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Track List
01) Sister Midnight
02) Nightclubbing
03) Funtime
04) Baby
05) China Girl
06) Dum Dum Boys
07) Tiny Girls
08) Mass Production
01) Sister Midnight
02) Nightclubbing
03) Funtime
04) Baby
05) China Girl
06) Dum Dum Boys
07) Tiny Girls
08) Mass Production
4:19
4:14
2:54
3:24
5:08
7:12
2:59
8:24
Data Complete
70%
Total Rating
70%Total Rating
(2 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1977
Punk Rock
Energetic
Rock/Pop
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Album
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Album Description
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The Idiot is the debut solo album by American rock singer Iggy Pop. It was the first of two LPs released in 1977 which Pop wrote and recorded in collaboration with David Bowie. Although issued after Low, the opening installment of Bowie's so-called Berlin Trilogy, the pair began writing and recording songs for The Idiot in mid-1976, before Bowie started work on his own album. As such, The Idiot has been claimed as heralding the unofficial beginning of Bowie's 'Berlin' period, being compared particularly to Low and "Heroes" in its electronic effects, treated instrument sounds, and introspective atmosphere. A departure from the hard rock of his former band The Stooges, the album is regarded by critics as one of Pop’s best works, but is not generally considered representative of his output. Its title was inspired by Dostoyevsky's novel The Idiot, three of the participants in the recording-Bowie, Pop and Tony Visconti-being familiar with the book.
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The Idiot is the debut solo album by American rock singer Iggy Pop. It was the first of two LPs released in 1977 which Pop wrote and recorded in collaboration with David Bowie. Although issued after Low, the opening installment of Bowie's so-called Berlin Trilogy, the pair began writing and recording songs for The Idiot in mid-1976, before Bowie started work on his own album. As such, The Idiot has been claimed as heralding the unofficial beginning of Bowie's 'Berlin' period, being compared particularly to Low and "Heroes" in its electronic effects, treated instrument sounds, and introspective atmosphere. A departure from the hard rock of his former band The Stooges, the album is regarded by critics as one of Pop’s best works, but is not generally considered representative of his output. Its title was inspired by Dostoyevsky's novel The Idiot, three of the participants in the recording-Bowie, Pop and Tony Visconti-being familiar with the book.
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