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Track List
01) In France They Kiss on Main Street
02) The Jungle Line
03) Edith and the Kingpin
04) Don't Interrupt the Sorrow
05) Shades of Scarlett Conquering
06) The Hissing of Summer Lawns
07) The Boho Dance
08) Harry's House / Centerpiece
09) Sweet Bird
10) Shadows and Light
01) In France They Kiss on Main Street
02) The Jungle Line
03) Edith and the Kingpin
04) Don't Interrupt the Sorrow
05) Shades of Scarlett Conquering
06) The Hissing of Summer Lawns
07) The Boho Dance
08) Harry's House / Centerpiece
09) Sweet Bird
10) Shadows and Light
3:19
4:26
3:37
4:05
4:59
3:01
3:50
6:48
4:12
4:17
Data Complete
70%
Total Rating
70%Total Rating
(2 users)
Back Cover
CD Art
3D Case
3D Thumb
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3D Face
3D Spine
First Released
1975
Folk
Dreamy
Folk
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Medium
Album
0 copies
Album Description
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The Hissing of Summer Lawns is a studio album by Canadian singer-songwriter Joni Mitchell. The first track, "In France They Kiss on Main Street", is a jazz-rock song about coming of age in a small town in the 1950s rock & roll era. (The song was released as the single from the album and reached number 66 on the Billboard charts.) "The Jungle Line" uses a field recording from Africa of the Drummers of Burundi (mistakenly called 'warrior drums' in the credits), onto which are dubbed guitar, Moog synthesizer and the vocal line. The lyrics pay homage to the works of the French Post-Impressionist painter Henri Rousseau. Mitchell blends details of his works with imagery of modern city life, the music industry and the underground drug culture. "Edith and the Kingpin" marks a return to jazz in a story of a gangster's new moll arriving in his home town. "Don't Interrupt the Sorrow" is an acoustic guitar-based song with stream-of-consciousness lyrics, focused on women standing up to male dominance and proclaiming their own existence as individuals. "Shades of Scarlett Conquering" is an orchestral based piece about a southern belle, implying though not exactly stating, the Scarlett O'Hara character from Gone With The Wind. The title track, "The Hissing of Summer Lawns", is about a woman who is treated as part of her husband's portfolio, with a central image of the lawn sprinklers hissing their disapproval of the materialistic culture of the houses. or perhaps the hiss of the snake that appears on the cover. "The Boho Dance" comments on people who feel that artists betray their artistic integrity for commercial success, with an ironic glance at those who said this of Mitchell herself. "Harry's House/Centerpiece" concerns a failing marriage and is based on the jazz standard, "Centerpiece", by Harry "Sweets" Edison and Jon Hendricks. "Sweet Bird" is a sparser acoustic track that is a slight return to Mitchell's so-called 'confessional' singer-songwriter style. Its lyrics indicate that it may also be a reference to Tennessee's William's Sweet Bird of Youth. (Mitchell was in her thirties when she recorded the album and may have been thinking that her sweet bird of youth had flown) The final track is "Shadows and Light", consisting of many overdubs of her voice and an ARP String Machine (credited as an ARP-Farfisa on the album sleeve). The African theme of "The Jungle Line" also features on the album sleeve, with an image of natives carrying a large snake (both were embossed on the original vinyl album cover). Both men and snake are superimposed on the Beverly Hills suburbs, with Mitchell's own house marked in blue (green for the UK issue) on the back cover.
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Available in:
The Hissing of Summer Lawns is a studio album by Canadian singer-songwriter Joni Mitchell. The first track, "In France They Kiss on Main Street", is a jazz-rock song about coming of age in a small town in the 1950s rock & roll era. (The song was released as the single from the album and reached number 66 on the Billboard charts.) "The Jungle Line" uses a field recording from Africa of the Drummers of Burundi (mistakenly called 'warrior drums' in the credits), onto which are dubbed guitar, Moog synthesizer and the vocal line. The lyrics pay homage to the works of the French Post-Impressionist painter Henri Rousseau. Mitchell blends details of his works with imagery of modern city life, the music industry and the underground drug culture. "Edith and the Kingpin" marks a return to jazz in a story of a gangster's new moll arriving in his home town. "Don't Interrupt the Sorrow" is an acoustic guitar-based song with stream-of-consciousness lyrics, focused on women standing up to male dominance and proclaiming their own existence as individuals. "Shades of Scarlett Conquering" is an orchestral based piece about a southern belle, implying though not exactly stating, the Scarlett O'Hara character from Gone With The Wind. The title track, "The Hissing of Summer Lawns", is about a woman who is treated as part of her husband's portfolio, with a central image of the lawn sprinklers hissing their disapproval of the materialistic culture of the houses. or perhaps the hiss of the snake that appears on the cover. "The Boho Dance" comments on people who feel that artists betray their artistic integrity for commercial success, with an ironic glance at those who said this of Mitchell herself. "Harry's House/Centerpiece" concerns a failing marriage and is based on the jazz standard, "Centerpiece", by Harry "Sweets" Edison and Jon Hendricks. "Sweet Bird" is a sparser acoustic track that is a slight return to Mitchell's so-called 'confessional' singer-songwriter style. Its lyrics indicate that it may also be a reference to Tennessee's William's Sweet Bird of Youth. (Mitchell was in her thirties when she recorded the album and may have been thinking that her sweet bird of youth had flown) The final track is "Shadows and Light", consisting of many overdubs of her voice and an ARP String Machine (credited as an ARP-Farfisa on the album sleeve). The African theme of "The Jungle Line" also features on the album sleeve, with an image of natives carrying a large snake (both were embossed on the original vinyl album cover). Both men and snake are superimposed on the Beverly Hills suburbs, with Mitchell's own house marked in blue (green for the UK issue) on the back cover.
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