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Track List
01) Smells Like Teen Spirit
02) In Bloom
03) Come as You Are
04) Breed
05) Lithium
06) Polly
07) Territorial Pissings
08) Drain You
09) Lounge Act
10) Stay Away
11) On a Plain
12) Something in the Way
13) Endless, Nameless
01) Smells Like Teen Spirit
02) In Bloom
03) Come as You Are
04) Breed
05) Lithium
06) Polly
07) Territorial Pissings
08) Drain You
09) Lounge Act
10) Stay Away
11) On a Plain
12) Something in the Way
13) Endless, Nameless
5:01
4:14
3:39
3:03
4:16
2:56
2:23
3:43
2:36
3:32
3:16
3:48
6:44
Data Complete
90%
Total Rating
90%Total Rating
(6 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1991
Grunge
Sad
Rock/Pop
---
Medium
Album
30,000,000 copies
Album Description
Available in:
Nevermind es el segundo álbum de estudio de la banda estadounidense Nirvana, publicado el 24 de septiembre de 1991. Producido por Butch Vig, Nevermind fue el primer lanzamiento de la banda con DGC Records. El líder de la agrupación, Kurt Cobain, trató de hacer música fuera de los límites restrictivos de la escena grunge de Seattle, aprovechando la influencia de grupos como los Pixies y su uso de la dinámica de canciones ruidosas y calmadas.
Pese a las escasas esperanzas comerciales por parte de la banda y del sello discográfico, Nevermind se convirtió en un sorprendente éxito a finales de 1991, en gran parte debido a su primer sencillo, «Smells Like Teen Spirit». En enero de 1992 había desbancado al álbum de Michael Jackson Dangerous del número uno del Billboard. La RIAA certificó el álbum con disco de diamante (10 millones de copias vendidas). Nevermind fue el responsable de dar a conocer el rock alternativo al gran público y la crítica lo calificó como uno de los mejores álbumes de todos los tiempos. Ha vendido 30 millones de copias en todo el mundo. Fue clasificado en el #17 en la lista de Los 500 mejores albumes de la historia según Rolling Stone.
User Album Review
Before its September 1991 release, Geffen Records were hoping to sell 250,000 copies of Nevermind. But Nirvana's second album went on to shift 100 times that amount; and, since the suicide of frontman Kurt Cobain in April 1994, its surprise success has been acknowledged as a factor in its primary songwriter’s tragic demise.
With hindsight it is easy to work out why Cobain struggled with the LP after its completion and release. In Utero, Nirvana's third and final studio album of 1993, was a difficult, abrasive record; compared to its predecessor, it's clearly the product of a mind pushed beyond its limit. Cobain would dismiss Nevermind, the follow-up to 1989's scrappy debut Bleach, as “a Motley Crue record” rather than the punk album that may have been initially intended.
The tunes are still ace, but there is an unquestionable MTV sheen plastered over the bulk of them. The band enlisted Butch Vig to produce the record and trusted him behind the desk. But when mixing went awry, Slayer mixer Andy Wallace was brought in to tweak the final mixes. While Wallace used less studio trickery than the average pop producer, Kurt was right: what now sits on 26 million shelves is definitely not punk.
Instead, it’s an awesome mainstream rock record. Its four standalone cuts, including Smells Like Teen Spirit and Come As You, Are are exemplary, soaring rock singles which quickly became angst-ridden anthems for disaffected teens across the world. The quiet/loud formula that Nirvana made their own was stolen from the Pixies, as Kurt freely admitted; but Frank Black’s merry crew never managed to hook listeners like Nevermind did.
The guitars are all crunched, phased and compressed to within an inch of their six strings, and the drum sounds are predictably accountant-tight and brickie-tough. Lyrically, aside from Polly, Nevermind rarely goes beyond woe-is-me or the cryptic: witness On A Plain’s "The black sheep got / blackmailed again / forgot to put / on a zip code".
But even the occasional piece of nonsensical wordplay couldn’t hide the beguiling, revelatory side of Cobain's writing. The aforementioned Polly is about a rapist, while Kurt said Something in the Way was about sleeping rough - although friends of his have since denied he ever did.
And there were Kurt’s vocals. By turns haunted and hurting, caged and desperate, it’s his scuffed, torn diary of a voice that you remember after the guitars have faded. Ultimately it's his fraying presence that ensures that Nevermind is a flawed classic, but a classic just the same.
External Album Reviews
None...
User Comments
Available in:
Nevermind es el segundo álbum de estudio de la banda estadounidense Nirvana, publicado el 24 de septiembre de 1991. Producido por Butch Vig, Nevermind fue el primer lanzamiento de la banda con DGC Records. El líder de la agrupación, Kurt Cobain, trató de hacer música fuera de los límites restrictivos de la escena grunge de Seattle, aprovechando la influencia de grupos como los Pixies y su uso de la dinámica de canciones ruidosas y calmadas.
Pese a las escasas esperanzas comerciales por parte de la banda y del sello discográfico, Nevermind se convirtió en un sorprendente éxito a finales de 1991, en gran parte debido a su primer sencillo, «Smells Like Teen Spirit». En enero de 1992 había desbancado al álbum de Michael Jackson Dangerous del número uno del Billboard. La RIAA certificó el álbum con disco de diamante (10 millones de copias vendidas). Nevermind fue el responsable de dar a conocer el rock alternativo al gran público y la crítica lo calificó como uno de los mejores álbumes de todos los tiempos. Ha vendido 30 millones de copias en todo el mundo. Fue clasificado en el #17 en la lista de Los 500 mejores albumes de la historia según Rolling Stone.
User Album Review
Before its September 1991 release, Geffen Records were hoping to sell 250,000 copies of Nevermind. But Nirvana's second album went on to shift 100 times that amount; and, since the suicide of frontman Kurt Cobain in April 1994, its surprise success has been acknowledged as a factor in its primary songwriter’s tragic demise.
With hindsight it is easy to work out why Cobain struggled with the LP after its completion and release. In Utero, Nirvana's third and final studio album of 1993, was a difficult, abrasive record; compared to its predecessor, it's clearly the product of a mind pushed beyond its limit. Cobain would dismiss Nevermind, the follow-up to 1989's scrappy debut Bleach, as “a Motley Crue record” rather than the punk album that may have been initially intended.
The tunes are still ace, but there is an unquestionable MTV sheen plastered over the bulk of them. The band enlisted Butch Vig to produce the record and trusted him behind the desk. But when mixing went awry, Slayer mixer Andy Wallace was brought in to tweak the final mixes. While Wallace used less studio trickery than the average pop producer, Kurt was right: what now sits on 26 million shelves is definitely not punk.
Instead, it’s an awesome mainstream rock record. Its four standalone cuts, including Smells Like Teen Spirit and Come As You, Are are exemplary, soaring rock singles which quickly became angst-ridden anthems for disaffected teens across the world. The quiet/loud formula that Nirvana made their own was stolen from the Pixies, as Kurt freely admitted; but Frank Black’s merry crew never managed to hook listeners like Nevermind did.
The guitars are all crunched, phased and compressed to within an inch of their six strings, and the drum sounds are predictably accountant-tight and brickie-tough. Lyrically, aside from Polly, Nevermind rarely goes beyond woe-is-me or the cryptic: witness On A Plain’s "The black sheep got / blackmailed again / forgot to put / on a zip code".
But even the occasional piece of nonsensical wordplay couldn’t hide the beguiling, revelatory side of Cobain's writing. The aforementioned Polly is about a rapist, while Kurt said Something in the Way was about sleeping rough - although friends of his have since denied he ever did.
And there were Kurt’s vocals. By turns haunted and hurting, caged and desperate, it’s his scuffed, torn diary of a voice that you remember after the guitars have faded. Ultimately it's his fraying presence that ensures that Nevermind is a flawed classic, but a classic just the same.
External Album Reviews
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