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Cruel Summer is a 1998 album by Swedish pop group Ace of Base, released as the band's third album in North America on July 14, 1998 and in Japan on August 25, 1998 by Arista Records. Though Flowers sold four million copies in Europe, Asia, and Africa following its release in June 1998, Arista Records decided to release a different version of the album in the North America and Japan, retitled Cruel Summer. This version of the album featured the new track "Everytime It Rains" and many new versions of songs that were first featured on Flowers. As executive producer, Clive Davis enlisted collaborators including production team Cutfather & Joe and songwriter Billy Steinberg. While primarily a pop album, Cruel Summer explores the genres of euro disco, motown, and dance.
Cruel Summer received generally favorable reviews from music critics, who complimented its production and viewed it as a superior version of Flowers. Despite this, the album was not a success and failed to crack the top 100 of the Billboard 200, peaking at number 101. The project was promoted with a series of live television performances which received minimal participation from band member Linn Berggren. Two singles were released from the album, one which became an international success. Its titular lead single "Cruel Summer" peaked at number 10 on the US Billboard Hot 100 and was certified gold. The second and final single, "Whenever You're Near Me" received little promotion and peaked at number 76.
User Album Review
Ace of Base's music is never about diversity. Their first two records mined infectious Euro-disco beats to great effect, and the first, at least, illustrated they had a knack for writing big, irresistible pop hooks. Cruel Summer, their third album, attempts to capture the carefree, stylish charm that drove "All That She Wants" and "The Sign" to the top of the charts, and while it has its moments, it fails to rival their previous pop pinnacles. It's a little disappointing that the melodic high point is the title track, a cover of Bananarama's new wave classic. Also, it's a little disappointing that Ace of Base haven't chosen to vary their Euro-disco rhythms, since the relentless thumping makes Cruel Summer sound a little too similar its predecessors -- only without as many hooks. There are almost enough solid tracks to make the album enjoyable as it plays, but there's nothing really memorable about it once it's finished.
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