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Track List
01) Let Love Be Your Energy
02) Better Man
03) Rock DJ
04) Supreme
05) Kids
06) If It's Hurting You
07) Singing for the Lonely
08) Love Calling Earth
09) Knutsford City Limits
10) Forever Texas
11) By All Means Necessary
12) The Road to Mandalay
13) Often (live at Manchester)
01) Let Love Be Your Energy
02) Better Man
03) Rock DJ
04) Supreme
05) Kids
06) If It's Hurting You
07) Singing for the Lonely
08) Love Calling Earth
09) Knutsford City Limits
10) Forever Texas
11) By All Means Necessary
12) The Road to Mandalay
13) Often (live at Manchester)
4:59
3:22
4:18
4:18
4:46
4:10
4:31
4:05
4:45
3:37
4:45
3:57
2:49
Data Complete
80%
Total Rating
80%Total Rating
(2 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2000
Pop
Cheerful
Rock/Pop
---
Medium
Album
6,000,000 copies
Album Description
Available in:
Sing When You're Winning est le troisième album studio de l'auteur-compositeur-interprète anglais Robbie Williams. Après la sortie de son dernier album, I've Been Expecting You, en 1998, et au milieu de la promotion et de la tournée de 1999, Robbie a trouvé le temps de commencer à travailler sur ce qui allait être son troisième album studio. Le titre de l'album fait référence à un célèbre chant de football du même nom, Williams étant un fan du Port Vale F.C.. La pochette de l'album comporte plusieurs images de Williams célébrant la victoire d'un trophée au stade de Chelsea, Stamford Bridge. La version originale de l'album ne comporte ni le nom de Williams, ni le titre de l'album sur la première de couverture, ni la liste des titres au dos de l'album. Ces éléments ont été modifiés pour les versions ultérieures de l'album. La pochette de l'album a été prise par le photographe Paul M. Smith et, avec le maillot de football complet de Robbie, a été vendue aux enchères pour récolter de l'argent pour son association caritative, Give It Sum. Williams a effectué une tournée au Royaume-Uni avec Kylie Minogue en octobre et novembre 2000 pour promouvoir l'album, faisant salle comble dans toutes les salles.
User Album Review
Robbie Williams’ love of football was sure to manifest itself on a release before long, and for his third album he took inspiration from the terraces for its title and the pitch for its cover. But it’s not the colours of his beloved Port vale the singer sports on the record’s sleeve, instead wearing blue to suit the ground used in the shot, Chelsea’s Stamford Bridge. A visual analogy for how far the singer had come, or a comment on how out of place he felt in an industry always obsessed with the biggest and best rather than those grafting away at lower levels?
Neither, probably ”“ it just looks good to have a number of Robbies celebrating the winning of some cup or other. Look at it, instead, as a way of expressing the man’s wealth and acclaim. Previous album I’ve Been Expecting You might’ve been a fully warts-and-all affair, peppered with close-to-the-bone lyricism revealing an artist questioning the rights and wrongs of his chosen calling, but it was a major success. And the fame must’ve gone to his head like never before, as Sing When You’re Winning’s more bombastic moments play out like a boastful child’s my-dad’s-better-than-your-dad posturing, a brash confidence at odds with collaborator Guy Chambers’ attempts to conjure some of the magic that characterised its predecessor. Supreme comes close to matching the atmosphere of No Regrets, but blows its chances with a painfully out-of-place rap.
Elsewhere, Rock DJ throbs with an electricity capable only of powering the weakest remote control racer, for all of seven minutes ”“ a number one it might’ve been, but much of the track’s success was thanks to its inverted-commas controversial video, which won an MTV award for its effects but found itself banned, in its original, flesh-ripping form, in many territories. Knutsford City Limits is a dull explanation of how Robbie won’t change despite the all the commendations and criticisms to come his way, all dreary beats and sluggish guitar, and Forever Texas is an unwise bar-room blues number with all the repeat-play appeal of a four-hour Billy Ray Cyrus set.
The tender mid-section tracks If It’s Hurting You and Singing For the Lonely are pleasant diversions from the bluster that surrounds them, but focus had evidently slipped for this long-player. Not that its shortcomings prevented it from being the first of Williams’ albums to truly make an international impression.
External Album Reviews
None...
User Comments
Available in:
Sing When You're Winning est le troisième album studio de l'auteur-compositeur-interprète anglais Robbie Williams. Après la sortie de son dernier album, I've Been Expecting You, en 1998, et au milieu de la promotion et de la tournée de 1999, Robbie a trouvé le temps de commencer à travailler sur ce qui allait être son troisième album studio. Le titre de l'album fait référence à un célèbre chant de football du même nom, Williams étant un fan du Port Vale F.C.. La pochette de l'album comporte plusieurs images de Williams célébrant la victoire d'un trophée au stade de Chelsea, Stamford Bridge. La version originale de l'album ne comporte ni le nom de Williams, ni le titre de l'album sur la première de couverture, ni la liste des titres au dos de l'album. Ces éléments ont été modifiés pour les versions ultérieures de l'album. La pochette de l'album a été prise par le photographe Paul M. Smith et, avec le maillot de football complet de Robbie, a été vendue aux enchères pour récolter de l'argent pour son association caritative, Give It Sum. Williams a effectué une tournée au Royaume-Uni avec Kylie Minogue en octobre et novembre 2000 pour promouvoir l'album, faisant salle comble dans toutes les salles.
User Album Review
Robbie Williams’ love of football was sure to manifest itself on a release before long, and for his third album he took inspiration from the terraces for its title and the pitch for its cover. But it’s not the colours of his beloved Port vale the singer sports on the record’s sleeve, instead wearing blue to suit the ground used in the shot, Chelsea’s Stamford Bridge. A visual analogy for how far the singer had come, or a comment on how out of place he felt in an industry always obsessed with the biggest and best rather than those grafting away at lower levels?
Neither, probably ”“ it just looks good to have a number of Robbies celebrating the winning of some cup or other. Look at it, instead, as a way of expressing the man’s wealth and acclaim. Previous album I’ve Been Expecting You might’ve been a fully warts-and-all affair, peppered with close-to-the-bone lyricism revealing an artist questioning the rights and wrongs of his chosen calling, but it was a major success. And the fame must’ve gone to his head like never before, as Sing When You’re Winning’s more bombastic moments play out like a boastful child’s my-dad’s-better-than-your-dad posturing, a brash confidence at odds with collaborator Guy Chambers’ attempts to conjure some of the magic that characterised its predecessor. Supreme comes close to matching the atmosphere of No Regrets, but blows its chances with a painfully out-of-place rap.
Elsewhere, Rock DJ throbs with an electricity capable only of powering the weakest remote control racer, for all of seven minutes ”“ a number one it might’ve been, but much of the track’s success was thanks to its inverted-commas controversial video, which won an MTV award for its effects but found itself banned, in its original, flesh-ripping form, in many territories. Knutsford City Limits is a dull explanation of how Robbie won’t change despite the all the commendations and criticisms to come his way, all dreary beats and sluggish guitar, and Forever Texas is an unwise bar-room blues number with all the repeat-play appeal of a four-hour Billy Ray Cyrus set.
The tender mid-section tracks If It’s Hurting You and Singing For the Lonely are pleasant diversions from the bluster that surrounds them, but focus had evidently slipped for this long-player. Not that its shortcomings prevented it from being the first of Williams’ albums to truly make an international impression.
External Album Reviews
None...
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