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Track List
01) Ready for You
02) Just One Love
03) Need You Too Fall
04) Hope It's Too Late
05) Can You Feel Me
06) The Best
07) Murder My Heart
08) You Comfort Me
09) Sign Your Name
10) Invisible Tattoo
11) Survivor
12) Crazy Love
01) Ready for You
02) Just One Love
03) Need You Too Fall
04) Hope It's Too Late
05) Can You Feel Me
06) The Best
07) Murder My Heart
08) You Comfort Me
09) Sign Your Name
10) Invisible Tattoo
11) Survivor
12) Crazy Love
4:02
4:15
3:43
3:11
4:02
4:09
4:08
3:45
3:32
4:06
3:57
2:48
Data Complete
70%
Total Rating
70%Total Rating
(1 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2009
Rock
Happy
Rock/Pop
---
Medium
Album
0 copies
Album Description
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Never let it be said that Michael Bolton is ignorant of his times. He may not always participate in them -- he spent the better part of the new millennium on the sidelines, occasionally singing covers, even indulging in an album-long tribute to Sinatra -- but he’s aware of them, as One World One Love, released in the U.K. in 2009 and the U.S. in 2010, illustrates. For his first mainstream pop album since 2002, he immerses himself in cool contemporary trends, trading heavily in Auto-Tune, enlisting Ne-Yo and a pre-fame Lady Gaga for a collaboration, dabbling in some reggae rhythms, adapting some coolly synthesized rhythms without ever quite achieving the iciness of Ryan Tedder. Strangely, Bolton’s impeccably recorded adult contemporary seems much warmer than most modern AC, something that goes a long way toward making One World One Love appealing: even though the songs are, as a whole, not as memorable as his earliest hits, there’s a nice easy confidence here -- it’s the sound of an old pro doing what he does best.
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Never let it be said that Michael Bolton is ignorant of his times. He may not always participate in them -- he spent the better part of the new millennium on the sidelines, occasionally singing covers, even indulging in an album-long tribute to Sinatra -- but he’s aware of them, as One World One Love, released in the U.K. in 2009 and the U.S. in 2010, illustrates. For his first mainstream pop album since 2002, he immerses himself in cool contemporary trends, trading heavily in Auto-Tune, enlisting Ne-Yo and a pre-fame Lady Gaga for a collaboration, dabbling in some reggae rhythms, adapting some coolly synthesized rhythms without ever quite achieving the iciness of Ryan Tedder. Strangely, Bolton’s impeccably recorded adult contemporary seems much warmer than most modern AC, something that goes a long way toward making One World One Love appealing: even though the songs are, as a whole, not as memorable as his earliest hits, there’s a nice easy confidence here -- it’s the sound of an old pro doing what he does best.
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