(0 users) 
Cover NOT yet available in
Join Patreon for 4K upload/download access
Your Rating (Click a star below)
Track List
01) You da One
02) Where Have You Been
03) We Found Love
04) Talk That Talk
05) Cockiness (Love It)
06) Birthday Cake
07) We All Want Love
08) Drunk on Love
09) Roc Me Out
10) Watch n' Learn
11) Farewell
12) Red Lipstick
13) Do Ya Thang
14) Fool in Love
01) You da One
02) Where Have You Been
03) We Found Love
04) Talk That Talk
05) Cockiness (Love It)
06) Birthday Cake
07) We All Want Love
08) Drunk on Love
09) Roc Me Out
10) Watch n' Learn
11) Farewell
12) Red Lipstick
13) Do Ya Thang
14) Fool in Love
3:20
4:03
3:36
3:30
2:58
1:18
3:57
3:32
3:29
3:31
4:16
3:37
3:43
4:15
Data Complete
80%
Total Rating
80%Total Rating
(4 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2011
Pop
In Love
Rock/Pop
---
---
Album
2,000,000 copies
Album Description
Available in:
Talk That Talk est le sixième album studio de l'artiste barbadienne Rihanna, sorti le 21 novembre 2011, sur le label Def Jam. Le premier single issu de l'album, We Found Love en featuring avec Calvin Harris, a été premièrement dévoilé sur la radio Capital FM le 22 septembre 2011 et, est sorti sur l'iTunes américain le même jour. Il se classe premier au Royaume-Uni avec 163 000 exemplaires vendus1. Il s'est vendu à plus de 3 millions d'exemplaires depuis sa sortie.
User Album Review
An artist experiencing diminishing returns since 2009’s startling reinvention album Rated R – from victim to victorious in one long-player – Rihanna’s latest can’t stop the rot that set in with the mixed messages of 2010’s Loud. Not that said set was poor – it just failed to match the pop highs of the Umbrella-packing Good Girl Gone Bad and Rated R’s darker tones. The tracks of sixth LP Talk That Talk make a lot of noise but move lethargically – familiar tropes surface in the lyrical content (sexy times being the core focus), and musically it’s a smorgasbord of European dance trends and contemporary RnB production, showy but soulless. Of course there are ballads, too – but after all the saucy front, the slowies feel utterly blunted.
The album begins at a low, the staccato vocal hooks of You Da One irritating rather than engaging. The squelchy, buzzing Where Have You Been is one of two productions from Calvin Harris – indicative of the mainstream dance scene of the UK and Europe making steady progression into the US RnB market. It’s an inoffensive pairing of building beats and sliced-and-diced vocals: to the right feet on the right dancefloor it’ll be manna itself manifested as an arms-in-the-air clubbing highlight. The second Harris hook-up, We Found Love, swells with fevered keys until it explodes, blinding neon like, all over its frenetic, repetitive chorus. It’s by-numbers fare from Harris, given edge by a quite deliberately provocative music video – just the 47 million YouTube views since mid-October.
A forgettable vocal from Jay-Z on the title-track foreshadows an awful exercise in quasi-erotic wordplay on Cockiness (Love It) and a wholly pointless minute-something in the company of star producer The-Dream, wasted on the boring profanities of Birthday Cake. At its halfway mark Talk That Talk takes a turn for the downbeat, the Beyoncé-style paean to perfect monogamy We All Want Love sitting awkwardly beside questionable sexual morals presented by earlier cuts. And Drunk on Love, for the second time in as many weeks release-wise after Rihanna’s guest slot on Drake’s Take Care, matches the Barbadian singer with a Jamie xx (Smith) production, the backing a slightly tweaked take on The xx’s Intro. It feels lazy, an impression that runs the course of this collection, which never convinces the listener that the artist on its cover is fully committed to the cause. On the commercial dubstep rumble of bonus track Red Lipstick, produced by Chase & Status, she sounds as if she phoned in her (again, drearily sexual) vocal five minutes after waking up.
In the recent past Rihanna exhibited a cool nonchalance; here, she’s trapped between playing the characters of a ruthless dominatrix and a docile sort willing to be putty in a boy’s hands. If the real Rihanna doesn’t stand up for her seventh LP, one has to wonder if she’ll ever find herself again.
External Album Reviews
None...
User Comments
Available in:
Talk That Talk est le sixième album studio de l'artiste barbadienne Rihanna, sorti le 21 novembre 2011, sur le label Def Jam. Le premier single issu de l'album, We Found Love en featuring avec Calvin Harris, a été premièrement dévoilé sur la radio Capital FM le 22 septembre 2011 et, est sorti sur l'iTunes américain le même jour. Il se classe premier au Royaume-Uni avec 163 000 exemplaires vendus1. Il s'est vendu à plus de 3 millions d'exemplaires depuis sa sortie.
User Album Review
An artist experiencing diminishing returns since 2009’s startling reinvention album Rated R – from victim to victorious in one long-player – Rihanna’s latest can’t stop the rot that set in with the mixed messages of 2010’s Loud. Not that said set was poor – it just failed to match the pop highs of the Umbrella-packing Good Girl Gone Bad and Rated R’s darker tones. The tracks of sixth LP Talk That Talk make a lot of noise but move lethargically – familiar tropes surface in the lyrical content (sexy times being the core focus), and musically it’s a smorgasbord of European dance trends and contemporary RnB production, showy but soulless. Of course there are ballads, too – but after all the saucy front, the slowies feel utterly blunted.
The album begins at a low, the staccato vocal hooks of You Da One irritating rather than engaging. The squelchy, buzzing Where Have You Been is one of two productions from Calvin Harris – indicative of the mainstream dance scene of the UK and Europe making steady progression into the US RnB market. It’s an inoffensive pairing of building beats and sliced-and-diced vocals: to the right feet on the right dancefloor it’ll be manna itself manifested as an arms-in-the-air clubbing highlight. The second Harris hook-up, We Found Love, swells with fevered keys until it explodes, blinding neon like, all over its frenetic, repetitive chorus. It’s by-numbers fare from Harris, given edge by a quite deliberately provocative music video – just the 47 million YouTube views since mid-October.
A forgettable vocal from Jay-Z on the title-track foreshadows an awful exercise in quasi-erotic wordplay on Cockiness (Love It) and a wholly pointless minute-something in the company of star producer The-Dream, wasted on the boring profanities of Birthday Cake. At its halfway mark Talk That Talk takes a turn for the downbeat, the Beyoncé-style paean to perfect monogamy We All Want Love sitting awkwardly beside questionable sexual morals presented by earlier cuts. And Drunk on Love, for the second time in as many weeks release-wise after Rihanna’s guest slot on Drake’s Take Care, matches the Barbadian singer with a Jamie xx (Smith) production, the backing a slightly tweaked take on The xx’s Intro. It feels lazy, an impression that runs the course of this collection, which never convinces the listener that the artist on its cover is fully committed to the cause. On the commercial dubstep rumble of bonus track Red Lipstick, produced by Chase & Status, she sounds as if she phoned in her (again, drearily sexual) vocal five minutes after waking up.
In the recent past Rihanna exhibited a cool nonchalance; here, she’s trapped between playing the characters of a ruthless dominatrix and a docile sort willing to be putty in a boy’s hands. If the real Rihanna doesn’t stand up for her seventh LP, one has to wonder if she’ll ever find herself again.
External Album Reviews
None...
User Comments
No comments yet...
Status
unlockedRank: External Links
