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Track List
01) You
02) Creep
03) How Do You?
04) Stop Whispering
05) Thinking About You
06) Anyone Can Play Guitar
07) Ripcord
08) Vegetable
09) Prove Yourself
10) I Can't
11) Lurgee
12) Blow Out
13) Pop Is Dead
14) Inside My Head
15) Million Dollar Question
16) Creep (live)
17) Ripcord (live)
01) You
02) Creep
03) How Do You?
04) Stop Whispering
05) Thinking About You
06) Anyone Can Play Guitar
07) Ripcord
08) Vegetable
09) Prove Yourself
10) I Can't
11) Lurgee
12) Blow Out
13) Pop Is Dead
14) Inside My Head
15) Million Dollar Question
16) Creep (live)
17) Ripcord (live)
3:28
3:55
2:12
5:25
2:41
3:37
3:09
3:12
2:25
4:13
3:07
4:40
2:12
3:11
3:17
4:05
3:13
Data Complete
80%
Total Rating
80%Total Rating
(1 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1993
Alternative Rock
Sad
Rock/Pop
---
Medium
Album
0 copies
Album Description
Available in:
Pablo Honey est le premier album du groupe Radiohead, sorti en 1993. Le single Creep, extrait de cet album, est le premier morceau qui ait fait connaître Radiohead sur le plan international. En 1995, ce single est utilisé dans la bande originale du film Cyclo de Trần Anh Hùng. La chanson a été classée 23e meilleure chanson britannique de tous les temps par XFM en 2010.
Creep a été reprise par la chorale Scala & Kolacny Brothers. L'édition japonaise comprend trois chansons supplémentaires, dont le single Pop Is Dead.
User Album Review
Oxfordshire's best-known musical export have been voicing the angst of an inarticulate generation for the last fifteen years, kicking off with Pablo Honey, their exploration of suburban, adolescent self-awareness. Released when the boys still glistened with the sheen of an expensive private education and set against the more mature redneck, white bread, blue-collar roar of Nirvana, Radiohead's intelligent, delicate take on the loud/soft, quick/slow language of grunge appeared spineless and effete until Creep was released and set the record straight.
Massively backed by UK 'indie' radio, the single became a hit in the slacker student community, and simultaneously established the band as serious musicians, with interesting points to make and hefty musical skills with which to drive them home.
The band's apparent overnight success came after years of dedication (even keeping in touch while away at various universities) and endless free time spent in rehearsal. They'd toughened up and tightened their sound on the road before setting out to make the album, and had grown the confidence to expand ideas across lengthy instrumental breaks that other new kids in the studio might fear to try.
It all resulted in a stunning blend that combined the best aspects of prog rock (challenging lyrics, deft chord changes, novelty time signatures and so forth) with the plaintiveness of bedsit singer song-writing and the sound of expensive equipment thrashed at by experts. Though later albums were better received, this remains one of rock's most impressive debuts.
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User Comments
Available in:
Pablo Honey est le premier album du groupe Radiohead, sorti en 1993. Le single Creep, extrait de cet album, est le premier morceau qui ait fait connaître Radiohead sur le plan international. En 1995, ce single est utilisé dans la bande originale du film Cyclo de Trần Anh Hùng. La chanson a été classée 23e meilleure chanson britannique de tous les temps par XFM en 2010.
Creep a été reprise par la chorale Scala & Kolacny Brothers. L'édition japonaise comprend trois chansons supplémentaires, dont le single Pop Is Dead.
User Album Review
Oxfordshire's best-known musical export have been voicing the angst of an inarticulate generation for the last fifteen years, kicking off with Pablo Honey, their exploration of suburban, adolescent self-awareness. Released when the boys still glistened with the sheen of an expensive private education and set against the more mature redneck, white bread, blue-collar roar of Nirvana, Radiohead's intelligent, delicate take on the loud/soft, quick/slow language of grunge appeared spineless and effete until Creep was released and set the record straight.
Massively backed by UK 'indie' radio, the single became a hit in the slacker student community, and simultaneously established the band as serious musicians, with interesting points to make and hefty musical skills with which to drive them home.
The band's apparent overnight success came after years of dedication (even keeping in touch while away at various universities) and endless free time spent in rehearsal. They'd toughened up and tightened their sound on the road before setting out to make the album, and had grown the confidence to expand ideas across lengthy instrumental breaks that other new kids in the studio might fear to try.
It all resulted in a stunning blend that combined the best aspects of prog rock (challenging lyrics, deft chord changes, novelty time signatures and so forth) with the plaintiveness of bedsit singer song-writing and the sound of expensive equipment thrashed at by experts. Though later albums were better received, this remains one of rock's most impressive debuts.
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