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Da Capo is the fourth studio album released by Swedish pop group Ace of Base. It was released in 2002 in Europe (on Edel-Mega/Universal) and Japan (on Toshiba EMI with a different cover and additional tracks).
The album is named for the musical term da capo, meaning "back to the beginning." It was intended to be a return to the band's initial sound.
The album was initially slated for a summer 2000 release, but problems with Ace of Base's record labels caused it to be delayed for another year. The band's record label demanded that many of the album's songs be reworked with additional producers. Ultimately, Da Capo came out at the end of September 2002, and resulted in very low album sales in many European territories.
The minimal promotion was handled by two out of the four band members, Jenny Berggren and Ulf Ekberg. Jonas Berggren wanted to stay at home with his two children and Malin Berggren only attended one performance in Germany in 2002. During promotion Jenny and Ulf visited Sweden, Denmark, Norway, Finland, Germany, Poland and Austria.
In an interview, Ulf said that the group would release the album in the United States, with the songs being more acoustic. However, it never came out in America or Australia, although it has recently become available on iTunes. Polydor Records gave it a "soft release" in the UK on 21 October 2002 with no promotion nor any radio singles as Polydor believed that the band were no longer relevant to the British music scene. The album was released with Copy Control protection in some regions.
The title track was later featured on Dance Dance Revolution Supernova in 2006. As of 2014, Da Capo has sold over 500,000 copies, far fewer than Ace of Base's earlier releases.
This is the last studio album with the original lineup to date.
User Album Review
Named after the musical term for "back to the beginning," Swedish pop outfit Ace of Base's fourth studio album, Da Capo, stays faithful to its title, thanks to a sound that harks back to the lilting Euro reggae-pop of their mid-'90s heyday. This old-school approach may explain why the follow-up to 1998's more eclectic Flowers was only given a soft release in the U.K. and failed to see the light of day at all in the U.S.A. (both previously two of their biggest territories), with record company executives, who were already responsible for its two-year delay, claiming the band's output was no longer relevant. But while most of its 12 tracks are unashamedly stuck in the previous decade, particularly the bouncy lead single "Unspeakable," their ska-pop cover of Black's "Wonderful Life," and the flamenco-tinged "Show Me Love," their Anglo-American fans are missing out on some of the best work of their career. "Beautiful Morning" is a Max Martin-esque polished pop anthem, complete with rousing gospel finale, dedicated to the three Berggren siblings' late father; the title track is a pulsing fusion of techno beats, chugging guitars, and twinkling synths; and, best of all, "The Juvenile" is a reworking of their intended James Bond theme for 1995's Goldeneye, whose sinister John Barry-esque strings and haunting melodies are more than a match for the Tina Turner number that was chosen ahead of it. Da Capo was to be the final swan song for original vocalists Linn and Jenny, but while it undeniably sounds like it's stuck in a mid-'90s time warp, it's a consistently feel-good affair ensuring that the pair went out on a high.
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