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Track List
01) Modern Love
02) China Girl
03) Let's Dance
04) Without You
05) Ricochet
06) Criminal World
07) Cat People (Putting Out Fire)
08) Shake It
09) Under Pressure
01) Modern Love
02) China Girl
03) Let's Dance
04) Without You
05) Ricochet
06) Criminal World
07) Cat People (Putting Out Fire)
08) Shake It
09) Under Pressure
4:49
5:33
7:38
3:11
5:14
4:25
5:11
3:54
4:05
Data Complete
80%
Total Rating
80%Total Rating
(2 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1983
Rock
Weird
Rock/Pop
---
Medium
Album
0 copies
Album Description
Available in:
Let’s Dance ist das 15. Studioalbum von David Bowie. Es erschien am 14. April 1983 bei EMI.
Das Album wurde von David Bowie selbst produziert. Nile Rodgers von Chic war Co-Produzent. Das Album entstand im Dezember 1982 im Studio Power Station in Manhattan, New York City. Bowie selbst bezeichnete das Album als “a rediscovery of white-English-ex-art-school-student-meets-black-American-funk, a refocusing of Young Americans”.
Die Platte enthält drei von David Bowies erfolgreichsten Singles. Der Titelsong Let’s Dance erreichte Platz 1 in Großbritannien, den USA und verschiedenen anderen Ländern. Modern Love und China Girl erreichten beide Platz 2 in Großbritannien. China Girl war eine neue Version eines Songs, den Bowie zusammen mit Iggy Pop für sein Album The Idiot von 1977 geschrieben hatte. Das Album enthält auch eine neu aufgenommene Version des Songs Cat People (Putting Out Fire), der ein Jahr zuvor die Nummer 1 in Neuseeland, Norwegen und Schweden erreicht hatte.
(Wikipedia)
User Album Review
It’s hard to imagine now how people felt when, in 1983, Let’s Dance emerged as if from nowhere. The general pop-buying public, at least, loved it – there are very few records shinier than this one, which glints like David Bowie’s new teeth and is full of treble and echoes like a robber’s cave.
Bowie’s choice of Nile Rodgers for producer was canny; Rodgers had moved away from the sophisticated disco of Chic and was becoming the person cool rock acts from Debbie Harry to Duran Duran would hire to give them a sheen of funk, rock and pop. Certainly nobody but Rodgers could have taken a song like China Girl (written by Bowie and Iggy Pop and originally recorded by the latter), with its paranoid references to "visions of swastikas", and turned it into a sweet, romantic hit single. And the combination of Bowie and Rodgers on the title track was perfect – Bowie’s epic lyric about dancing under "serious moonlight" (the name of his subsequent monster tour, which lasted until December and took in 96 shows) and the brilliant filching of the crescendo "ahh!"s from The Beatles’ version of The Isley Brothers’ Twist and Shout were masterstrokes, each welded to a loud, stadium-ised drum and bass sound.
But older Bowie fans were less impressed. The last three years had seen Bowie mooch between soundtracks (his theme for Cat People is reprised here), one-offs and a jumble of often-great records that had little or nothing do with his excellent 1980 album, Scary Monsters (and Super Creeps). Let’s Dance may have had a ground-breaking sound and a popularity that Bowie clearly ached for, but it’s often a mundane album, as songs like Ricochet and Shake It mark time until a single turns up. (It’s possibly significant that one of the best songs here is Criminal World, a cover of a song by obscure Bowie clones Metro).
But when Bowie growled, on another of the album’s excellent singles Modern Love, "I know when to go out / And when to stay in / And get things done," he wasn’t kidding. Let’s Dance was literally the template for 80s Bowie – blonde, suited and smiling. It would, however, be a long time before he made another single as striking as Let’s Dance.
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User Comments
Available in:
Let’s Dance ist das 15. Studioalbum von David Bowie. Es erschien am 14. April 1983 bei EMI.
Das Album wurde von David Bowie selbst produziert. Nile Rodgers von Chic war Co-Produzent. Das Album entstand im Dezember 1982 im Studio Power Station in Manhattan, New York City. Bowie selbst bezeichnete das Album als “a rediscovery of white-English-ex-art-school-student-meets-black-American-funk, a refocusing of Young Americans”.
Die Platte enthält drei von David Bowies erfolgreichsten Singles. Der Titelsong Let’s Dance erreichte Platz 1 in Großbritannien, den USA und verschiedenen anderen Ländern. Modern Love und China Girl erreichten beide Platz 2 in Großbritannien. China Girl war eine neue Version eines Songs, den Bowie zusammen mit Iggy Pop für sein Album The Idiot von 1977 geschrieben hatte. Das Album enthält auch eine neu aufgenommene Version des Songs Cat People (Putting Out Fire), der ein Jahr zuvor die Nummer 1 in Neuseeland, Norwegen und Schweden erreicht hatte.
(Wikipedia)
User Album Review
It’s hard to imagine now how people felt when, in 1983, Let’s Dance emerged as if from nowhere. The general pop-buying public, at least, loved it – there are very few records shinier than this one, which glints like David Bowie’s new teeth and is full of treble and echoes like a robber’s cave.
Bowie’s choice of Nile Rodgers for producer was canny; Rodgers had moved away from the sophisticated disco of Chic and was becoming the person cool rock acts from Debbie Harry to Duran Duran would hire to give them a sheen of funk, rock and pop. Certainly nobody but Rodgers could have taken a song like China Girl (written by Bowie and Iggy Pop and originally recorded by the latter), with its paranoid references to "visions of swastikas", and turned it into a sweet, romantic hit single. And the combination of Bowie and Rodgers on the title track was perfect – Bowie’s epic lyric about dancing under "serious moonlight" (the name of his subsequent monster tour, which lasted until December and took in 96 shows) and the brilliant filching of the crescendo "ahh!"s from The Beatles’ version of The Isley Brothers’ Twist and Shout were masterstrokes, each welded to a loud, stadium-ised drum and bass sound.
But older Bowie fans were less impressed. The last three years had seen Bowie mooch between soundtracks (his theme for Cat People is reprised here), one-offs and a jumble of often-great records that had little or nothing do with his excellent 1980 album, Scary Monsters (and Super Creeps). Let’s Dance may have had a ground-breaking sound and a popularity that Bowie clearly ached for, but it’s often a mundane album, as songs like Ricochet and Shake It mark time until a single turns up. (It’s possibly significant that one of the best songs here is Criminal World, a cover of a song by obscure Bowie clones Metro).
But when Bowie growled, on another of the album’s excellent singles Modern Love, "I know when to go out / And when to stay in / And get things done," he wasn’t kidding. Let’s Dance was literally the template for 80s Bowie – blonde, suited and smiling. It would, however, be a long time before he made another single as striking as Let’s Dance.
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