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Track List
01) Peel Out
02) I'm Gonna Love Her for Both of Us
03) More Than You Deserve
04) I'll Kill You If You Don't Come Back
05) Read 'Em and Weep
06) Nocturnal Pleasure
07) Dead Ringer for Love
08) Everything Is Permitted
01) Peel Out
02) I'm Gonna Love Her for Both of Us
03) More Than You Deserve
04) I'll Kill You If You Don't Come Back
05) Read 'Em and Weep
06) Nocturnal Pleasure
07) Dead Ringer for Love
08) Everything Is Permitted
6:32
7:08
6:57
6:23
5:27
0:37
4:22
4:39
Data Complete
80%
Total Rating
80%Total Rating
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Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1981
Hard Rock
In Love
Rock/Pop
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Medium
Album
0 copies
Album Description
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Dead Ringer is a 1981 album by Meat Loaf and is the second of his three albums written entirely by Jim Steinman. The album cover features an illustration by comic book artist and horror illustrator Bernie Wrightson.
Steinman started to work on Bad for Good, the album that was supposed to be the follow-up to 1977's Bat Out of Hell, in 1978. During that time, a combination of touring, drugs and exhaustion had caused Meat Loaf to lose his voice. Without a singer, and pressured by the record company, Steinman decided that he should sing on Bad for Good himself, and write a new album for Meat Loaf. This album was Dead Ringer, which was later released in 1981, after the release of Bad for Good.
After playing the role of Travis Redfish in the movie Roadie (which had cameos by Debbie Harry, Roy Orbison and Hank Williams, Jr., but was still a box office flop), Meat Loaf got his voice back, got off drugs, played softball, and started to work on his new album in 1980. Steinman had written five new songs which, in addition to the track "More Than You Deserve" (which Meat Loaf had sung in the musical with the same name) and a reworked monologue, formed the album Dead Ringer. The album was produced by Meat Loaf and Stephan Galfas, with backing tracks produced by Jimmy Iovine and Steinman. In 1976, Meat Loaf appeared on the track "Keeper Keep Us" from the Intergalactic Touring Band's self-titled album, which was produced by Galfas.
Four singles were released from Dead Ringer: "Dead Ringer for Love" (featuring Cher), "I'm Gonna Love Her for Both of Us", "Read 'Em and Weep" and "Peel Out". The album reached #1 in the UK.
The tour for this album also marked the beginning of his long-running collaboration with pianist Paul Jacobs, as both sideman and songwriter.
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Available in:
Dead Ringer is a 1981 album by Meat Loaf and is the second of his three albums written entirely by Jim Steinman. The album cover features an illustration by comic book artist and horror illustrator Bernie Wrightson.
Steinman started to work on Bad for Good, the album that was supposed to be the follow-up to 1977's Bat Out of Hell, in 1978. During that time, a combination of touring, drugs and exhaustion had caused Meat Loaf to lose his voice. Without a singer, and pressured by the record company, Steinman decided that he should sing on Bad for Good himself, and write a new album for Meat Loaf. This album was Dead Ringer, which was later released in 1981, after the release of Bad for Good.
After playing the role of Travis Redfish in the movie Roadie (which had cameos by Debbie Harry, Roy Orbison and Hank Williams, Jr., but was still a box office flop), Meat Loaf got his voice back, got off drugs, played softball, and started to work on his new album in 1980. Steinman had written five new songs which, in addition to the track "More Than You Deserve" (which Meat Loaf had sung in the musical with the same name) and a reworked monologue, formed the album Dead Ringer. The album was produced by Meat Loaf and Stephan Galfas, with backing tracks produced by Jimmy Iovine and Steinman. In 1976, Meat Loaf appeared on the track "Keeper Keep Us" from the Intergalactic Touring Band's self-titled album, which was produced by Galfas.
Four singles were released from Dead Ringer: "Dead Ringer for Love" (featuring Cher), "I'm Gonna Love Her for Both of Us", "Read 'Em and Weep" and "Peel Out". The album reached #1 in the UK.
The tour for this album also marked the beginning of his long-running collaboration with pianist Paul Jacobs, as both sideman and songwriter.
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