over half a year on the chart. More importantly, it established the group in America, and its influence was huge, with Morning Glory sampled by Missy Elliott and Manifest Destiny by Tupac Shakur. The album hasn’t really dated one bit as it paid so little attention to musical trends of the time.
Although it still leaves this reviewer with the overwhelming feeling that he’d rather be listening to Stevie Wonder or Donny Hathaway, you cannot deny how well this is all done. The Return of the Space Cowboy captures this first phase of Jamiroquai at their very best.
External Album Reviews
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User Comments
Available in:
The Return of the Space Cowboy es el segundo álbum de estudio de la banda de funk y acid jazz británica Jamiroquai. El álbum reportó un importante éxito a la banda, y alcanzó el puesto nº 2 del UK Albums Chart. El disco, hasta ahora ha vendido alrededor de 4.500.000 copias a nivel mundial.
El éxito generado por el álbum Emergency on Planet Earth y las ganancias por la productividad de la gira del álbum produjeron el inicio de las sesiones de grabación de un segundo álbum, las cuales empezaron en el primer semestre de 1994. Para entonces, Jamiroquai habría lanzado canciones nuevas en los conciertos.
User Album Review
When Jason ‘Jay Kay’ Cheetham and his band appeared in 1992 as part of the acid jazz movement, they were viewed with a great deal of suspicion by the rock and soul cognoscenti. Aside from their leader’s silly hat, they ”“ keyboard player Toby Smith, bassist Stuart Zender, drummer Derrick McKenzie and Wallis Buchanan on didgeridoo ”“ seemed too arriviste; he was a showbiz child (his mother is comedienne Karen Kay), had bad boy credentials and a deep love for Stevie Wonder’s music. Naming his band after a combination of ‘jam session’ and the Iroquois Indians, theirs was a weird, stoned funk that sounded like some lost album from 1972.
The Return of the Space Cowboy was the 1994 follow-up to their debut, the previous year’s Emergency on Planet Earth. Q Magazine said at the time that "only Jay Kay could come up with as naff a title as The Return of the Space Cowboy and make it sound about right", and it’s true: it shouldn’t work, but it does. The whole album happens leisurely ”“ it plays for 71 minutes (just 10 minutes shorter than Wonder’s Innervisions and Fulfillingess’ First Finale put together) with most tracks around the six-minute mark. The mellow funk of Manifest Destiny meanders before drifting off in a brass heavy coda. Morning Glory is laid back, a blissed-out joy; perfect comedown music with percussion darting from speaker to speaker. The Kids is the only time the album strays from its trippy groove, with its heavy wah-wah opening and Kay’s affirmation that "now we’re getting nasty".
Space Cowboy, Half the Man and Stillness in Time were its UK-charting singles; the album reached number two domestically and spent over half a year on the chart. More importantly, it established the group in America, and its influence was huge, with Morning Glory sampled by Missy Elliott and Manifest Destiny by Tupac Shakur. The album hasn’t really dated one bit as it paid so little attention to musical trends of the time.
Although it still leaves this reviewer with the overwhelming feeling that he’d rather be listening to Stevie Wonder or Donny Hathaway, you cannot deny how well this is all done. The Return of the Space Cowboy captures this first phase of Jamiroquai at their very best.
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